CALIFICACIÓN DE IMDb
6.9/10
348
TU CALIFICACIÓN
Agrega una trama en tu idiomaExplores the seminal music magazine from its 1969 launch in Detroit to the untimely death of its publisher Barry Kramer in 1981.Explores the seminal music magazine from its 1969 launch in Detroit to the untimely death of its publisher Barry Kramer in 1981.Explores the seminal music magazine from its 1969 launch in Detroit to the untimely death of its publisher Barry Kramer in 1981.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
Lester Bangs
- Self - Senior Editor
- (material de archivo)
Barry Kramer
- Self - Publisher
- (material de archivo)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
While Barry Kramer and Lester Bangs weren't available to be interviewed, viewers will see and hear everyone else that made Creem Magazine the rag to read about who was doing what (and to whom) in rock 'n' roll.
Like the magazine, the documentary is irreverent and passionate about its subject. While the director (Scott Crawford) grew up in the Washington, D.C. area, he understands the mid-western DIY ethos that enabled Creem Magazine (which was published in Detroit, not NYC, not LA) to go from nothing to something larger than life from the moment it began.
Actually, no Crawford doesn't just understand that DIY ethos. He owns it. He published his own 'zine on the DC hardcore scene when he just a kid and, with practically zero budget, directed the documentary, Salad Days.
But back to Creem and this documentary. The people who chose to work at the magazine (the writers, the editors, the publisher, the photographers, the assistants, the people who made sure it got to the printer) all had something to prove. And they sure didn't do it for the money. But these are the kind of people who have a story to tell. And they do it in this film. And so do people like Joan Jett, Wayne Kramer, Alice Cooper, Cameron Crowe and more.
Does it have a few imperfections? Sure. So did the magazine. Do these blemishes get in the way of enjoying the show? Maybe if you're the type that subscribes to Rolling Stone and thinks Jann Wenner's cool.
If you're a long-time fan of Creem Magazine, you'll not be disappointed. If you're new to the subject, you'll learn a lot and have fun at the same time. But why take my word for it? Watch the trailer. Or, better, watch the film.
Like the magazine, the documentary is irreverent and passionate about its subject. While the director (Scott Crawford) grew up in the Washington, D.C. area, he understands the mid-western DIY ethos that enabled Creem Magazine (which was published in Detroit, not NYC, not LA) to go from nothing to something larger than life from the moment it began.
Actually, no Crawford doesn't just understand that DIY ethos. He owns it. He published his own 'zine on the DC hardcore scene when he just a kid and, with practically zero budget, directed the documentary, Salad Days.
But back to Creem and this documentary. The people who chose to work at the magazine (the writers, the editors, the publisher, the photographers, the assistants, the people who made sure it got to the printer) all had something to prove. And they sure didn't do it for the money. But these are the kind of people who have a story to tell. And they do it in this film. And so do people like Joan Jett, Wayne Kramer, Alice Cooper, Cameron Crowe and more.
Does it have a few imperfections? Sure. So did the magazine. Do these blemishes get in the way of enjoying the show? Maybe if you're the type that subscribes to Rolling Stone and thinks Jann Wenner's cool.
If you're a long-time fan of Creem Magazine, you'll not be disappointed. If you're new to the subject, you'll learn a lot and have fun at the same time. But why take my word for it? Watch the trailer. Or, better, watch the film.
The magazine has a fascinating back story captured well in this documentary. Very well done and a must see if you are a classic rock enthusiast.
This film really did a wonderful job portraying the rise and fall of a magazine empire. It also took the time to describe in detail the feel of the country, music scene and Detroit during the era. As a Michigan native, it really opened my eyes to the history of it all.
Another important time capsule component. Absolutely necessary for future generations to use as they begin to understand the music of the 60's, 70's & 80's. Where and how the music made, and why it's greatness will never be matched.
Creem was always like Rolling Stone magazine's snotty bratty little brother. Scott Crawford's documentary is a bit like that as well - quick and cheep. Only 75 minutes long it gets the story told (HBO's Rolling Stone: Stories From The Edge doc was 360 minutes long by comparison). Rolling Stone strained to be legit, Creem was sex, drugs and louder, faster rock.
Creem lasted for 20 years on the newsstands, but the Doc basically concentrates on the first third of that history. Many of the surviving members of the staff are on hand to be interviewed and tell stories. There is a bit of actual footage from the period (much of it captured on grainy videotape), but the talking heads, magazine scans and vintage photos carry the load here.
What really emerges is a portrait of three men: Publisher and founder Barry Kramer, editor Dave Marsh and bad boy critic Lester Bangs. In true rock 'n roll fashion, Kramer and Bangs both crashed and burned before they hit 40 (Bangs was only 33). The other heartbeat of Creem was that it was from Detroit, and not L. A. or NYC. Iggy Pop and the Stooges, the MC5 and Motown gave it a 'middle of the country' soul. The original Creem office was in a nasty part of the inner city, which makes the two years at a virtual commune far outside the metropolis seem even more of an oddity.
Crawford's Doc can't escape the feel of a Boy Howdy! Production with half the Creem employees and Kramer's family producing it*. Still, the friends and family don't skimp on the dirty laundry. Even in their 60s and 70s, the staff still has the attitude - much like the magazine they helped bring about.
* Boy Howdy! Was the defacto logo for the magazine much like Alfred E. Neuman for Mad - they even touted a faux beer with the label!
Creem lasted for 20 years on the newsstands, but the Doc basically concentrates on the first third of that history. Many of the surviving members of the staff are on hand to be interviewed and tell stories. There is a bit of actual footage from the period (much of it captured on grainy videotape), but the talking heads, magazine scans and vintage photos carry the load here.
What really emerges is a portrait of three men: Publisher and founder Barry Kramer, editor Dave Marsh and bad boy critic Lester Bangs. In true rock 'n roll fashion, Kramer and Bangs both crashed and burned before they hit 40 (Bangs was only 33). The other heartbeat of Creem was that it was from Detroit, and not L. A. or NYC. Iggy Pop and the Stooges, the MC5 and Motown gave it a 'middle of the country' soul. The original Creem office was in a nasty part of the inner city, which makes the two years at a virtual commune far outside the metropolis seem even more of an oddity.
Crawford's Doc can't escape the feel of a Boy Howdy! Production with half the Creem employees and Kramer's family producing it*. Still, the friends and family don't skimp on the dirty laundry. Even in their 60s and 70s, the staff still has the attitude - much like the magazine they helped bring about.
* Boy Howdy! Was the defacto logo for the magazine much like Alfred E. Neuman for Mad - they even touted a faux beer with the label!
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Creem: America's Only Rock 'n' Roll Magazine
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 15min(75 min)
- Color
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