Ayalaan

Even for an alien movie, the film had the need to have a hero song, hero falling in love on first sight (ofcourse with a fair skinned girl), hero saves a stranded animal and then a kid kisses him. Nothing out of the template. This is Tamil industry's opportunity to deliver a good alien movie. With such a comical cast, there weren't that many jokes to laugh. Maybe a few chuckles here and there but that's it. For me, the biggest disappointment is the music. Both songs and the background score were not even mediocre but bad. Any other upcoming music director could have done a better job. Rahman was such a let down. The movie had every Cliche'd scene you would expect. I wouldn't even call it a kids' movie because there was nothing new that the kids might enjoy. Overall a huge let down and a wasted opportunity.

Ayalaan- Quirky and witty sci fi movie with a great pinch of message for humans to protect and safeguard the earth.

Director Ravi Kumar has shown this simple story with alien and humans confrontation, but taken with a good comic timing.

Siva Karthikeyan is gifted with picking good stories, and he has effortlessly carried forward his magic. Yogi babu and others are hilarious with their comedy.

This movie is a whole hearted kids and family entertainer with a strong message for humans towards Mother Nature.

Go for it and enjoy this sci-fi comedy that has a good meaning to protect earth as it is in our hands.

This movie is all scifi, a perfect scifi action movie from ravi kumar. His work from indru netru naalai has been perfect as this. Kudos to the VFX team. I can see the work put through each scene for CGI is remarkable. The work and efforts and the cgi and graphics were hollywood standards. Almost every scene is a CGI. Special kudos. But the story and screenplay could have been better not bad though. SK did his best to his role and all others collaborated very well. To be honest the songs were reducing the pace of the movie and the songs too not catchy. This will be ARR s bad album according to me. Bgm is ok. Overall a good movie. Kudos to ravikumar for bringing in a world class movie with all techs in. Please do watch it available in sun Next.

I can clearly say this film is good. Announced on 2016 and started shooting on 2018 and packed up on 2019. Afterwards spend most of the time on post production cause they faced a lot trouble on financial. And my main concern is about the budget, if you notice the vfx and the budget - it won't suit up. Cause the animation looks more cartoonish - Compared to that animation level. Cause there's no proper retro scoping, the hands of human being while touching alien won't mark up properly, the boot of alien looks more bigger than the alien, no proper timed motion blur, green screen isn't merged with colour grading and many mistakes. And they needed to work on story more.

Everyone's talking about ET and Koi Mil Gaya as obvious sources of inspiration, but my best guess is .. writer-director R Ravi Kumar watched Greg Mottola's Paul (2011) at some point and thought Tamizhify-ing it would be a good idea. Considering the film has been in production hell for years, I'm glad at least the visual effects do not disappoint. PhantomFX does a pretty solid job, and it's indeed their hard work that sustains the film's watchability factor. I'll also give part of that credit to Siddharth, who voices Tattoo the cute alien.

But I wish the writing ingenuity that I witnessed in Ravi Kumar's Indru Netru Naalai was present here too. The screenplay is inconsolably generic, and even kids would find the plot developments overstuffed and the feeble attempts at humor quite lackluster. Sivakarthikeyan does alright in a role that only tries to milk the middle-class guy-next-door perception he has, while the usually funny sidekicks (Yogi Babu, Karunakaran) are not as fun this time around. The antagonists are one-note too, and a returning (femme fatale) Isha Koppikar is way more interesting than Sharad Kelkar here. Oh, Rakul Preet Singh is in there somewhere too, I almost forgot! Also, this is probably the most forgettable soundtrack that ARR has composed in recent memory.