The Little Drummer Girl

One needs to pay very careful attention from line one of this show to prevent getting lost. Once you get it, watching it play out is easier. You can't allow for distraction. Although some claim it's laboriously slow, it adds to the suspense. Characters are droll and lack animation, but it works. This series makes you use your imagination & tenacity. I enjoy the character interplay & putting the puzzle pieces together only to find they are in the wrong place. NO Hollywood bang-bang, shooting up buildings & wrecking dozens of cars. I love (so far) the lack of romantic interplay, that's a bonus. I wouldn't Charlie to be a hottie. She's a naive small time actress going nowhere fast, throwing in rebellion for attention. She's fascinated & intrigued by (the older) Gadi, a very believable situation in the 70s. I love her performance. This series is truly worth the try. Some things don't ring true, such as describing distance in miles rather than kilometers. Also a runner in the background in (I believe) Munich who is wearing modern day running clothes.

It's a convoluted John le Carré spy drama set in 1979 in England, Germany, Lebanon, and Israel. It follows a Mossad supervisor, Martin Kurtz (Michael Shannon), and his agents who are trying to catch a Palestinian master bomb-maker, Khalil (Charif Ghattas). Other team members are Gadi Becker/Joseph (Alexander Skarsgard), Shimon Litvak (Michael Moshonov), Rachel (Simona Brown), and Rose (Kate Sumpter). They co-opt a radical young English actress, Charlie Ross (Florence Pugh), into their plot.

First, the Israeli team pursues Khalil's younger brother, Michel/Salim (Amir Khoury). They set up a complex ruse after capturing Michel, having Charlie pose as Michel's lover in hopes of infiltrating the terrorist organization. In true John le Carré fashion, the story includes considerable ethical ambiguity and questions about everyone's motives and ultimate loyalties.

This mini-series is far superior to the 1984 movie that stars Diane Keaton. The mini-series is much more nuanced, and Florence Pugh is more age-appropriate for Charlie's role. Michael Shannon is also a superior Martin Kurtz character. The mini-series also allowed the development of some key characters like Khalil's sister, Fatmeh (Lubna Azabal). The mini-series does take some liberties that deviate from the book, including a sanitized ending. The 1984 film was more accurate on that score.

I think John le Carré would have approved this series.

I read the favorable reviews along with the not so stellar " watching paint dry" reviews, and I think the difference is this: It is a tad slow at times, but it has to be to give you all the background on everyone and tell the story of why Khalil became how he is. Some people aren't cut out for the story unfolding slowly, with bits of backstory mixed in to fill in the pieces. It's a good story with lots of moving parts and background information that doesn't deserve the bad reviews from people too lazy to get involved in a good plot. If you like espionage type movies with mystery and some romance, and don't mind using your brain while watching, then this is for you. If you don't like involved, deep multifaceted plots then this isn't the show for you.

There are some sublime moments in this six part series, an adaptation of the John le Carré novel directed by Park Chan-wook. None are finer than the scene with the shadows on the ancient buildings at the top of the Acropolis in Athens, but I have to say, Florence Pugh getting rubbed down on the beach or playing acoustic guitar and singing the folk song "Murder of Maria Marten" come pretty damn close. My goodness, she's fantastic here. Watching her act as someone acting as a Palestinian sympathizer to infiltrate their ranks is mesmerizing, and she fully inhabits her character.

There is real tension as this story plays out, with the Israeli Mossad agents (led by Michael Shannon and Alexander Skarsgård) trying to track down a smart bomber (Charif Ghattas) and the organization which also includes his siblings (Lubna Azabal and Amir Khoury). As the Palestinians use young women who have been groomed to plant the bombs, the Israelis try to use the same playbook and implant a young woman (Pugh) amongst them.

The series is a little slow moving and it was probably guilty of being elongated, exacerbated by a couple of the early episodes feeling too talky. It's biggest issue, however, is in how improbable the story is, and its central premise was one I could never truly buy into. As early as episode two we can see why the Israelis have chosen the young woman, but it's certainly not clear why she would choose to go along with it, especially considering her progressive, pro-Palestinian views. To accept incredible danger and put up with a creepy backstory in the process did not at all seem plausible. By episode four we finally see her questioning it all, something that should have happened much earlier, but to have the reason be an attraction to the Israeli agent was unconvincing. It was also a little annoying when she later developed feelings for one of the Palestinians, which felt like tawdry melodrama by the author. There are other elements which didn't ring true, such as why the youngest Palestinian brother would have given up the information as he did, but the whopper is the entire arc of Pugh's character.

I also wondered if the film had a balanced view of the two sides in this struggle, seeing as how the Israeli protagonists are cleverly hunting down Palestinian terrorists, even if the latter are humanized and some of the Israeli atrocities are expressed through anecdotes. It's a mixed bag on that front, and let's just say, felt awfully tidy at the end. There were some really nice bits though, including the noxious anti-Semitism in the British Intelligence officer, and a fantastic dream sequence of the Israeli agent shaking hands with the Palestinian and the latter bursting into flames, saying 'Al Nakba' ("The Catastrophe," referring to what happened in 1948). Overall, worth watching for the production value, and Florence Pugh.

This adaptation of one of John le Carre's long espionage novels is fantastic. It unravels several stores very slowly and in great detail, which you can only appreciate if a.) you've read the novel, or b.) you are watching the film for the second time. It is subtle and convoluted, but some of us love subtle and convoluted.

Beautiful cinematography, great script, top-notch acting, super story-telling. But you REALLY have to be patient and work for this one. In other words, just like the novels of Le Carre. Or the symphonies of Mahler.

So read the book first, or at least a summary of the extremely twisty plot, and then binge watch the whole thing over a snowy weekend when you weren't going anywhere anyway.