Saint-Narcisse

...he might have made a movie like this.

I seriously wish I had done a couple bong hits or shots before watching this. Some of the dialogue might have been more tolerable, or the incomprehensible changes in character motivation might have made sense. It's a pretty twisted tale to start with, but slow pacing and plodding developments don't help. When a movie is only 1 hr 40 minutes, but feels like 3 and a half hours, it's a warning that things are not right.

I know it's supposed to be "edgy" and "shocking", but when it's also so dull that the delicious male nudity barely wakes you up you realize you're strapped in for a rough ride.

I look about 250 so called Indie movies a year. I am 60 years old . I finally found the most bad movie ever seen. I even have no power to tell why everone should avoid this movie. Is it for the total lack of inspiration in the story telling, the pace of the movie that even a child at primary school can improve, the irritating repeat of a flash forward in the first 20 minutes, the extreme boring camera angles , the fact that you shall cringe your fingers and toes about the script and meaningless dialogues? I don't know. I pay 10 times the price back for what I for paid to see this 'movie' To anyone who can get my money back from where I bought it.

I'm not sure what to make of this. At times it seems like it wants to be a serious minded film. Other times it seems close to soft porn. The exterior shots are well photographed, but the acting is dismal, though the lead, Félix-Antoine Duval, has charisma and is certainly sexy to make up for his acting deficiency. He sounds dubbed, but he's not. In any event, this is a poorly written film, to put it mildly, but somehow hard to turn off as you cannot help but wonder what will happen next. I fear that makes it sound more interesting than it is. The last scene is laughable.

Well LaBruce has done it again. Another woeful tale which could have used a good rewrite. The actors do what they can and there are a couple of moments that could have been downright spooky, but the plot is so inane, it cannot suspend disbelief. Plotting is plodding and when at last, you glimpse the eyes of the statue, you just can't help but laugh.

I was actually surprised by Saint-Narcisse. Having seen other films by this director I was expecting something more transgressive, although it seems that other reviewers were offended by the frankly mild content in this particular film (don't watch Hustler White if you can't take Saint-Narcisse). The film certainly attempts to draw your eye with the cinematography and the curated images, for example of Beatrice teasing her son's hair from the comb he used out of longing after he's left. Sometimes directors pay closer attention to the cinematography when they recognize that the plot is a little thin or progresses slowly, or they otherwise have some issue with the narrative, but whatever the case is it works in this film.

I think the casting was perfect and the actors really sold this film although there is an issue with the dialogue being often stilted and unnatural, which is presumably due to the actors being French-speaking and the film is in English. Frankly, Saint-Narcisse is more of an art film and if you're expecting explosions or a homicide in the first five minutes you'll be disappointed. Essentially this is a film about a young man who reconnects with the mother who abandoned him when he was very young. The young man also comes across his doppelganger in the form of a monk at a local monastery. The film is imperfect like everything is and it stumbles into David DeCouteau territory in the second half, but I found it visually compelling and I daresay more sedate than other offerings from this director. Sedate but not joyless. 8/10.