Una mirada al interior de la vida de las personas de los programas matutinos, explorando los desafíos que enfrentan los hombres y mujeres que llevan a cabo este ritual televisivo.Una mirada al interior de la vida de las personas de los programas matutinos, explorando los desafíos que enfrentan los hombres y mujeres que llevan a cabo este ritual televisivo.Una mirada al interior de la vida de las personas de los programas matutinos, explorando los desafíos que enfrentan los hombres y mujeres que llevan a cabo este ritual televisivo.
- Ganó 4 premios Primetime Emmy
- 20 premios ganados y 123 nominaciones en total
Explorar episodios
Opiniones destacadas
The Morning Show is set in the ostensibly glamorous world of America's most popular (fictional) breakfast TV show, with Jennifer Aniston's character Alex at the center of the action as the anchor who has made the show a huge hit over 15 years.
But the real theme of this series is anything but glamorous: it is a dramatic exploration of the issues that underpinned the #MeToo movement from 2017 - workplace sexual harassment in the entertainment industry, and the culture that permits it; the cancel culture that followed it; and the reaction to that cancel culture.
That's not a spoiler. The series begins with the TMS crew in shock after Alex's much-loved co-anchor Mitch (Steve Carrell) is marched out of the building, accused of inappropriate sexual behaviour. How true those accusations are or aren't, and what that means to everybody associated with the show, is the main narrative thread that is slowly unravelled over the course of Season 1. And it's quite a ride.
Reese Witherspoon enters as Bradley Jackson, a maverick reporter for another - much smaller - show who accidentally becomes a viral sensatiom, then a studio guest on TMS, then part of the show. So far, so predictable - although even this Act 1, establishing the main characters and ideas over the first 3 or so episodes, is packed with highlights. By that point, we the audience have enjoyed the fireworks around Bradley, learned and accepted that Jennifer Aniston really can act (who knew?) and found ourselves liking and empathizing with Steve Carrell's Mitch, unsure whether it will turn out that he is the (not entirely blameless) victim of cancel culture, or whether he's in fact more of a creep than he seems.
Such drama and ambiguity is possible thanks to some of the best dialogue writing and best acting I've seen since shows like the West Wing or early seasons of Billions. Seriously, it's a terrific job by everybody involved - no exceptions. Aniston and Carrell are both revelations in serious roles, actors like Jack Davenport and Mark Duplass are very well-cast, and Billy Krudrup kinda streals the show as the enigmatically brilliant Corey. Reese Witherspoon we've seen be excellent before - so it's no surprise that she's excellent here. Interestingly, she begins as the mian focus, but increasingly creates space for others to take centre stage as the story progresses.
It's near-perfect drama - brilliantly delivered and tackling a major theme of our time with deft integrity and plenty of intrigue.
Even if you have the self-discipline required to have avoided binge-watching the whole first Season in a single sitting, don't even think sbout starting the season finale unless you have time to finish it and absorb it. You have been warned.
Obviously, the following Seasons won't be as good. We know that, right? So this review is for Season 1. If you want to keep watching thereafter, that's up to you, but perhaps be realistic in your expectations.
But the real theme of this series is anything but glamorous: it is a dramatic exploration of the issues that underpinned the #MeToo movement from 2017 - workplace sexual harassment in the entertainment industry, and the culture that permits it; the cancel culture that followed it; and the reaction to that cancel culture.
That's not a spoiler. The series begins with the TMS crew in shock after Alex's much-loved co-anchor Mitch (Steve Carrell) is marched out of the building, accused of inappropriate sexual behaviour. How true those accusations are or aren't, and what that means to everybody associated with the show, is the main narrative thread that is slowly unravelled over the course of Season 1. And it's quite a ride.
Reese Witherspoon enters as Bradley Jackson, a maverick reporter for another - much smaller - show who accidentally becomes a viral sensatiom, then a studio guest on TMS, then part of the show. So far, so predictable - although even this Act 1, establishing the main characters and ideas over the first 3 or so episodes, is packed with highlights. By that point, we the audience have enjoyed the fireworks around Bradley, learned and accepted that Jennifer Aniston really can act (who knew?) and found ourselves liking and empathizing with Steve Carrell's Mitch, unsure whether it will turn out that he is the (not entirely blameless) victim of cancel culture, or whether he's in fact more of a creep than he seems.
