[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Doble vida

Título original: Doubles vies
  • 2018
  • B
  • 1h 48min
CALIFICACIÓN DE IMDb
6.4/10
6.1 k
TU CALIFICACIÓN
Juliette Binoche and Guillaume Canet in Doble vida (2018)
Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.
Reproducir trailer2:11
3 videos
71 fotos
ComediaDramaRomance

Dos personajes del mundo editorial se enfrentan a la crisis de los 40, una industria cambiante, y sus vidas familiares.Dos personajes del mundo editorial se enfrentan a la crisis de los 40, una industria cambiante, y sus vidas familiares.Dos personajes del mundo editorial se enfrentan a la crisis de los 40, una industria cambiante, y sus vidas familiares.

  • Dirección
    • Olivier Assayas
  • Guionista
    • Olivier Assayas
  • Elenco
    • Guillaume Canet
    • Juliette Binoche
    • Vincent Macaigne
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    6.1 k
    TU CALIFICACIÓN
    • Dirección
      • Olivier Assayas
    • Guionista
      • Olivier Assayas
    • Elenco
      • Guillaume Canet
      • Juliette Binoche
      • Vincent Macaigne
    • 40Opiniones de los usuarios
    • 126Opiniones de los críticos
    • 78Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 9 nominaciones en total

    Videos3

    Official Trailer
    Trailer 2:11
    Official Trailer
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Non-Fiction - Official Trailer
    Trailer 2:12
    Non-Fiction - Official Trailer

    Fotos70

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel

    Elenco principal37

    Editar
    Guillaume Canet
    Guillaume Canet
    • Alain Danielson
    Juliette Binoche
    Juliette Binoche
    • Selena
    Vincent Macaigne
    Vincent Macaigne
    • Léonard Spiegel
    Christa Théret
    Christa Théret
    • Laure d'Angerville
    Nora Hamzawi
    Nora Hamzawi
    • Valérie
    Pascal Greggory
    Pascal Greggory
    • Marc-Antoine Rouvel
    Laurent Poitrenaux
    • Maxime Caron
    Sigrid Bouaziz
    Sigrid Bouaziz
    • Victorine
    Lionel Dray
    • L'ami éditeur
    Antoine Reinartz
    Antoine Reinartz
    • Blaise - le libraire d'Arles
    Nicolas Bouchaud
    Nicolas Bouchaud
    • David
    Aurélia Petit
    Aurélia Petit
    • L'invitée de Marc-Antoine
    Thierry de Peretti
    Thierry de Peretti
    • L'invité de Marc-Antoine
    Violaine Gillibert
    • Paloma - l'amie de Marc-Antoine
    Jean-Luc Vincent
    Jean-Luc Vincent
    • Carsten - un écrivain
    Laetitia Spigarelli
    • Amélia
    Stéphane Roger
    • L'agent de Séléna
    David Blot
    • L'animateur radio
    • Dirección
      • Olivier Assayas
    • Guionista
      • Olivier Assayas
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios40

    6.46K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    8christopher-underwood

    I enjoyed it and if there is not much story to relate there is pleasure enough

    I have, of late, become quite a fan of the films of Olivier Assayas, though I was put off this, his last to show in London, by some very iffy reviews. It is, however, fine. I enjoyed it and if there is not much story to relate there is pleasure enough, for me anyway, listening to the various conversations. Conversations about the writing and reading of books and each others wives. The French title is Doubles Vies which translates directly as Double Lives and is perfect, so much so that it amazes me that it was ever changed for the US/UK market. Surprisingly devoid of politics, which is a surprise considering some of the director's previous films. The only real reference is to a disgraced would be leader and comments made suggesting people go into politics to satisfy their own ego rather than to effect change and perhaps this is Assayas' justified snide political comment.
    JohnDeSando

    So very French, so very entertaining, so very smart.

    "Books are no more threatened by Kindle than stairs by elevators." Stephen Fry

    If you like things French such as conversation, books, love, infidelity, bourgeoise comforts, Eric Rohmer, and Juliette Binoche, then go right to Olivier Assayas' Non-Fiction. Here's a fiction film about incessant arguing over books vs. e-books, roman a clef, and the politics of publishing in a world where the Internet is shaping even the way talented authors structure their dramas.

    Books and the Internet, along with the shape of e-books, informs almost every heated discussion of the fetching comedy with a bit of darkness to make it oh-so French interesting. Publisher Alain (Guillaume Canet) refuses to publish long-time writer and client Leonard's (Vincent Macaigne) newest novel possibly because Leonard has a habit of disguising well know people in his characters, this time may be Selena, wife of Alain, and lover of Leonard. After six years of this tomfoolery, do you think Alain might know?

    While Assayas has a good old time with this old-time French drawing room stuff, all get togethers evolve into arguments about the viability of hard-bound books versus digital newcomers. No conclusion is made, except for the viewer who delights in the robust shenanigans that disguise the obsession writers and publishers now have over the mortality of books, hard or soft.

    Regardless, the middle-aged literati are disguising their own fear of extinction in the face of Tweeted emotions in so many words and young folk who may not read anymore anyway. Even promotion of a book must attend to the right navigation on social media.

