Namhansanseong

Surprisingly good Korean history flic. Very good performance by the actors. No overacting. No trash. No cringe. Characters are well drawn. The script well written, featuring the predicament of the main protagonists. But note! if u want battle action, please opt for Lord of the rings or Avengers Endgame. Sry no offense. This is more a political movie!

Enjoyed this as it's not black and white morally and you genuinely don't know where it's going. A bit of a gem actually.It's quite brutal in parts but not gratuitously as it is about a very desperate battle.

Josean (Korean) King Injo (Park Hae-il) is being attacked by the Qing, led by the Khan. He retreats to a mountain fortress in deep winter, and listens as Interior Minister Choi (Lee Byung-hun) argues with the Prime Minister (Sung Hyun-soo) about whether to negotiate or fight. Meanwhile, the fortress villagers and soldiers, including blacksmith- turned-recruit Nal-soe (Go Soo) and his brother are slowly starving and freezing to death, and it is turning out to be a long, long winter.... This film is based on Korean history in the 17th Century, when China ruled much of the peninsula and in turn was being menaced by the Qing, the forces of Genghis Khan's empire. Overall, "The Fortress" points out the futility of war and, a bit unexpectedly, also that life in the end will prevail (just not for everyone). The film is quite long at about 2 1/2 hours, but it's beautifully drawn and especially interesting to see in the middle of a very hot summer; all the scenes of snowstorms made me feel a tad chilly, even!

This film recently came up on NowTV and thought would give it a try without knowing anything about it. Very glad that I did! If you think you would enjoy an insight into a brutal period of medieval history not well known in the west with a mix of realistic battle scenes and court intrigue (and you don't mind subtitles) then I could recommend this. Central to the story being the kings aides who have differing advice for the King on how to deal with the invading Chinese army against a backdrop of a society with very distinct rich and poor divide where honour is sacrosanct. The film captures well the bleak remote location of the fortress while the combat is refreshingly devoid of the extensive use of cgi.

That gloomy sentiment, beyond the plot, is also perfectly represented via cinematography and sound design, granting The Fortress the uniquely dark aesthetic of showing us history from the side of the losers.