La cabaña siniestra

It is meant to be a suspenseful horror film, but the story turns out not scary In fact, the story makes me really angry. It is very cruel, and I have no sympathy for the people who have caused this pain.

I attended the east coast premiere of "The Lodge" a few weeks ago and can say it will most likely be 2020's most polarizing and divisive horror release.

If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.

Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.

I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.

The Lodge has been a rather divisive point between critics and audiences, audiences have been more split on the film while critics have been more inclined to view the film favorably. This is not a movie made for a mass horror audience like the films made by Blumhouse or Atomic Monster, rather this is a character study with a no holds barred approach to its themes of lingering trauma and toxic religiosity. The film follows Aiden(Jaeden Martell) and Mia(Lia McHugh) who after the suicide of their mother Laura(Alicia Silverstone) live with their father Richard(Richard Armitage) and soon to be stepmother Grace (Riley Keough). Richard, needing to work through the holiday season arranges for the two to spend time with Grace at lodge in the woods that they frequent in the hopes that they will bond, but once there strange happenings coupled with the lingering resentment and bitterness felt by Aiden and Mia towards Grace for their mother's suicide a slow decent into terror begins.

The Lodge as horror film is very effective at building its mood and atmosphere. The titular lodge becomes a character itself with its empty halls, surrounding frozen landscapes, and generally sense of foreboding created by its minimal lighting and cavernous nature. Be it in the dark of the night or the light of day there is never any sense of comfort felt while in the lodge and a general feeling of unease permeates the film.

The characters aren't written with much in the way of depth, but they do effectively convey the feelings we expect given the circumstances. The crushing despair felt during the opening act's funeral, the mixture of boredom, restlessness, and unease felt during the second act, and finally the sheer terror and resignation that serves as the penultimate lead up to the films final moments. It's a movie where the minimalism is put to good use because it respects its audience enough not to through in a jump scare every few minutes.

The overall narrative deals with heavy themes of grief and religion as the two kids, Aiden and Mia, are devout Catholics as raised by their deceased mother Laura. Grace herself has distanced herself from religion later in life as her involvement with a extremist Christian cult left her with lingering trauma that serves as another point of contention between herself and the children. A key point in which the religious themes come into play is because the children are Catholic they believe their mothers soul will never be able to find peace.

The Lodge uses its themes of religiosity sparingly, and it's not so much of an indictment of religion itself, but more of the followers of said religions who twist what was once a well meaning doctrine into justification for acts of ugliness and barbarism that while not as explicitly graphic as your average Saw or Hostel film leave a haunting emptiness once we bear witness to the proceedings.

With that said however this movie will not be to everyone's taste. The movie is a slow burn with long stretches broken up by the occasional nightmare or sudden noise and there's very little dialogue among the characters so the audience will need to actively look for character in subtle interactions rather than through conversation. The films use of religious iconography may also seem insulting to some who feel themselves to be among the faithful but with that said I don't believe this film to carry any ill will towards the majority of Christians and it's more about those who twist the doctrine as justification for heinous actions. However the ending may leave some wondering where the film stands given where we eventually end up, but it does make a good topic of conversation for people to explore their differing views.

The Lodge is an effectively unsettling slow burn horror film that uses its minimalist aesthetics economically and effectively. From its effective performances to its barren landscapes and claustrophobic cinematography it'll leave viewers in a state of unease that makes them feel as though they're stuck in the titular lodge along side the characters.

I've given this a six because we were both effectively creeped out and very impressed with cinematography and the film's immediacy for the front half. The key plot point of why the Dad left his kids in the situation he did wasn't credible but I was willing to go with the premise...up to a point.

I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)

We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.

Two Children Still Suffering from the very Disturbing Loss of Their Mother are Cooped Up in an Isolated "Lodge" with Their New Step-Mother During a Snowstorm.

The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.

She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.

What Could Possibly Go Wrong?

Well as You might have Guessed, Quite a Lot.

The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,

The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.

More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.

The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.

Not a Must-See and Not for Everyone.

But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...

This one comes with a Strong Recommendation.