Muñeca rusa

After two episodes I was hooked. I did get a bit scared at a point, but I'm a wuss. Really enjoyable all throughout. Doesn't really have anything to do with Groundhog day, apart from the timeloop thing. Reviewers who claim so haven't watched more than 1 episode and shouldn't be taken seriously.

Wow. What a ride. This series compelled me to reactivate my account to write a review.

First of all - please do not expect laugh out loud comedy. This is a very dark and sometimes very unpleasant series. Yet, it is sometimes hilarious in its own way.

The story of Russian Doll is based on a now often used device, granted. But it is by no means formulaic. In fact, there are so many twists and turns in the development section of the 8 episodes, you will be glued to the screen.

Some people didn't like the main character, calling her nasty and unpleasant. But this is the point of the series! She is a deeply troubled person. But trust me, she will become likeable soon enough - and stay tuned for the arrival of another main character (played by Charlie Barnett), who totally makes up for everything cringeworthy the potty-mouthed character played by Natasha Lyonne did until this point.

In the end, I promise you, you will have watched a cathartic experience that will leave you very happy.

On the technical level, Russian Doll is unusually well shot. The lighting reminds me of classic Mario Bava movies (I think this is intentional), and the music is very well sought.

So, go watch this, and please watch beyond episode 3, you will thank me later.

If only all takes on old plot devices were this awesome! Netflix, you need to give us more like this, not that narcissistic crap that so often pops up lately (Girl Boss, Insatiable with TRULY unlikeable characters).

There is a lot I could have not liked about Russian Doll. I could have taken against it for being overhyped for what it is. I certainly could have been put off by the very confident and brash Nu Yark characters and their very polished lives and homes. Probably the Groundhog Day gimmick would have struck me as uninspired too. All of these things were still there, and a few more, but yet it mostly worked for me, and charmed me into it. Pace and tone are a big part of this as the episodes are just the right length, have good timing throughout, and tend to have the right energy level so you don't feel rushed but yet it has a speed to it that works well.

It does have its heart in the right place too; for all its modern trimmings and cynicism, it is ultimately about connections and people. I don't think it pulls it altogether and makes a great whole in the way that others seem to have felt it did, but it engaged me into the two main characters and made me care for them and like them. The conclusion doesn't matter so much as the journey, and for the characters this is an engaging one. The performances help sell it convincingly, and like everyone says - Lyonne is great throughout. Production-wise, the show looks and sounds great, which helps the energy levels and slickness - it doesn't make the show, but it lubricates it and keeps it moving in the superficial areas, helping the core elements which are more important but harder to do.

It's a lot more "acquired taste" than the critical response would suggest, but even when I could see the weaknesses and shortcomings, I still found it very easy to enjoy.

S1 seemed so perfect and contained that news of an S2 routinely perplexed people. I think people were right; there was nowhere really to go. Lots of back story filled out here - with the primary magic now being time travel, it's basically all about back story - but, somehow, it feels like we didn't need it terribly much. There are, I guess, good and dutiful points being made about understanding what previous generations went through and how that shaped us, especially our spiky bits, but in practice I just don't feel it all with the intensity and enjoyment that I did S1.

I just finished binging Russian Dolls, and it was awesome. While it's loaded with dark humor, this show is not a a comedy, but so much more. Its smorgasbord of topics, including loneliness, guilt, depression, fear, forgiveness, and moving forward.