    It's all heady words for this word lover who is delighted by such clever screwball setups and the idea, like any debate about the existence of God, that because we talk about books, they will endure. This comedy is not so much raucous as it is profound with a whole bunch of French sensibility and sex. I vote for that to endure right along with books.

    "Lovers of print are simply confusing the plate for the food." Douglas Adams
    8Red-125

    "The most French movie you will ever see"

    Doubles vies (2018) (literally Double Lives) is a French film that was shown in the U.S. with the title Non-Fiction. The movie was written and directed by Olivier Assayas.

    Guillaume Canet as publisher Alain Danielson, who is married to the TV actress Slena (Juliette Binoche). They are friends with another couple, author Léonard Spiegel (Vincent Macaigne) and political consultant Valerie, portrayed Nora Hamzawi. Into the mix comes Laure d'Angerville played by Christa Théret. She works for Alain as "Head of Digital Transition."

    Because this is a French film, everyone sleeps with everyone else, and everyone gathers in groups of four, six, or eight to talk, talk, and talk. (They also gather in cafes to talk.)

    Nothing is going quite right for any of them, and they are all dissatisfied with their lives. This is despite the fact that they are beautiful, successful, relatively wealthy people. (Remember this is a French film.)

    On the positive side is that the acting is excellent, the plot moves forward steadily, if slowly, and the movie embodies everything I know about French intellectuals. OK--it's true that all I know about French intellectuals is what I've seen in movies about French intellectuals. Even so, by that criterion it looks right.

    If you like dialog films, with great French actors, this film is for you. If you like movies with more action and less talk, then Non-Fiction isn't for you.

    We saw on the large screen at Rochester's great Little Theatre. It will work well enough on the small screen.

    I think it's worth seeing, but I'm somewhat prejudiced, because I have wanted to see La Binoche act ever since "The Unbearable Lightness of Being" in 1988.
    7ayoreinf

    Talking heads

    As others said it here, this is a very French film. It's also very verbal and very witty, though most of the text is there only as a vehicle for the story itself about the relationships between four friends two of them being a part of the French literary circle, and their wives. The only reason this thing works at all, is the fact that all of the cast oozes charm. One keeps on watching them talking and talking, because they're so very charming doing it, their wit flows naturally. But the truth is that we didn't really get to see here great original story. All we've got here is an endless verbal deluge, delivered with a certain French smile of self awareness, and as I already said, with loads of charm. If that's enough for you, you'll love this film. I found it a bit longish, I thought the director didn't really know how to end it, so he tried a few endings and left them all in, a mistake not suitable for an experienced director. But that's about it.
    9mightythor47

    Not for everyone, but you know who you are.

    Interesting and entertaining. The English title is "Non-Fiction", but the original French title "Doubles Vies" (Double Lives) is more descriptive. The theme centers around writing and publication in the internet age, with provocative snippets of bracing conversation, some hilarious deadpan humor, and sexual infidelity as a metaphor for how writing cheats reality, all perfectly framed by the French language and the Gallic temperament. (Needs to be seen in the original French, with subtitles if necessary.) You could describe it as a fast-talking intellectual comedy, but it's one of those movies that can be as deep as you want to make it. I plan to rent it so I can stop/replay some of the dialogue. The director, Olivier Assayas, is a master of layered meanings.

    Más como esto

    Après mai
    6.4
    Après mai
    Las nubes de María
    6.7
    Las nubes de María
    Una bella luz interior
    6.0
    Una bella luz interior
    La Verdad
    6.5
    La Verdad
    Fantasmas del pasado
    6.1
    Fantasmas del pasado
    Clean
    6.8
    Clean
    El reencuentro
    6.7
    El reencuentro
    Hors du temps
    5.5
    Hors du temps
    L'eau froide
    7.0
    L'eau froide
    Fin août, début septembre
    6.8
    Fin août, début septembre
    Eldorado
    6.9
    Eldorado
    Une nouvelle vie
    6.4
    Une nouvelle vie

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      A running joke throughout the film is Léonard (Vincent Macaigne) altering the story of a sexual liaison with Selena (Juliette Binoche) in a movie theater to take place during Michael Haneke's El listón blanco (2009) rather than Star Wars: El despertar de la fuerza (2015) because it sounded more chic. Binoche has collaborated several times before with Haneke.
    • Conexiones
      References El gatopardo (1963)
    • Bandas sonoras
      Beach Club
      Written by Per Bluitgen Andreasen and Yannick Kalfayan

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes

    • How long is Non-Fiction?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de julio de 2019 (México)
    • País de origen
      • Francia
    • Sitios oficiales
      • Official site
      • Official site (Japan)
    • Idioma
      • Francés
    • También se conoce como
      • Non-Fiction
    • Locaciones de filmación
      • Majorca, España(final scenes)
    • Productoras
      • CG Cinéma
      • Vortex Sutra
      • Arte France Cinéma
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 704,919
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 29,853
      • 5 may 2019
    • Total a nivel mundial
      • USD 3,649,042
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 48 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.