Apolo 10 1/2: Una infancia espacial

Utilising the rotoscope animation style he perfected in his previous animated film efforts Waking Life and A Scanner Darkly, famed indie director Richard Linklater brings colour and soul to his semi-autobiographical Netflix original Apollo 10 1/2: A Space Age Adventure, in what is a nostalgia heavy trip back to the NASA obsessed state of Texas in the 60's where man's quest to conquer the moon was at the forefront of everyone's minds and hearts.

One of the most purely enjoyable and laid-back films I can recall watching, Apollo 10 1/2 finds Linklater operating back at peak form after a few so-so years behind the camera with the likes of Where'd You Go, Bernadette and Last Flag Flying as he here crafts a childhood infused love letter to his own experiences growing up in the space-age era that ensures his film is one that will feel relevant and understandable to anyone who has grown up in the great big world we live in and offers a nice alternative exploration of the well-explored Apollo mission that gives us a fresh spin on the world changing events of the late 60's.

Forgoing a typical narrative approach in favour of implementing a Jack Black lead voice over for virtually a full hour of the films 90 minute running time, a risky move that pays off big time as you are transported back to our lead protagonist and Linklater stand in Stan, Apollo 10 1/2 offers a mostly captivating experience that captures the 60's and the NASA space age as good as any film that I could recall seeing and regardless if your interest in space is minimal or obsessive, Linklater's film will grip when on land watching TV shows or listening to records just as much as it grips when venturing to out of space with its more fantastical elements.

One of those films you can feel coming about from lived in experiences and someones own personal memories and heartfelt musings, Apollo 10 1/2 is one of the most genuinely effective and touching features Linklater has ever produced, right up there with his most well-liked products such as the Before trilogy, Dazed and Confused and Boyhood.

While some may find the films lack of a hard narrative or non-linear plotline frustrating, for anyone willing to be taken on a trip back to a time and place that feels like a lifetime ago while also strangely feeling relevant and in touch with how life is now, Apollo 10 1/2 is an absolutely joy and a hidden Netflix gem that deserves to find as big of an audience on the platform as any of their recent Ryan Reynolds stinkers that would do well to employ some of the creativity and substance that is found in Linklater's beautiful little film.

Final Say -

It may not offer anything of a revelatory nature but Richard Linklater's newest film is a minor masterpiece and one of the best examples in recent years of a nostalgia lead trip back in time.

4 1/2 scoops of vanilla ice cream out of 5.

For more reviews check out Jordan and Eddie (The Movie Guys)

I grew up in Houston from mid '50s to mid '70s and the nostalgic details in Linklater's great new animated feature was almost overwhelming. I'm sure many people will appreciate it, especially the visual style, but for us Space City kids, it is a real treasure trove of memories. Only one goof: the Majestic Theater did not look like that and was quite the opposite of the run-down theater he described. It was a magnificent movie palace in the heart of downtown.

A new Richard Linklater movie got dropped onto Netflix about a month ago with little promotion or fanfare, which is a shame, because it was an enjoyable watch and there's quite a lot of good stuff in it.

It's a very, very nostalgic look back at being a kid in the late 1960s, and how it felt to grow up at the time of the Apollo space missions. It mixes comedy, animation, some documentary/historical footage (that's been animated over), voiceover, and even a little bit of fantasy to make for a breezy and largely entertaining watch.

It is more of a hangout/mood sort of movie, and whether it would've necessarily been better with a more focused story is hard to say. I didn't really mind, and it was only towards the very end where I felt like they started to stretch the fairly simple premise about as far as it could go.

And shortly after that point, it wraps up, coming in at about 90 minutes. There was a little repetition throughout, but most of it was really charming and enjoyable. It's a good watch- I think it's another overall solid film in Linklater's extensive, very strong filmography.

It's a great little trip down memory lane. I grew up in the late sixties and this little film really resonated with me. It depicted the era perfectly, although, since I didn't grow up in the Houston area, there were a few local things that didn't[t resonate with me. But overall, this is a fun family movie just bout everyone can enjoy! Great job on picking out the songs of the era too!

Fun animation depicting a time when most all people were experiencing the same look at a real time event in our early stages of technology. For better or worse, everyone was viewing from a shared lense. Quite a contrast from our splintered viewing from which we now interpret real time reality. The director has nailed the zeitgeist of 1969.