Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.Se desconoce la trama. Es la secuela de la película de la Mujer Maravilla del 2017.
- Dirección
- Guionistas
- Elenco
- Premios
- 27 premios ganados y 48 nominaciones en total
Resumen
Reviewers say 'Wonder Woman 1984' garners mixed reactions. Gal Gadot and Chris Pine's performances are lauded, alongside Pedro Pascal and Kristen Wiig, though Wiig's role divides opinions. The 1980s setting and visuals are praised, yet the plot and pacing face criticism for complexity and sluggishness. Action scenes fall short compared to the first film. Themes of greed and morality are appreciated, but execution is deemed inconsistent. It's seen as inferior to the original, with varied enjoyment levels among viewers.
Opiniones destacadas
Too long, too slow. Quite uninteresting. An absolute ton of plot holes. DC destroy another movie. Did Gal Gadot forget how to act? Don't waste your time.
I am no expert in comic books myself, but what I expect from a comic book movie is to be striking, visual, stereotypical and above all, consistent with its past and its planned future. WW84 was neither of these! It wasn't awful for a random movie made by students, but it was really bad for a film made by a major studio and starring talented people and having so much material to draw inspiration from.
First of all, Gal Gadot had a supporting role in this film. She may save the day at the end (well, sort of), but the main character of the story was Max, the villain. Then every other supporting cast member had a development arc, while Gadot had about half of one if I am being generous. Second, the story pushed in the invisible jet and that Wonder Woman can fly (!?) in a clunky and hard to stomach way. You almost saw the outline of the executive shouting "she needs to fly in the next movie!!!". And third I am wondering if this film was misandric or not. Men were consistently portrayed as weak, abusive, violent, lacking impulse control and heartless. If it weren't for three male characters whose only quality was they were not evil - and that includes Steve Trevor and the random guy he inhabited, I would have seriously felt under attack the entire film.
The result was something that felt like a draft story for a writer class, with bad CGI, improbable deus ex solutions to problems that were hard to swallow in the first place, underwhelming characters, poor action scenes, pointless Trevor appearance, unnecessarily physical solutions to problems that could have been tackled by simply talking to a person on a phone or something and so on. And the ending was about how nice the holiday season is after a catastrophe that affected every person on the planet and almost destroyed the world!
So no. No! I am not taking it anymore. I am tired of movies that are not made for children but assume I am one, and a dumb one to boot. I want good stories, I want compelling characters, I want people who do their damn jobs!
First of all, Gal Gadot had a supporting role in this film. She may save the day at the end (well, sort of), but the main character of the story was Max, the villain. Then every other supporting cast member had a development arc, while Gadot had about half of one if I am being generous. Second, the story pushed in the invisible jet and that Wonder Woman can fly (!?) in a clunky and hard to stomach way. You almost saw the outline of the executive shouting "she needs to fly in the next movie!!!". And third I am wondering if this film was misandric or not. Men were consistently portrayed as weak, abusive, violent, lacking impulse control and heartless. If it weren't for three male characters whose only quality was they were not evil - and that includes Steve Trevor and the random guy he inhabited, I would have seriously felt under attack the entire film.
The result was something that felt like a draft story for a writer class, with bad CGI, improbable deus ex solutions to problems that were hard to swallow in the first place, underwhelming characters, poor action scenes, pointless Trevor appearance, unnecessarily physical solutions to problems that could have been tackled by simply talking to a person on a phone or something and so on. And the ending was about how nice the holiday season is after a catastrophe that affected every person on the planet and almost destroyed the world!
So no. No! I am not taking it anymore. I am tired of movies that are not made for children but assume I am one, and a dumb one to boot. I want good stories, I want compelling characters, I want people who do their damn jobs!
I saw the first Wonder Women and kind of enjoyed it, even though I didn't grow up knowing the WW canon. But it was a fun film that played with the fish-out-of-water aspect. But this - WW1984 - what in the hell was this? Again, I don't know that much Womder Woman history, but this seemed like a huge conglomeration of crazy story line, special effects, philosophical ramblings... it was a total mess.
Gal Gadot and Chris Pine are pleasant, appealing actors, and certainly pleasant to look at. And Kristin Wiig had a great role that I'm sure she had fun with. But overall, this was just a total mess of a movie. And Pedro Pascal...I can't figure out if he was great, or just did one of the most over the top performances in recent memory.
Gal Gadot and Chris Pine are pleasant, appealing actors, and certainly pleasant to look at. And Kristin Wiig had a great role that I'm sure she had fun with. But overall, this was just a total mess of a movie. And Pedro Pascal...I can't figure out if he was great, or just did one of the most over the top performances in recent memory.
The first film is outstanding, it's exciting, it's fun, and apart from looking amazing, it has depth.
The problem here, it's so slow, and goes on forever and a day, did anything actually happen in the first ninety minutes? There was absolutely no action.
Chris Pine felt wrong here somehow, eye candy only, Gal Gadot, I thought she was pretty good, the shining light here, I just felt like she was battling against a miserable script. You could almost sense that she knew the script was no good.
The Villains were generally inept.
I won't be watching again, 3/10.
The problem here, it's so slow, and goes on forever and a day, did anything actually happen in the first ninety minutes? There was absolutely no action.
Chris Pine felt wrong here somehow, eye candy only, Gal Gadot, I thought she was pretty good, the shining light here, I just felt like she was battling against a miserable script. You could almost sense that she knew the script was no good.
The Villains were generally inept.
I won't be watching again, 3/10.
Wonder Woman 1984, directed by Patty Jenkins, significantly underperforms compared to its predecessor, delivering a sequel that lacks the coherence and emotional depth of the original. Despite its vibrant 1980s setting and a promising premise, the film struggles with a convoluted plot, uneven pacing, and underwhelming character development.
