El teléfono negro

In the end, I'm disappointed. It started off fine, but it stayed fine for the rest of the film and in short I was expecting something more than just fine. I was waiting for some questions to be answered, some revelations, some explanations. I was most puzzled by the ending, which seemed too quick, almost cut off. Not to criticize, I liked the time setting. It added a bit of magic. At least for me. Summary. Bottom line. It was okay, but I was expecting a little more. A little more depth to the story. I missed some revelation or explanation. For me, an above average horror film that I would only recommend to fans of the genre.

A sadistic abductor and child killer, who masquerades as a Clown, known as The Grabber has taken a young boy and imprisoned him, inside his cell is a black phone, which somehow links him up with previous victims.

This film isn't going to be for everyone, it is such a bleak and macabre story, some may find it upsetting, it has a similar feel to IT, the original that is. That said, it is very original, tense and loaded with suspense, if you're into it you'll have so many questions, and you'll want to know the outcome. Maybe some of it's ambiguous, but that is on the film's favour I think.

The Grabber is almost an iconic villain, that hideous mask, the hat and general appearance, there's definitely a vibe of The Child catcher about him, he is played to perfection by Ethan Hawke, he is a daunting presence.

The youngsters are all terrific, there is a lot of talent on show here, Mason Thames, who played Finn was terrific, what a future ahead.

Well worth a look, 8/10.

This film really got me with the actors' performances and the atmosphere of the film. Stylistically, it definitely taps into a late 70s gritty suburban nostalgia, a la Stephen King or John Carpenter (think IT or Halloween). Mason Thames and Madeleine McGraw carry the film with standout performances as two siblings trying to deal with bullies at school and at home, in addition to the lurking Grabber. Subtle quirks in characterization such as Finney sitting down and watching tv with his sister after her beating, or the camera lingering on Gwen skipping her way to a friend's house really show the director investing in the characters, not just the plot. And yes, Ethan Hawke is assuredly creepy as the villain, someone you can't wait to be taken out. Thematically, the film is about standing up and sticking together; certainly not the most original themes, but it does its job as a result of good direction, a tight script, and stellar acting. My litmus test for thrillers is if I feel invested enough in the characters that I actually want everything to be resolved, it means the movie's done it's job-this one definitely passes.

An intense movie, worth a watch. May make your skin crawl/

Takes me back to my days as a kid growing up in Houston and the Houston Mass Murders. Wiki one of the killers, Elmer Wayne Henley for the story.

The Horror genre needs a revamp in terms of definition and perhaps instituting different sub-genres to it. As it is, the one classic "Horror" title isn't ever going to cover it all, and each horror film's ratings and acceptance will always be low and divided.

Take The Black Phone for example. It is excellently acted by almost every one of the actors, the 70's feel to it was perfection, the story was good, it was suspenseful, it had dark moments and a dark subject matter, it had mostly interesting characters. Granted, some of the characters were not as fleshed-out or utilized as much as others, but the pacing was great, there were supernatural elements and some gore. It had pretty much all the right ingredients for a film that would be marketed as a "horror" flick... and yet, we see a disconnect somewhere in how the film was perceived.

Until we allot some distinct titles such as Gory Horror or Dramatic Horror, Fantasy Horror, etc., GOOD films like The Black Phone, will be lost in a sea of horror fans, each looking for something different.