Vidas separadas

This documentary follows a set of identical triplets during their journey to discover each other and their circumstances. In truth, monozygotic sibling studies are not rare in psychology but there is usually a more rigorous ethics committee involved. It was a fascinating personal story that got more and more strange.

This movie was great. The first half was light-hearted and funny, and made you think the director was leaning a certain way as to its message. The second half took a totally different direction and became dark, sad and somewhat ambiguous. It had me thinking for days, which is a sign of a great movie. My friend literally broke down in the car crying afterwards. It's a journey into the bond between twins, mental health issues and scientific ethical boundaries.

Stories about Twins (and other pairs of siblings) separated at birth aren't all that uncommon - but, triplets? Director Tim Wardle takes that rare occurrence and runs with it in the breathless and highly entertaining first section of his Documentary THREE IDENTICAL STRANGERS. Wardle also cleverly edits his footage (including the interviews) in order to preserve as many surprises about the secrets and lies to come later in the movie. Some might argue that Wardle's technique is a bit of cheat, but, for those who enter without knowing the full story it enhances the viewing, even if it does cause some issues later on.

The story is told quite sequentially, and, again, that is in service of providing more drama as the Doc unfolds. Because the events go back to the 60s, many of the participants aren't around any longer to speak for themselves. Still, Wardle and his team managed to assemble a good cross-section of survivors to go on the record. Because the story was such a cause celebre in the early 80s (and in the NYC area to boot) we are also able to see a decent amount of historical footage of the triplets and their rise to fame including trips to the Today show, Donahue and a brief cameo in Susan Seidelman's DESPERATELY SEEKING SUSAN (supposedly at the behest of star Madonna). Some fairly minor dramatic re-enactments are also employed, and aren't distracting (Wardle also maintains the proper aspect ratio in much of the vintage footage - to his credit).

As the true tale turns darker, a few issues with the filmmaking arrive. I won't delve into spoilers (I avoided them myself in order for the Doc to have maximum impact), but, the old Nurture vs. Nature debate becomes a key point of contention - as it does with all of these 'separated at birth' cases. Because of the way Wardle structures his editing, we mostly get the 'Nature' perspective until very late in the process. Further, a major cache of evidence is dropped in at the very last moment, and isn't sufficiently analyzed. It's understood that after five years in the making, Wardle, Raw, Neon and other production entities wanted to get their movie done and released, but one can't help but feel the editing was wrapped up in order to get a prized Sundance Film Festival spot. Wardle also includes a couple of curious montages repeating what we've seen earlier as if he had an eye on TV showings (CNN is set to show it). But, these problems pale compared to Wardle's casting a light on some highly unethical behavior that effected the triplets' lives.

These relatively minor issues aside, THREE IDENTICAL STRANGERS again shows why there is a bit of Documentary boom going on. In a cinema dominated by Superhero and Animated flicks, there is a yearning among some adults for movies of substance and reality. STRANGERS is a true emotional roller-coaster.

Three Identical Strangers is a documentary to die for: it has camera-ready, outgoing triplet brothers, who discover each other 19 years after birth (1980), become media darlings, and provide filmmaker Tim Wardle with one of the best thrillers of the year. Read this review but not those that will disclose the mysterious underpinnings of one of the best docs this year.

Yes, things do not all turn well after the initial exaltation over their finding each other. The doc expertly distributes the dark revelations as if we were their friends slowly learning astonishing facts about the triplets from separation to owning a restaurant called, what else, Triplets. Not only do we see the nuances of differences among the triplets, but we also get tantalizing looks into the machinery of adoption, not all happy to be sure.

As adults, Robert Sheridan, David Kellman, and Eddy Galland are outgoing and articulate (only two are talking heads, while Eddy's part is archival footage). Good for director Wardle letting them tell the story without prompting, for effective docs mostly let the camera roll and the subject talk. This doc will grab you and not let you go-you'll hunger for more.

As the background of the adoption and the testimony reveals startling information, our natural inclination is to contrast the three different social backgrounds to see the effects of nature vs. nurture. Indeed social scientists are here plying their trade, sometimes in unethical ways yet food for the thriller part of this engrossing film.

Although the nature/nurture debate is never fully deconstructed, I was pleased with the taste of it, as most social scientists must be in such a delicious dramatic stew. I'm done writing for fear of spoiling one of the delights of this documentary: What comes next?

Don't even Google because you can find the details there. Most desirable is to witness how artfully through excellent film you can find in reality that truth can be stranger than fiction. And definitely not fake.

Three Identical Strangers is one of the year's best documentaries. It has it all but the definitive answer to the central mystery. Learn more by seeing it, not Googling it.

On July 12, 1961 in Glen Oaks, New York: Robert Shafran, Eddie Galland, and Robert Kellman were born as identical triplets to a single mother and later adopted in different families. This documentary chronicles their story which includes their eventual reunion and beyond.

This is one of those documentaries which reinforces the belief that truth is stranger than fiction. It can also join superior documentaries like "Bus 174" (2002 - Brazil) and "Tower" (2016 - USA) as non-fiction films that end up as mysterious thrillers for audiences who are unaware of the events exposed in each film. An odd twist about "Strangers" though, is that some information remains incomplete by the end - this is no fault by any means of the filmmakers who do a superb job. Without giving anything away, there is a perverse reason that so much information is denied to the viewer and to the many involved in this bizarre story.

Some movies finish with happy endings. This one starts with a happy beginning. There is much joy in the reunion and the enormous ripple effect this causes. Once the thrill starts to settle down, the young men naturally want to learn more about their birth and adoption circumstances. What they learn turns the film into a sinister mystery.

Once all the talking heads are introduced within the first twenty minutes or so, a keen observer will notice that another mystery is yet to unfold as the film chronologically reveals the lives of the triplets. Once the mystery is revealed, the emotional impact is stunning.

As if this film isn't rich enough, it even digs into issues of class. Each boy grew up in different circumstances from each other. This further fuels the debate of nature vs nurture. One thing though is not debatable: "Three Identical Strangers" is one of the most fascinating documentaries ever. Not since the Dionne quintuplets were born in 1934 has there been such a fascinating story of identical siblings from a multiple birth. - dbamateurcritic