Kiri

There was much to like about this four-part series, but I'm afraid the last episode left me thinking the whole thing had run out of steam.

Brilliant performances by Sarah Lancashire as you might expect, and Stephen Mackintosh also showing his skill as a mature actor (I'm old enough to remember him when he was a schoolboy alongside Adrian Mole). The supporting cast also added weight to this tough drama.

I also loved the photography - in fact the atmosphere of the series was beautifully stylish, without it disappearing up its own backside.

However, I'll be honest and say I like my crime dramas to have decent endings, where the loose threads are neatly tied together and nothing is left in doubt. Everybody likes to see the culprit meet their comeuppance but this left one feeling the writer wasn't being clever in the way they drew the series to a conclusion, they were just being lazy.

The art of storytelling is really simple. A solid beginning, an exciting middle, with twists and turns along the way, and a brilliant ending, perhaps with some surprises. Certainly 9 out of 10 for the first two, but a disappointing 5 out of 10 for the finale.

Well acted and an interesting plot but let down by the inconclusive final episode. This happens too often in UK tv dramas - scriptwriters have good ideas for a story but don't know how to reach a satisfactory conclusion.

An interesting role for Sarah Lancaster and a series where Fellow Bristol dwellers play the game of 'guess the road they're filming on.' It's a little slow moving and felt the last episode to be a bit of an anti-climax, but the pressure on Social Workers and the decisions they make we're felt every step of the way.

As soon as I realised that Sarah Lancashire was a central character in this new production, I knew it was going to be good. Sarah, in her role as a human services case-manage working largely with young people and adoptive families (and possibly troubled families in general, we shall see) just eats it up, as usual and gives us a diamond character, in the rough of course. Some might believe she's been typecast and although there may be some similarity here to her role as a weary and wary copper in Happy Valley, it is only in her ability to portray courage, compassion with human foible so well; the characters are very different people. 'Miriam' is not tough and hard here like 'Catherine' is., though definitely exudes the personality of an experienced, down to earth woman. It's early days but we are introduced to a woman who seems almost happy-go-lucky way. Much more light-hearted and humoured in her approach. It becomes clear early on though that this may be a necessary facade to cope with previous tragedy in her life. And alas, it now seems she is to be the scapegoat for a terrible tragedy she could not foresee occurring with a child she is case manager for. But herein lies the mystery and the drama; perhaps we may see sides of Miriam which will lead us to question this 'diamond'. And question all involved in the life of the young girl at the centre of the tragedy, including the involvement of 'the system' as her 'warden of care'. So far, there are believable and sterling performances by all. I am also quite impressed with standouts Lucian Msamati and Claire Rushbrook. Perhaps the only weakness I personally see (others may not) revolve around the central adoptive family who seem a little too good to be true juxtaposed to what I feel is a rather callous disregard for their adopted child's family of origin. That is a flimsy observation on my behalf at this stage. It's only one episode for me thus far, after all. So I await eagerly the thick to plotten...

This is one of those series with great acting, red herrings, implausible outcomes that just ends stupidly. Don't waste your time.