Ranjith Sankar really knows how to make movies. Or rather how to make emotional and inspirational movies. (He only started making serious ones once he began producing them, though.) Following up with his 2015 film Su Su Sudhi Vathmeekam (also starring Jayasurya), he again picks up a hugely relevant topic for Njan Marykutty and fires it up with all his might. The straightforward and highly predictable story of a transsexual woman (Jayasurya) who finds it difficult to blend into the society is enhanced by rock-solid performances and occasional highlighting of stark social issues in Kerala and elsewhere in India. How the society fails to receive a person when he tries to change his sexuality is what director Sankar aims to convey here, and for that, he uses a mechanical container that also doubles up as a motivational film. Jayasurya, in the performance of the year so far in Mollywood, shines all the way. I am not surprised by his performance, but only has led me to wonder what really inspires him to take such roles and do it with so much finesse. Supported by a linear, easy-going storyline and good writing while not resorting to vulgarity, Njan Marykutty further increases its appeal as a decent film that hits multiple notes with great flare and ability. Watching it is like gulping down water in the middle of a night, thirsty and with eyes wide open. Although there are some usual ingredients - that are very commonplace in Malayalam films and even in Sankar's films - I am ready to ignore them because Njan Marykutty inspires and sheds heavy light into a real-life issue of stereotyping in today's world. It's a great watch and one that is essential. TN.
