Good Posture

I had no prior knowledge of this film when I started watching it so I became incredibly bored after 15 minutes and turned it off. I started it again a few weeks later., and watched another 15 minutes before becoming bored again. A month later I watched the rest of it and could not help thinking: Emily Mortimer must have been desperate to put her name to this; John Early made the 'most irritating man in the world' seem really easy; Grace van Patten shines as she always does despite being in a very unshiny film; and I feel nothing, absolutely nothing at all, nothing whatsoever having watched the credits roll up, except a faint tinge of 'what else could I have done with my time tonight?' Those who like self congratulatory, pretentious, pseudo art films will love it.

Good acting, acceptable production values on par with a low budget - I guess (a real aestheticist-entrepreneur the one who decided to throw his money here...).

Unfortunately despite 2-3 nice scenes, the insipide writing, pointless story and basic direction don't justify the view.

It always fascinates me when there is a discrepancy between 'user' ratings and the critics. I don't know why people are unimpressed by this film. It is an original and surprising sort of urban New York 'coming of age' story, with very good performances, subtle humour and Austen like irony. The plotting is brilliant, but above all else it is kind and humane; kind to its characters and really quite profound in its humanity, without ever once losing its indie lightness of touch.

A quirky enjoyable film that is centred around Lillian (Grace Van Patten) whose character finds herself in a situation with some interesting we played characters especially John Early plays a really wacky film producer called (Sol sometimes) and Timm Sharp a dog walker.

There are some great scenes like where Lillian first meets Emily Mortimer who isn't actually in the film visually very much and the ends up getting stoned with her husband and the interactions with Lillian ex really captured some early adult phase scenarios.

The length of the film is also well measured from the scope of the story. Nice One

Van Patten plays a pleasant but selfish and lazy individual, who, dumped by her boyfriend has to stay with her father's friend, a reclusive, successful author - Julia. Seemingly unable to communicate effectively with Julia, she decides to make a documentary about her.

This is a pleasant enough tale about growing up, with a Van Patten good company in the lead despite being something of a jerk.