CALIFICACIÓN DE IMDb
5.3/10
3.9 k
TU CALIFICACIÓN
Un par de rivales en los negocios descubren que son gemelos idénticos y deciden intercambiarse en un intento de engañar a sus padres divorciados para que vuelvan a estar juntos.Un par de rivales en los negocios descubren que son gemelos idénticos y deciden intercambiarse en un intento de engañar a sus padres divorciados para que vuelvan a estar juntos.Un par de rivales en los negocios descubren que son gemelos idénticos y deciden intercambiarse en un intento de engañar a sus padres divorciados para que vuelvan a estar juntos.
- Premios
- 1 premio ganado y 5 nominaciones en total
Yolimar Lara
- Blonde
- (as Yoli Lara)
Desiree Alexandra Estrada
- Brunette
- (as Desiree Estrada)
Opiniones destacadas
This is a reboot of The Parent Trap as a musical. Identical twins separated at birth, each brought up by a single parent, both become top salesman at the same company. When they are brought together, they realize their relationship. Hankering for a "normal" 2-parent family, they hatch a plot to get their parents together and re-marry.
Switching identities, they each visit the other parent's apartments, and work on getting their reclusive parents to go out to dinner, where they would then meet. However, rather than detail the parents' eccentricities to each other in advance, they both jump in uninformed, and are shocked at what they find.
Originating as a 2-person play, most scenes are 2-person scenes, except for the extravagant musical numbers. Bowen Yang does an amusing turn as God, leading the ensemble in the song "Love is Love". Megan Thee Stallion plays the business founder, and her song is about a power woman dominating men. Nathan Lane is the father who has come out as gay, and is reasonably (but not overly) flamboyant. Having worked together for years, the main characters are very comfortable with each other.
I saw this at the world premiere weekend at the Toronto International Film Festival, where the directors were present, even though as the main actors they would be on strike. This was presented as part of the Midnight Madness program, and they were awed at seeing their "little" project on really big screens (my presentation was on an IMAX screen, and that was not the biggest screen the film played on). In response to a question, they said that they had no trouble getting their "dream team" to work on the film, as the various big-name actors had a positive reaction to the script.
I did find some parts overwhelming - the mother's apartment decor, and the father's pets. Also, the twins did not make any attempt to look alike, despite everyone around them keeping confusing them for each other. This suspension of disbelief is common in live theater, but seems iffy on film.
This film won the TIFF People's Choice Award in the Midnight Madness category.
Switching identities, they each visit the other parent's apartments, and work on getting their reclusive parents to go out to dinner, where they would then meet. However, rather than detail the parents' eccentricities to each other in advance, they both jump in uninformed, and are shocked at what they find.
Originating as a 2-person play, most scenes are 2-person scenes, except for the extravagant musical numbers. Bowen Yang does an amusing turn as God, leading the ensemble in the song "Love is Love". Megan Thee Stallion plays the business founder, and her song is about a power woman dominating men. Nathan Lane is the father who has come out as gay, and is reasonably (but not overly) flamboyant. Having worked together for years, the main characters are very comfortable with each other.
I saw this at the world premiere weekend at the Toronto International Film Festival, where the directors were present, even though as the main actors they would be on strike. This was presented as part of the Midnight Madness program, and they were awed at seeing their "little" project on really big screens (my presentation was on an IMAX screen, and that was not the biggest screen the film played on). In response to a question, they said that they had no trouble getting their "dream team" to work on the film, as the various big-name actors had a positive reaction to the script.
I did find some parts overwhelming - the mother's apartment decor, and the father's pets. Also, the twins did not make any attempt to look alike, despite everyone around them keeping confusing them for each other. This suspension of disbelief is common in live theater, but seems iffy on film.
This film won the TIFF People's Choice Award in the Midnight Madness category.
This movie was pretty damn great, the story was admitedly not very original but still very fun, the comedy was great' one of the funniest movies i have watched in a long time, and the songs while not all good are really enjoyable, also the performances are great with nathan lane stealing the show, my only problem is kind of a me problem, but i feel like there are times when the movie tries to use too much shock humor and those jokes just dont leave a very good impression for me, plus i would have loved it if the songs were longer
but overall i really enjoyed this movie, so if you enjoy raunchy comedies i highly reccomend to watch this movie at least once
p.s: this movie is better to watch with a friend.
p.s: this movie is better to watch with a friend.
I had such high hopes for this movie walking into the theater; I was really rooting for this to be a success. I couldn't have been more predisposed to seeing all its best qualities. An hour and 26 minutes later, I regretted every one of my decisions to see this pure piece of garbage. What adds to the heartbreak is the inclusion of such exceptional performers like Megan Mullaly and Nathan Lane. Not even their talented genius could flog this DOA dumpster fire back to life. The writing lacked originality and wit, and saw fit to instead substitute tortured jokes that begged for a pity laugh. Each song became more and more forgettable. You could feel all six people in the auditorium begging for a swift ending to put us out of our misery. When the writing and the music aren't competing for the Gold Medal in the Film Failure Olympics, the bizarre, shoe-horned gags are hard at work making you cringe. A disjointed plot line about sewer monsters and a detached vagina pile onto this crime against cinema, which should be tried in The Hague. It would be less painful to watch the movie musical Cats.
10manads
I told my partner, "This looks terrible. I'm pressing play." I am so glad I did. Sometimes you just need unhinged comedy in your life and that's exactly what I needed tonight. It's seriously the most ridiculous movie I've ever enjoyed. I kept laughing unexpectedly to the point of choking. It kept getting more and absurd with every passing moment and just when I thought it couldn't get more ludicrous, it found a way to take it to the next level.
Would I recommend this movie?
Not to most people, but if you're having a really bad day and you want something to take your mind off your problems and are willing to disregard any sense of decency, this might be the film for you. Worked for me.
Would I recommend this movie?
Not to most people, but if you're having a really bad day and you want something to take your mind off your problems and are willing to disregard any sense of decency, this might be the film for you. Worked for me.
I don't normally like musicals, but this was so fun to watch. If you come into this looking too deep, it'll ruin it. Expect absurdity. It's so over the top, but it has become an instant favorite for me. I feel like this movie requires a bit of appreciation for the eccentric. I don't feel like there was ever a moment where I could anticipate what they were going to say or do next, but each scene was cleverly executed. Like I said, don't approach this with any seriousness, and if you can appreciate queer culture and raunchiness then you're in for a lot of fun. I can't believe this story was ever created, but I'm not mad haha.
¿Sabías que…?
- TriviaThe movie is a musical retelling of Aaron Jackson and Josh Sharp's two-man comedy act.
- ErroresWhen the camera moves back after Craig and Trevor had quarreled and part ways to go back to their apartments, the dolly tracks it moved on are highly visible.
- ConexionesSpoofs Todo En Todas Partes Al Mismo Tiempo (2022)
- Bandas sonorasI'll Always Be on Top
Performed by Aaron Jackson, Josh Sharp, and Megan Thee Stallion
Written by Aaron Jackson, Josh Sharp, and Karl Saint Lucy
Produced by Marius De Vries
Mixed by Justin Moshkevich
Published by Ministry of Jazz Hands
Megan Thee Stallion appears courtesy of 1501 Certified Entertainment & 300 Entertainment, a division of Warner Music Group
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Rabos: El musical
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,453,012
- Fin de semana de estreno en EE. UU. y Canadá
- USD 201,951
- 8 oct 2023
- Total a nivel mundial
- USD 1,472,114
- Tiempo de ejecución
- 1h 26min(86 min)
- Color
- Relación de aspecto
- 1.85 : 1
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