En una crisis de cuarto de vida, una joven chino-estadounidense, abandona la universidad y emprende un viaje que cambiará su vida en un monasterio aislado en China.En una crisis de cuarto de vida, una joven chino-estadounidense, abandona la universidad y emprende un viaje que cambiará su vida en un monasterio aislado en China.En una crisis de cuarto de vida, una joven chino-estadounidense, abandona la universidad y emprende un viaje que cambiará su vida en un monasterio aislado en China.
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- 4 premios ganados y 10 nominaciones en total
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Based on the writings of Bruce Lee, Warrior (2019) is an excellent TV show with some well choreographed martial arts.
It IS possible!
But then someone creates this teenage angst driven show, calls it Kung Fu and runs away.
The acting and fighting reminds me of Iron Fist. It's just not any good. The story is horrible and this show is just such a lackluster.
I'll go watch Into the Badlands again and bite my pillow because I had such high expectations to this show.
It IS possible!
But then someone creates this teenage angst driven show, calls it Kung Fu and runs away.
The acting and fighting reminds me of Iron Fist. It's just not any good. The story is horrible and this show is just such a lackluster.
I'll go watch Into the Badlands again and bite my pillow because I had such high expectations to this show.
As a Chinese who grow up with Kung Fu movie, action movie with martial art are too violent in this day. And violence seems to be the only thing they know.
But Kung Fu (not this show) is not about how to end the fight with violence. It's about to show who the character is between the fight. Therefore I give this show a 70/100. It cares about the character, and that's good enough for me.
Also, it it has a good story to remind me those day that Kung Fu movie entertain the viewer, not to use violence to compress them in the chair. I love to see what's coming next.
But Kung Fu (not this show) is not about how to end the fight with violence. It's about to show who the character is between the fight. Therefore I give this show a 70/100. It cares about the character, and that's good enough for me.
Also, it it has a good story to remind me those day that Kung Fu movie entertain the viewer, not to use violence to compress them in the chair. I love to see what's coming next.
Kung Fu appears to have been created by someone who hated every single element of the original except the Kung Fu part. Old west to modern day, Man to woman, last-resort fighting to ready-to-rumble, real-word to supernatural elements, isolated loner to deep family connections. If there is any feature you remember from the original besides a monastery premise and a bunch of fight scenes, you can be assured it's not in this version.
It's really hard to understand why they bothered to say this is based on the original, since it's clearly not.
Some changes are good. The lead character is played by an Asian instead of a white guy who doesn't look remotely Asian. Even as a white kid in the 70s that made zero sense to me. And while it's been years since I saw the original, I think the fight scenes are probably better in this one, although no less gratuitous (in the original, Kaine always said he didn't want to fight, but he fought in every episode).
But let's ignore comparisons to the original and just think about this series as though it is a totally new creation. Is it good on its own terms?
Not really. This is your basic CW teen/early adult drama, with annoying pop songs, a bunch of annoying, attractive young people with dubious acting skills, a hey-kids-let's-put-on-an-investigation approach to crime, and a high annoying quotient. As always, I feel obligated to note that I'm an old man who has a lower tolerance for these series than a youngster - if I'm going to watch a teen show, it needs to be as smart and original as Impulse or Sweet/Vicious.
I wish this were an Asian/female version of the original show, with the same Daoist philosophy and unusual approach. But it's not, it's just another CW show that I can do without. But if you like stuff like Riverdale maybe it's the show for you.
It's really hard to understand why they bothered to say this is based on the original, since it's clearly not.
Some changes are good. The lead character is played by an Asian instead of a white guy who doesn't look remotely Asian. Even as a white kid in the 70s that made zero sense to me. And while it's been years since I saw the original, I think the fight scenes are probably better in this one, although no less gratuitous (in the original, Kaine always said he didn't want to fight, but he fought in every episode).
But let's ignore comparisons to the original and just think about this series as though it is a totally new creation. Is it good on its own terms?
Not really. This is your basic CW teen/early adult drama, with annoying pop songs, a bunch of annoying, attractive young people with dubious acting skills, a hey-kids-let's-put-on-an-investigation approach to crime, and a high annoying quotient. As always, I feel obligated to note that I'm an old man who has a lower tolerance for these series than a youngster - if I'm going to watch a teen show, it needs to be as smart and original as Impulse or Sweet/Vicious.
I wish this were an Asian/female version of the original show, with the same Daoist philosophy and unusual approach. But it's not, it's just another CW show that I can do without. But if you like stuff like Riverdale maybe it's the show for you.
Kung Fu and Kung Fu: The Legend Continues were interesting primarily because there was this one outsider, Cain, with a strong moral code about being kind to others, but who didn't really understand the world around him especially well. Cain would always zero in on some simple truth or flaw that lied at the heart of the episode's conflict, and explain what this was with an outsider's wisdom.
In this version, the new Cain, Nicky, is not an outsider at all. In the first episode, she returns to her childhood home to live with her large family and catch up with her friends. There is no real reason her perspective should be much different to that of the others, and it really isn't in any significant way. She's just a woman who fights well, occasionally with mild superpowers like in the original. The end result is something that's barely different to any other procedural with some mystical MacGuffins thrown in, and it's so very dull.
In this version, the new Cain, Nicky, is not an outsider at all. In the first episode, she returns to her childhood home to live with her large family and catch up with her friends. There is no real reason her perspective should be much different to that of the others, and it really isn't in any significant way. She's just a woman who fights well, occasionally with mild superpowers like in the original. The end result is something that's barely different to any other procedural with some mystical MacGuffins thrown in, and it's so very dull.
Nowhere near the original story line. Too much into relationships and a very loose artefact trail.
¿Sabías que…?
- ErroresThere is a stock footage sequence every week, that shows the streetscape outside the "Harmony Dumpling Restaurant" in Chinatown. There a fake San Francisco cable car in that sequence. You also hear the brassy, insistent ding of a cable car bell, being rung twice. The fake cable car is clearly a two axle motorized vehicle running on four pneumatic rubber tires. The roadway is also missing the required steel tracks as used by a real San Francisco cable car.
San Francisco cable cars have a complicated undercarriage, and the car rides on a pair of four-wheel trucks with flanged iron wheels (no pneumatic rubber tires), designed for the cable car narrow gauge track of 3 ft 6 in (1.067 mm).
- ConexionesReferenced in AniMat's Crazy Cartoon Cast: 3 Trailers and a Virus (2020)
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