Such drama and ambiguity is possible thanks to some of the best dialogue writing and best acting I've seen since shows like the West Wing or early seasons of Billions. Seriously, it's a terrific job by everybody involved - no exceptions. Aniston and Carrell are both revelations in serious roles, actors like Jack Davenport and Mark Duplass are very well-cast, and Billy Krudrup kinda streals the show as the enigmatically brilliant Corey. Reese Witherspoon we've seen be excellent before - so it's no surprise that she's excellent here. Interestingly, she begins as the mian focus, but increasingly creates space for others to take centre stage as the story progresses.
It's near-perfect drama - brilliantly delivered and tackling a major theme of our time with deft integrity and plenty of intrigue.
Even if you have the self-discipline required to have avoided binge-watching the whole first Season in a single sitting, don't even think sbout starting the season finale unless you have time to finish it and absorb it. You have been warned.
Obviously, the following Seasons won't be as good. We know that, right? So this review is for Season 1. If you want to keep watching thereafter, that's up to you, but perhaps be realistic in your expectations.
I was never a big fan of either Anniston or Witherspoon but they are really, really good in these roles. Production values are excellent (product placement aside) and kudos to the writers for the nuanced approach to delicate social issues... and Billy Crudup has the best lines!
The Morning Show is a solid drama led by such an amazing cast. It takes you behind the scenes of a morning show and gives you a candid look at what makes the show go and the lives of the people involved in it. It may start a little slow for some but stick with it because it gets better as the show goes on. It seems like the entire cast has been nominated for an Emmy for their jobs on this show (Steve Carrel, Jennifer Aniston, Reese Witherspoon, Billy Crudup, Mark Duplass, Jon Hamm, Holland Taylor, etc, etc.) and for good reason...they were all terrific! It's obviously a star studded cast but it's not only the stars that make this show so good, the writing is fantastic as well. Like most shows the first season is the best but even though the other seasons may not be quite as good as the first, they're still pretty darn good.
I was skeptical and this show wasn't even on my radar, but after watching the first episode, I was hooked. I binged the next 4 in 2 days. Great show! The acting is superb. The story is interesting. It touches on issues of the day with finesse and doesn't preach. Which is hard to find these days. The casting is pretty perfect. Billy Crudup steals the show. Awesome work, Apple!
A wonderful series (the first season). I watched it out of academic interest. I don't feel any sympathy for the MeToo movement, just so you know.
However, the series presents harassment from a slightly different angle than I had imagined, which led to a bit more understanding. The point is that the bosses in this series don't see this as a problem at all. It's like: 'You're a fool, grace has descended upon you, and you're sulking here.' For them, everything seems perfectly normal. There's no theme here of 'if you don't like it, just leave,' as many people say online.
I especially want to point out how people get fired in this series. They are not in the lowest positions, so they are earning more than average. When you consider that they might have loans, mortgages... it adds much more depth to the plot than meets the eye at first glance.
In summary: the series digs deep and presents it well.
However, the series presents harassment from a slightly different angle than I had imagined, which led to a bit more understanding. The point is that the bosses in this series don't see this as a problem at all. It's like: 'You're a fool, grace has descended upon you, and you're sulking here.' For them, everything seems perfectly normal. There's no theme here of 'if you don't like it, just leave,' as many people say online.
I especially want to point out how people get fired in this series. They are not in the lowest positions, so they are earning more than average. When you consider that they might have loans, mortgages... it adds much more depth to the plot than meets the eye at first glance.
In summary: the series digs deep and presents it well.
¿Sabías que…?
- TriviaJennifer Aniston and Reese Witherspoon both received a $2 million fee per episode, but it does not include fees for executive producing and points on the series' back-end, as both are serving as executive producers on the series. Apple has already ordered 20 episodes of the series, split into two seasons.
- Citas
Hannah Shoenfeld: We're The Morning Show. We can do anything.
- ConexionesFeatured in Jimmy Kimmel Live!: Jennifer Aniston/Dave Matthews/Blanco Brown (2019)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta