27 opiniones
- ikanboy
- 17 oct 2018
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As the Welsh government champions the revitalization of its mother tongue, the country's television industry is doing its part toward language immersion.
"Bang," premiering Monday, Oct. 15, on the streaming service Acorn TV, is the latest in a recent spate of Welsh-language thrillers, this one threaded with English and subtitles for Welsh, also called Cymraeg, for those who can't untangle its knotty cadences.
Set in the steel town of Port Talbot - the childhood home of the actors Richard Burton, Anthony Hopkins and Michael Sheen - "Bang" rises from a less bucolic Wales than shows like "Keeping Faith" and "Hidden," its moody shoreline juxtaposed against a backdrop of blast furnaces and smokestacks. And the story of "Bang" is as grimy as its setting, with a shabby menagerie of tough guys, stolen-car dealers and loan sharks shredding the local fabric while Gina (Catrin Stewart), an ambitious young police officer, tries to the return the streets to safety.
But mostly it's the story of her brother, Sam (Jacob Ifan) - a hapless warehouse grunt who, as a 5-year-old, witnessed the shooting death of their father - and the seeming invincibility ignited within him once he finds himself in possession of a gun.
"Bang," premiering Monday, Oct. 15, on the streaming service Acorn TV, is the latest in a recent spate of Welsh-language thrillers, this one threaded with English and subtitles for Welsh, also called Cymraeg, for those who can't untangle its knotty cadences.
Set in the steel town of Port Talbot - the childhood home of the actors Richard Burton, Anthony Hopkins and Michael Sheen - "Bang" rises from a less bucolic Wales than shows like "Keeping Faith" and "Hidden," its moody shoreline juxtaposed against a backdrop of blast furnaces and smokestacks. And the story of "Bang" is as grimy as its setting, with a shabby menagerie of tough guys, stolen-car dealers and loan sharks shredding the local fabric while Gina (Catrin Stewart), an ambitious young police officer, tries to the return the streets to safety.
But mostly it's the story of her brother, Sam (Jacob Ifan) - a hapless warehouse grunt who, as a 5-year-old, witnessed the shooting death of their father - and the seeming invincibility ignited within him once he finds himself in possession of a gun.
- HamIAm
- 13 oct 2018
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- petergoode2
- 3 mar 2020
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- ndasny
- 22 jun 2022
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Pity this series is in both English & Welsh language. Found this annoying.
Just one language would have been much better. Why chopping from one to the other during same scene/conversation?
Just one language would have been much better. Why chopping from one to the other during same scene/conversation?
- russellharvy-39017
- 26 abr 2022
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The rugged backdrop of Port Talbot works incredibly well as the backdrop for this compelling Welsh drama. Mostly spoken in Welsh, with sections in English, it gives the drama a unique appeal. It's a fantastic story, multi layered and deep. If I'm honest I found the first episode a little slow, but after that it's literally all guns blazing.
There's a fact of Welsh (and Scottish) talent on show, and although Gina appears to be the focal point, the story focused more so on her troubled brother Sam. The cast are terrific, Jacob Ifan is a standout, you get the impression that he truly is a troubled character.
Some violence, some shocking scenes, it is incredibly gritty. We get to see the real Port Talbot, we also get some incredible shots of the areas around it, which are remarkable.
It's in the same mould as Hidden and Hinterland, so if you enjoyed those, you will love this. I hugely recommend it.
There's a fact of Welsh (and Scottish) talent on show, and although Gina appears to be the focal point, the story focused more so on her troubled brother Sam. The cast are terrific, Jacob Ifan is a standout, you get the impression that he truly is a troubled character.
Some violence, some shocking scenes, it is incredibly gritty. We get to see the real Port Talbot, we also get some incredible shots of the areas around it, which are remarkable.
It's in the same mould as Hidden and Hinterland, so if you enjoyed those, you will love this. I hugely recommend it.
- Sleepin_Dragon
- 30 sep 2019
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Very often I start watching a TV series and don't persist beyond an episode or two, but "Bang" has held me through series 1. I'm not sure why, as typically I find very dark stories repulsive. I think the brilliance of the acting is undeniable, and Catrin Stewart and Jacob Ifan have very attractive faces. The smaller parts don't disappoint either. One reason I'm surprised at the series' appeal is that it is largely in Welsh, whereas "foreign language" films are usually a big turnoff for me. The story and the dialogue are good enough, despite some implausibilities. Why does Sam let Rhys beat him up without retaliation although he is the larger man? Need some time in the gym, Sam! The other frustrating thing is that there are several men with short dark hair and chiselled features representing different characters, and I couldn't retain who they were or which one was on the screen at a given time. So I'm sure I missed quite a lot. I'll dip into Series II but be ready to bail out, as series often seem to deteriorate. Anyway, worth a try if you're looking for some quite gripping viewing.
- verna-a
- 28 abr 2022
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My fascination with Welsh Noir started with Hinterland, but has just gone to a new level with Bang.
Yes, I was drawn into the darkness of Hidden. Keeping Faith teetered just to the right side of preposterous, with overuse of pop video style lingering to music over the attractive female lead. Requiem was super creepy, folk horror. 35 Diwrnod is OK, but limited by its small budget and cast. Bang seemed to reconcile all of these shortcomings and make a powerful virtue of each one, with much use of a popular technique of location centred drama - long location shots, and very smart use of music.
Like I said when Hinterland broke through with its take on the Scandi noir set up - cop outsider with demons - the strongest cast member in a heck of a strong field was the landscape of Ceredigion, and the dark secrets of Aberystwyth. They also ended up smothering the plot and compensating for a drift into borderline cod. But like in Hidden, the stark survival of the Welsh working class was an ever present, if a little on the hopeless side.
Bang had all of this and more. The backdrop being Port Talbot, warts, beaches, steelworks, motorways and all. It didn't pull a single punch in the portrayal of the daily stuff of a police beat, following a spree of gun crimes in Series One and a savage killer on the loose in Series Two. But though life at times for a whole load of characters was unremittingly tough, it didn't seem as universally grim and hopeless as Hidden, or have the stolen idyll of Keeping Faith. Life is hard in this world of loan sharks, low wages, drugs, domestic violence,crime and decay. Yet for all that, there are characters who still bring warmth and joy, office banter and small tender moments of friendship and family life. Even poor old Sam Jenkins, bullied, friendless and prosecuted manages to have happiness and a sense of humour in his grasp. I say this having just wrapped up a stunning conclusion to the six part second run, which certainly didn't cue things up for happy ever afters.
There lingers too the possibility of justice not being served. It's possible that bullies, murderers and rapists might break an unwritten rule of TV drama and get away with it. Bang also has an earthier menace to it, man-made malignancy, rather than an ethereal lingering evil of the kind we saw so profoundly in Requiem, and hinted at from time to time in both Hidden and Hinterland, where there's always a hint of the weird and the eerie. Hopefully there are no spoilers here, and this is enough of a recommendation. Just watch it, absorb yourself in it and try not to have nightmares. The cast are (mostly) tight and the creator Roger Williams' script sparkles with bilingual delights. But in Catrin Stewart as Gina, and Jacob Ifan as Sam, you have two performances that would earn a BAFTA, or equivalent, in any language.
A final thought though, did nobody care what happened to creepy Russell?
Yes, I was drawn into the darkness of Hidden. Keeping Faith teetered just to the right side of preposterous, with overuse of pop video style lingering to music over the attractive female lead. Requiem was super creepy, folk horror. 35 Diwrnod is OK, but limited by its small budget and cast. Bang seemed to reconcile all of these shortcomings and make a powerful virtue of each one, with much use of a popular technique of location centred drama - long location shots, and very smart use of music.
Like I said when Hinterland broke through with its take on the Scandi noir set up - cop outsider with demons - the strongest cast member in a heck of a strong field was the landscape of Ceredigion, and the dark secrets of Aberystwyth. They also ended up smothering the plot and compensating for a drift into borderline cod. But like in Hidden, the stark survival of the Welsh working class was an ever present, if a little on the hopeless side.
Bang had all of this and more. The backdrop being Port Talbot, warts, beaches, steelworks, motorways and all. It didn't pull a single punch in the portrayal of the daily stuff of a police beat, following a spree of gun crimes in Series One and a savage killer on the loose in Series Two. But though life at times for a whole load of characters was unremittingly tough, it didn't seem as universally grim and hopeless as Hidden, or have the stolen idyll of Keeping Faith. Life is hard in this world of loan sharks, low wages, drugs, domestic violence,crime and decay. Yet for all that, there are characters who still bring warmth and joy, office banter and small tender moments of friendship and family life. Even poor old Sam Jenkins, bullied, friendless and prosecuted manages to have happiness and a sense of humour in his grasp. I say this having just wrapped up a stunning conclusion to the six part second run, which certainly didn't cue things up for happy ever afters.
There lingers too the possibility of justice not being served. It's possible that bullies, murderers and rapists might break an unwritten rule of TV drama and get away with it. Bang also has an earthier menace to it, man-made malignancy, rather than an ethereal lingering evil of the kind we saw so profoundly in Requiem, and hinted at from time to time in both Hidden and Hinterland, where there's always a hint of the weird and the eerie. Hopefully there are no spoilers here, and this is enough of a recommendation. Just watch it, absorb yourself in it and try not to have nightmares. The cast are (mostly) tight and the creator Roger Williams' script sparkles with bilingual delights. But in Catrin Stewart as Gina, and Jacob Ifan as Sam, you have two performances that would earn a BAFTA, or equivalent, in any language.
A final thought though, did nobody care what happened to creepy Russell?
- themarpleleaf
- 20 may 2020
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- lofts55
- 21 may 2022
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Location: South Wales. Horse running on beach followed by it standing on beach munching on sand?. Does't move when truck trailer drive up. Poor start for realism.
Two detectives working together have a romantic relationship on the side. Not good policing policy, but good for viewer demographics. Even the supervisor is in a questionable relationship with a parole officer. Overall detective behavior & sleuthing skill very inept. Action consists mostly of lots of running (in dress shoes & attire coupled with poor running form) after suspects.
Formula detective series seems copied by many countries in making their own local version, i.e. The usual cheap quick scene of dead person; the usual questioning of misdirected suspects; the usual low IQ forensics; the usual interdepartmental issues. Actors seem chosen for looks & not believability.
Two detectives working together have a romantic relationship on the side. Not good policing policy, but good for viewer demographics. Even the supervisor is in a questionable relationship with a parole officer. Overall detective behavior & sleuthing skill very inept. Action consists mostly of lots of running (in dress shoes & attire coupled with poor running form) after suspects.
Formula detective series seems copied by many countries in making their own local version, i.e. The usual cheap quick scene of dead person; the usual questioning of misdirected suspects; the usual low IQ forensics; the usual interdepartmental issues. Actors seem chosen for looks & not believability.
- westsideschl
- 19 abr 2021
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I've been watching this on the iPlayer and so pleased I stumbled across it. What a gem! Emotional drama with a real sense of place. The central brother and sister story is beautifully told with a sense of how crime influences a victim's life. I love the use of two languages - makes a thrilling drama particularly unique.
- jorowill
- 7 jun 2019
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The most interesting thing about this series is that fact that it is performed in English and Welsh. Other than that, it is absolute rubbish that is at the level of a university drama project that is done for academic credit! The script is all over the place and not well thought out. It contains a mass of tangled stories, some of which are related to the plot, others are not. The writing and dialog is childish. The ending makes it look as if there might be a second series but hopefully we will be spared that suffering. There have been better series coming out of Wales in recent years. This one is just not one of those.
