Agrega una trama en tu idiomaTwo sisters who suffered abuse as children at the hands of their sadistic father decide, after his death, to use witchcraft to bring his spirit back to get revenge.Two sisters who suffered abuse as children at the hands of their sadistic father decide, after his death, to use witchcraft to bring his spirit back to get revenge.Two sisters who suffered abuse as children at the hands of their sadistic father decide, after his death, to use witchcraft to bring his spirit back to get revenge.
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"Blood Craft" mixes elements of the occult with deeper aspects of human tragedy, and reconciliation. The story plays with this in a chilling character study of scar tissue and a desire for closure. It starts with a dark, gritty, fetish kick and impulsively you are forced to really face the protagonist in a very"unpolished" state. The intention of both the director and the story becomes clearer later in the film. "Where you are in life is relative to your past".
"Blood Craft" is far from the typical witchcraft movie. There are these familiar tropes of some really bad guys, black magic, and revenge, Bressack's story goes deeper. There is human suffering, victimization, and pain as a catalyst. And in classic fashion and true to his nature, James Cullen Bressack explores those elements in harsh flourescent light, as blunt and uncomfortable as the truth.
The acting is palatable for the most part, the lead seems to draw emotion from a sort of 'shell-shocked' pool of survivor's guilt and doesn't really change gears, but the second lead is a disturbing, uneasy mix of "victim / devil's advocate, very convincing. A plus for "Blood Craft" is the fact that given the weight of the material woven into this supernatural nightmare, all the cast do great at delivering.
The special effects mix both practical and CGI. And to its detriment, works nicely, minus a couple of moments. The horror aspects are visceral and full of delicious occult affectations that offer enough eye candy for the fan of witchy horror. The film is low budget in both style and implementation. The cinematography is great and the music score fits perfectly with the heavy nature and dark overture of the picture. Now it works on a low budget scale so don't go in expecting an updated retelling of "The Craft". Overall I say check it out, it's classic Bressack filmmaking.
"Blood Craft" is far from the typical witchcraft movie. There are these familiar tropes of some really bad guys, black magic, and revenge, Bressack's story goes deeper. There is human suffering, victimization, and pain as a catalyst. And in classic fashion and true to his nature, James Cullen Bressack explores those elements in harsh flourescent light, as blunt and uncomfortable as the truth.
The acting is palatable for the most part, the lead seems to draw emotion from a sort of 'shell-shocked' pool of survivor's guilt and doesn't really change gears, but the second lead is a disturbing, uneasy mix of "victim / devil's advocate, very convincing. A plus for "Blood Craft" is the fact that given the weight of the material woven into this supernatural nightmare, all the cast do great at delivering.
The special effects mix both practical and CGI. And to its detriment, works nicely, minus a couple of moments. The horror aspects are visceral and full of delicious occult affectations that offer enough eye candy for the fan of witchy horror. The film is low budget in both style and implementation. The cinematography is great and the music score fits perfectly with the heavy nature and dark overture of the picture. Now it works on a low budget scale so don't go in expecting an updated retelling of "The Craft". Overall I say check it out, it's classic Bressack filmmaking.
I was with it up until the sister incest thing. Started out as a way-low budget supernatural dark comedy - eh, that may have been unintentional. "Keep 'em guessing," as the director of this flick was saying. Two orphaned sisters raised by a nonce perv pastor father are reunited by his death. They both have this peeve about having been made their father's sex slaves and decide to re-animate his body with their mother's goofy magic rituals. Then they can get a fair bit of torturing on the scoreboards, too. Okay, I'm down with all that, seems fair. Then they forget what they were doing and bone each other in their childhood bedroom. DONE!
Just a big fat no! I was so distracted by Madeleine Wade's plastic, over filled Botox face that I couldn't concentrate on the rest. If the rest had been good enough my obsession with her face would have only been fleeting. The above should be enough to show how rubbish this movie is!
One shall be very careful giving a film 1 star worthyness, but the confusing plot and story makes me intimidated to do so, but i give 2 for the try. its a kind of horror movie that relapses, and showing the 2 mains life in retrospect, to tell why they have become such brittle soles. its a crooked pastor, and his supernatural powered wife, and their 2 daughters , in life and death, tears and smiles, angst and emotions, and fear and panic.
for short you can tell that their soles are damaged by abuse and religous fear, and the nightmare seems to never end. the acting are at times passable, but some of the cast seems very odd and uncomfortable in front of the camera, and therefore very stiff dialouges and unconvincing acting, makes you more occupied by the goofy acting than the story they are trying to tell.
the production have some nice props and settings,, and some of the sections were the past is told, but the fast and numerous and frequent shifts between past and present interupts the float of the plot.i did never connect with the sole of the story and therefore , as the grumpy old man i am,will not recommend this flick, unless you have the ability to interpret and analyse the disorders of psyciatrics, that turmoils the mains. its a try, but i wont rewatch this unless i get a good interpretation to the story that may put the spotlight in another angle.
for short you can tell that their soles are damaged by abuse and religous fear, and the nightmare seems to never end. the acting are at times passable, but some of the cast seems very odd and uncomfortable in front of the camera, and therefore very stiff dialouges and unconvincing acting, makes you more occupied by the goofy acting than the story they are trying to tell.
the production have some nice props and settings,, and some of the sections were the past is told, but the fast and numerous and frequent shifts between past and present interupts the float of the plot.i did never connect with the sole of the story and therefore , as the grumpy old man i am,will not recommend this flick, unless you have the ability to interpret and analyse the disorders of psyciatrics, that turmoils the mains. its a try, but i wont rewatch this unless i get a good interpretation to the story that may put the spotlight in another angle.
This is a regular, standard brand horror movie: traumatized sisters want revenge on their dead father. OK. The surprizing flaw here is the really amaturish acting. I just can't get over it. These people are not new to the work, Augie Duke has been in like 30 movies! Is it the Director? Certainly, some of the choices are pretty bad. Who walks into a bathroom and sits in the bathtub to have a conversation? Anyway, this is a script-o-matic, format film that could have been a nice, entertaining 90 or so minutes but instead I was interrupted by noticing the acting or strange stilted behavior which ruined the suspension of disbelief.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Vingança Maligna
- Locaciones de filmación
- Hollywood, Los Ángeles, California, Estados Unidos(main location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 34 minutos
- Color
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