Junk Films

In dieser Dokumentation von dem japanischen Fotografen Tsurisaki Kiyotaka bekommen wir die Folgen tödlicher Autounfälle, die Exhumierung von Langtoten, die Entdeckung menschlicher Kadaver auf einer Mülldeponie und öffentliche Einäscherungen in Indien Und einiges mehr. Ähnlich wie bei dem Dokumentarfilm Orozco The Embalmer bekommen wir hier kein herablassenden Mondo-Film oder der Eckligen zur Schau Stellung durch das Fehlen von Erzählungen oder Erklärungen. Es ist sehr schade das seine Werke immer in die Ecke von Faces of Gore und ähnliche abgestempelt werden. Aber Vorsicht auch hier bekommen wir Teils sehr harte Szenen zu sehen und wie bei Orozco ist diese Dokumentation wirklich nur für Leute mit starken Nerven. Von mir 8/10.

The film generally touches on every culture, from Thailand to Palestine, where there's even an interview with a Hamas militant. It takes you from scene to scene, from car accidents to the next. Frankly, the film is quite boring. I didn't get the same experience I got from Orozco in this film. I agree that the scenes always lead to another film, and it tells us something about death, but I really wish it had delved into the characters. Our film moves like a straight-shooting process; it doesn't rely on character design and real-world dialogue like Orozco. I think it's a good documentary for informational purposes; you'll learn about various cultures and so on in this film.

Tsurisaki Kiyotaka is a photographer who also makes films. Junk Films is one of his three non-fiction works (3 documentaries).

Junk Films is a unique assortment of very heterogeneous short films with the common theme of death, and the cultural relationship between humans and it. The short films were filmed in different locations around the world. We see in particular scenes of intervention with people who died following road accidents (the shocking side of the photo/video of death which "leaves no room for the imagination"), images of suicide, funeral and local/traditional celebration... It is a journey with death, with it. There is nothing sensationalist, everything is as is, without artifice. We can almost touch death with these films, it is closer to us than ever, in our daily lives. In this sense, Junk Films follows the idea of putting the viewer face to face with their fears, facing the unknown, but also - and this is essential - to enrich themselves through other cultures.

It's graphic, almost surreal, and yet it's real. I think it's an artistic work too, through the editing, the choice of images. There are almost dreamlike passages (I think of the almost mummified room, covered in dust). The climax is the traditional Japanese funeral ceremony, very cold according to some, I tend to agree (I don't judge people, just what I see, and the way I see it). A Japanese spectator mentioned the death of "David", mentioned elsewhere by IMDB. I don't remember if his name is in the film (I wonder if it's the man hanged in his home, or the deceased from the Japanese funeral ceremony). It seems that he was a friend of the director, I'm not sure, but it remains interesting information to consider the work.

Difficult to give my feelings, it is a complex work which will resonate in varied ways with each spectator. I can't say that I liked it, that would be simplistic and ridiculous. I will say that it interested me, that I was touched and that Tsurisaki Kiyotaka did remarkable work, never seen before. I still remember well the injuries/wounds on the bodies. The sadness that violence causes.

I wanted to offer a brief opinion, but I think some people will be happy to have a little contextualization. And then, it's a film that doesn't leave you indifferent, there's a lot to say. The absence of commentary has a lot to do with it, the images speak and the dead are silent. It may be a celebration of life (thanks to death, to our deaths), I don't konw.

One thing is certain, with Junk Films I was able to approach death, watch it, respect it, respect the victims, and that's already a lot.

This film is mildly disappointing with some great sections. It shows that director Kiyotaka Tsurisaki is consistently able to capture something similar to orozco the embalmer. That same human condition aspect of the nuances of someone else's reality that lives a significantly different life than the intended/likely audience really shines during the sections of the film that respectfully document cultural practices and religious ceremonies with some context for the viewer. Unfortunately, Tsurisaki is also willing to pad the run time of this film with multiple instances of what amounts to a 10 minute mostly uninterrupted shot of a dead body while first responders tend to it. His films truly do need a certain degreee of an unfolding narrative to genuinely to make an impact on the viewer, regardless of if it spans an entire movie or just smaller sections.