- qui_j
- 3 nov 2018
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We almost didn't start this show because of the 6.6 rating. But we have learned over time that some "foreign" shows don't get a good shake.
We enjoyed it a lot because it's quite atmospheric & quirky. Probably if you like American cop shows this isn't for you.
We are hoping for s season 3.
We enjoyed it a lot because it's quite atmospheric & quirky. Probably if you like American cop shows this isn't for you.
We are hoping for s season 3.
- heibeinh
- 2 ago 2022
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Reiterate everything previous reviewer Jorowill said. I missed this the first time around and only now catching up on iPlayer, but so glad I am. Acting, storyline, thriller aspects all top class. I don't speak Welsh, but subtitles are no problem for me. I absolutely loved heartbreaking/thriller/detective mixture and am sorry that Bang! seems to have received such a ho-hum reaction from some reviewers. I love it.
- jabber12
- 10 jul 2019
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- callladd
- 8 nov 2020
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Excellent film noir. Suspenseful. Twists. Great characters. And many characters plots and subplots. Great location. Moody. Excellent cinematography. Immersive in the Welsh language and English language to great effect. Easy to follow. Completely unpredictable, right to the end. Good guys are bad guys, bad guys are good, and many of them are both good and bad. This is a great series. Really well done. WE NEED MORE FILM NOIRS like this.
- will-55627
- 5 oct 2020
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Was that rubbish I just sat through? Dopey cops, a pathetic brother to one of the dopey cops, cardboard cut-out "baddies". Did I mention the brother is a moron? Actually, so is the cop sister.
Having them speak Welsh was neither here nor there as a plot point. In fact as the plot was all over the shop, they could have spoken Swahili and it wouldn't have made it any more ridiculous.
Having them speak Welsh was neither here nor there as a plot point. In fact as the plot was all over the shop, they could have spoken Swahili and it wouldn't have made it any more ridiculous.
- jiballini64
- 4 may 2022
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- susansundaisy
- 5 feb 2021
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- REVVINCENT
- 22 sep 2020
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- figueroa_j
- 27 sep 2020
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The best thing I can say about this show is it gave crew members some work. The plot and the script are complete rubbish.
- werepanther
- 2 ago 2021
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It's sausage machine Netflix hours. Every single character is rotten to the core like it's normal. Every social excuse trotted out. UK, Welsh or just moral obliquity? Dozey cops. Apathetic funded population. The coloured local area Commander. Happy Valley did it once and well. Snooze. But wait Sam pops back for season 2.
- ams99
- 8 may 2022
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...people actually speak perfect English AND Welsh?
And more importantly, is this a new trend with Welsh film makers to have their characters mix the two languages? It is distracting and annoying. I would have given this maybe 9 star rating but I quit after ep 5.
I did watch Keeping Faith. In their Bonus Content they explained that they filmed it in Welsh & English concurrently. I'm guessing that Bang didn't have the budget to do that. In any case, I will never watch a Welsh show again that mixes the languages like that!
And more importantly, is this a new trend with Welsh film makers to have their characters mix the two languages? It is distracting and annoying. I would have given this maybe 9 star rating but I quit after ep 5.
I did watch Keeping Faith. In their Bonus Content they explained that they filmed it in Welsh & English concurrently. I'm guessing that Bang didn't have the budget to do that. In any case, I will never watch a Welsh show again that mixes the languages like that!
- solitaryman-91051
- 17 abr 2021
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Most incompetent police department anywhere... Keystone Cop are better.. DUMB AND STUPID LAST THREE SHOWS SPOIL IT
- byronwells1
- 28 sep 2020
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Whoever had anything to do with formulating , writing and/producing this needs to finish kindergarten first! If you are going to write a police drama. Do your research first. Obviously the makers of this soap did not. Laughably inaccurate and completely implausible. Nominated for awards? Really? You truly can't be serious!
- admin-55780
- 17 ago 2022
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