Tang ren jie tan an 2

The first hour was pure fun perfectly balancing the comedy and the mystery the next half hour dragged a bit when it tried to look serious but instead kind of looked stupid and the last hour was quite ridiculous. Even with all of that and a string of jokes that just uses stereotypes it was superfun with great 2 lead performances.

A gangster arranged detective association for find his son's killer.. Nice story screenplay and comedy and finally good twist in climax.. Must watch movie..!!

As a Spring Festival Film, the plot and rhythm are basically passed. It's just that there are too many rubbish lines that make the protagonist's whole super second grade. In addition, there are logical defects in reasoning, which do not rule out that the writers ignore other perspectives according to their own ideas when they write the script, but should you copy homework to improve it? I hope the third part can strengthen the plot and reduce the noise and meaningless plot.

Here's the imaginatively titled sequel to the 2015 movie. This time the loud, idiotic, blustering (distant) uncle and the stammering brilliant nephew are summoned to New York. There's been a murder, and "Uncle Seven" is offering a huge reward if any of a dozen private detectives can figure out who did it before the police do, and before he dies.

It's a comedy mystery set in New York City, and the mystery is a nicely tangled one that turns into a serial killing, with all the clues properly laid out in front of the movie audience in advance. I was less pleased with the other aspects of the movie -- the comedy bits varied over the shop, with a few gags that worked, but the interactions between the leads not very good; and the geography of New York City in this movie bears as little relationship to the New York I've lived in all my life as.... well, as a typical Hollywood movie set here, which is to say, almost none.

Still, there are enough recurring characters and set-ups that the film-makers clearly have yet another sequel in store. This one looks to be set in Tokyo.

The editing, cinematography, and soundtrack are top-notch, and Wang Baoqiang's high pitch line delivery simply shows why he is the best actor of his generation and one of the biggest comedy stars in China. The screenplay is however a mess and the plot lacks any sense of credibility. Chen Sicheng just put everything together, and in the end you do not know what was exactly happening. All in all, this is a sequel that cannot match the original movie in 2015.