Una mujer va de vacaciones con su prometido y los hijos de este. La relación se ve interrumpida por sucesos extraños y aterradores.Una mujer va de vacaciones con su prometido y los hijos de este. La relación se ve interrumpida por sucesos extraños y aterradores.Una mujer va de vacaciones con su prometido y los hijos de este. La relación se ve interrumpida por sucesos extraños y aterradores.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 11 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It is meant to be a suspenseful horror film, but the story turns out not scary In fact, the story makes me really angry. It is very cruel, and I have no sympathy for the people who have caused this pain.
I'll get the major cons out of the way first. This movie suffers from the usual problem Hollywood film always seem to have -- no money to afford electricity. Most of the movie is shot entirely in the dark, so goodness knows what happened in those scenes. Also, one or two key bits of dialogue that explain what's really happening are totally lost to mumbling.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
Two Children Still Suffering from the very Disturbing Loss of Their Mother are Cooped Up in an Isolated "Lodge" with Their New Step-Mother During a Snowstorm.
The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.
She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.
What Could Possibly Go Wrong?
Well as You might have Guessed, Quite a Lot.
The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,
The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.
More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.
The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.
Not a Must-See and Not for Everyone.
But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...
This one comes with a Strong Recommendation.
The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.
She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.
What Could Possibly Go Wrong?
Well as You might have Guessed, Quite a Lot.
The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,
The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.
More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.
The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.
Not a Must-See and Not for Everyone.
But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...
This one comes with a Strong Recommendation.
I attended the east coast premiere of "The Lodge" a few weeks ago and can say it will most likely be 2020's most polarizing and divisive horror release.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
If you've seen Franz & Fiala's last film, "Goodnight Mommy," you'll have an idea of what to expect in terms of tone and themes. The cinematography is breathtaking, and Riley Keough's performance is unbelievable. Like "Mommy" the central characters are two siblings who are up against some sort of unknown/unstable maternal presence while existing in isolation. Instead of a vast, lonely European farm, "The Lodge" features exactly what the title suggests -- a mountain lodge in the middle of nowhere. It's so well done that you can almost feel the icy frost in the theater as the film progresses.
Franz & Fiala take a lot of cues from Ari Aster, ESPECIALLY "Midsommar," in depicting sudden tragedy and brutal, existential grief that consistently drips off the screen. Additionally, there are underlying themes of mental illness and psychosis that are done really well and tactfully -- although I might add it may not seem so at first. Sorry if that's cryptic, I just don't want to give any spoilers. The ending will knock you on your ass. I couldn't move after the screening, I was frozen for half the credit roll, and couldn't stop thinking about it for days.
I highly recommend "The Lodge" for fans of Aster's work, or if you liked "Goodnight Mommy" and want more of the same slow-burn insanity.
This movie is relatively good. Movie goers cannot seem to watch movies for what they are now but constantly need to analyze and compare elements of the movie to other films. This movie is a little on the slower side. If you like slow building, psychological thrillers, this one is for you.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
¿Sabías que…?
- TriviaJayden Martell (Aiden) and Lia McHugh (Mia) did activities such as ice-skating, rock-climbing and dinners, to bond in their brother and sister roles. However, the directors kept both of them separated from Riley Keough (Grace), so that they would not grow too close with her.
- ErroresWhen Grace comes out of the shower, she wraps a dark towel around her waist. In the next scene, when she wipes the steamed-up mirror with her hand, she is wearing a white towel around her top.
- ConexionesFeatured in WatchMojo: Top 10 Horror Movies of 2020 So Far (2020)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,138,907
- Fin de semana de estreno en EE. UU. y Canadá
- USD 76,251
- 9 feb 2020
- Total a nivel mundial
- USD 3,155,858
- Tiempo de ejecución
- 1h 48min(108 min)
- Color
- Relación de aspecto
- 1.85 : 1
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