The story follows Diana Prince, played by Gal Gadot, living in 1984 Washington, D. C., working at the Smithsonian and performing heroic deeds in secret. The plot centers around the Dreamstone, an artifact that grants wishes but at a significant cost. Diana's wish brings back her deceased lover, Steve Trevor, played by Chris Pine, whose return feels forced and undermines Diana's independence, making him a "masculine crutch" rather than a supportive character like Peggy Carter in the Captain America films.
Gal Gadot continues to shine as Wonder Woman, but even her strong performance cannot save the film from its narrative flaws. The script fails to give Diana the same level of complexity and growth seen in the first film, reducing her to a more passive figure. The return of Chris Pine's Steve Trevor, while charming, dominates the storyline unnecessarily and detracts from Diana's heroism.
Kristen Wiig's portrayal of Barbara Minerva/Cheetah and Pedro Pascal's Maxwell Lord add some intrigue but ultimately fall flat. Wiig's transformation from a meek scientist to a powerful villain is one of the more interesting arcs, but it is rushed and lacks depth. Pascal's Maxwell Lord starts strong but becomes increasingly cartoonish, failing to provide a compelling adversary.
The film's pacing is uneven, with long stretches of exposition and meandering subplots that detract from the main narrative. Key themes about truth and the consequences of wish fulfillment are lost in the cluttered storyline. The over-reliance on CGI, especially in the climactic battle scenes, makes the action feel less grounded and more cartoonish compared to the original.
Visually, the film has its moments, with vibrant colors and some well-executed action sequences, but these are not enough to compensate for the lack of a cohesive and engaging story. The opening sequence featuring a young Diana in an athletic competition is a standout, but nothing else in the film matches its visual cohesion or emotional impact.
Wonder Woman 1984 is a disappointing sequel that fails to capture the magic of the original. The film's convoluted plot, underdeveloped characters, and uneven pacing result in a lackluster viewing experience. While Gal Gadot's performance and the nostalgic 1980s aesthetic provide some highlights, they are not enough to overcome the film's significant weaknesses. Wonder Woman 1984 earns a 4 out of 10 for its missed potential and overall execution, leaving fans yearning for the brilliance of the first film.
The story follows Diana Prince, played by Gal Gadot, living in 1984 Washington, D. C., working at the Smithsonian and performing heroic deeds in secret. The plot centers around the Dreamstone, an artifact that grants wishes but at a significant cost. Diana's wish brings back her deceased lover, Steve Trevor, played by Chris Pine, whose return feels forced and undermines Diana's independence, making him a "masculine crutch" rather than a supportive character like Peggy Carter in the Captain America films.
Gal Gadot continues to shine as Wonder Woman, but even her strong performance cannot save the film from its narrative flaws. The script fails to give Diana the same level of complexity and growth seen in the first film, reducing her to a more passive figure. The return of Chris Pine's Steve Trevor, while charming, dominates the storyline unnecessarily and detracts from Diana's heroism.
Kristen Wiig's portrayal of Barbara Minerva/Cheetah and Pedro Pascal's Maxwell Lord add some intrigue but ultimately fall flat. Wiig's transformation from a meek scientist to a powerful villain is one of the more interesting arcs, but it is rushed and lacks depth. Pascal's Maxwell Lord starts strong but becomes increasingly cartoonish, failing to provide a compelling adversary.
The film's pacing is uneven, with long stretches of exposition and meandering subplots that detract from the main narrative. Key themes about truth and the consequences of wish fulfillment are lost in the cluttered storyline. The over-reliance on CGI, especially in the climactic battle scenes, makes the action feel less grounded and more cartoonish compared to the original.
Visually, the film has its moments, with vibrant colors and some well-executed action sequences, but these are not enough to compensate for the lack of a cohesive and engaging story. The opening sequence featuring a young Diana in an athletic competition is a standout, but nothing else in the film matches its visual cohesion or emotional impact.
Wonder Woman 1984 is a disappointing sequel that fails to capture the magic of the original. The film's convoluted plot, underdeveloped characters, and uneven pacing result in a lackluster viewing experience. While Gal Gadot's performance and the nostalgic 1980s aesthetic provide some highlights, they are not enough to overcome the film's significant weaknesses. Wonder Woman 1984 earns a 4 out of 10 for its missed potential and overall execution, leaving fans yearning for the brilliance of the first film.
¿Sabías que…?
- TriviaLilly Aspell (Young Diana) performed all the required physical stunt work herself at the age of 12, because it was deemed that she did a job better than her own stunt doubles.
- ErroresWhen Diana and Steve arrive at the Smithsonian air museum to steal a plane, the Panavia Tornado jet they steal is first shown with its correct inline seating configuration from the exterior, but once they climb inside, it switches to a side-by-side seating configuration.
- Citas
Wonder Woman: [in tears] I can't say goodbye. I can't say goodbye.
Steve Trevor: You don't have to. I'm already gone.
- Créditos curiososThere is a scene in the closing credits involving the Amazon warrior Asteria (Lynda Carter).
- ConexionesFeatured in La noche de...: La noche de... Wonder Woman (2020)
- Bandas sonorasWelcome to the Pleasuredome
Written by Peter Gill, Holly Johnson, Brian Nash & Mark O'Toole
Performed by Frankie Goes to Hollywood
Licensed courtesy of ZTT Records Limited
Under exclusive license to Union Square Music Limited a BMG Company
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Wonder Woman 1984
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 46,801,036
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,701,957
- 27 dic 2020
- Total a nivel mundial
- USD 169,601,036
- Tiempo de ejecución2 horas 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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