Lara

Imperfect mother's day, her heart has too many feelings but nowhere to vent. What you may see is only the creation of movies, but what you think of will be your original family.

There are movies that stick with you long after you see them. This is one of those. That's not always a good thing, mind you. especially when it's a dark film. This is a dark film. However, it managed to be both entertaining and thoughtfully thought provoking...as good art should be. The other reviews discuss the subject matter, so I won't repeat. I would gently urge you to watch this movie and you will revel in the talented acting and slow purposeful direction. The choices we make in life are on full display here. Sometimes the bit players, as well as the leads, in our lives affect us profoundly and shape our direction. Can we learn and adjust our course or continue on in despair...? A very solid work.

It makes sense that the same person responsible for Oh Boy is responsible for this. Not because the movies are the same or similar in that sense, but that they are both good. And this follow up is quite something - this time around it is a woman who is front and center ... and boy is she flawed ... no pun intended.

So many really good performances - and I don't say that lightly when it comes to German movies. While I generally am "known" for being too nice when it comes to rating movies (in general, I can be harsh too), I am quite critical of German efforts and mostly am not convinced when it comes to performances in the German language ... that makes me even more excited when it comes to movie like this one here.

To say that Lara is a flawed human being ... a broken one and one that commits and makes many mistakes would be quite the understatement. But that is also what makes her and the movie so interesting ... very well done indeed ...

A reflection on maturity and the balances it inevitably provokes, the choices, good or bad, that determine the unfolding of a life, the people who, for better or worse, influence them, the regrets, the disappointments and the projections of unfulfilled dreams in others, particularly in children.

The main message is positive, that only by taking risks can goals be achieved. The general tone, however, is dark, marked by the compunction of someone who proved incapable of taking the risk at the right moment and dragged revolt into her life and that of everyone around.

However, it is precisely this austerity and this degree of demand, which make her life so unbearable, that also built an image of respect and admiration in others, capable of instilling excellence and perfectionism around her.

Life is made of contradictions. The destruction of the dreams of some allows the construction and realization of the dreams of others.

The writing, and the central performance by Corinna Harfouch combine to make this film work. The writing has the qualities of an excellent short story; it builds through character and opens up the themes to the piece by episodes which are proportionate and cohere.

Carrying the film, Harfouch, delivers a nuanced and strong performance in which she seems to have multiple ways to convey pain and regret, disappointment and disillusion. In some key scenes she pivots to pride, and even arrogance, all of which convey the turmoil in the character.

The story is familiar enough and done in a style that is not hackneyed, using other elements, in locations and minor characters, to present the loneliness and failure of Harfouch's character.

An engaging film that is worth seeing again.