Coda

Coda centers itself on the coda of fictional pianist, Sir Henry Cole. A true Meastro, who has dedicated his life to the art of the classical piano, he is now at the end of his path, and finds himself lost and looking for clarity.

Patrick Stewart brings a stillness and meditative grumpiness to the role and is supported by Katie Holmes as a writer for the New Yorker who finds herself drawn to Cole's enigmatic loss.Giancarlo Espacito (Breaking Bad) is excellent as Cole's agent, as is Christophe Gaugler as the night porter.

This is an actor's film, if you like nuance, thought, pause and Beethoven then this is rewarding. The direction by Claude Lalonde is good, particularly the pacing and framing. But this is Patrick Stewart's film, he takes Louis Gadbout's script, and delivers a beautiful performance.

This is a film about the piano and it's demands, but not in an overdramtic way, it rather questions artistry and what it means to reach the coda. This viewer enjoyed it very much and found the change of tempo a refreshing change.

Henry Cole (Patrick Stewart) is a world famous concert pianist who is facing the biggest challenge in his life - stage fright. Enter Helen Morrison (Katie Holmes) a journalist who once upon a time wanted to be a concert pianist as well. She becomes Henry's only connection to the music, the sense of it Henry started to lose... But with a significant age gap between them and the shadow of Henry's previous loss, can they ever be together?

Slightly melancholic and beautifully shot, CODA is a nuanced love story that takes its time to unravel. With a classical piano soundtrack the movie switches between the Swiss alps and the streets of New York, and is inhabited by a few well fleshed out characters.

There's wonderful chemistry between Patrick Stewart and Katie Holmes and the film wouldn't have survived without it. The script has a few interesting episodes, even moments of greatness, but the deliberate slowness and tragic content of the film will turn some viewers away.

As much about love as it is about loss, CODA delivers on its promise of a gentle love story, leaving a bittersweet aftertaste and a craving for more.

...If it's beautiful. It is. Put away the Fast and Furious and watch some acting if you dare.

This is a beautiful film about music, classical music, in a world on wich pop culture reigns like there will be no tomorrow. Of course, Nieztsche is present since the beginning, without being a philosophical film. German culture is all about, specially German composers, like says Henry Cole (Patrick Stewart) on some point of the film.

What is amazing is the way music is interconnected with the story, how is not only an ambiental music, but a kind of companion and most of the time it gives a clarity to the scenes. Is like a movie inside the movie, but full of sound, full of stories, full of meaning.

This is a film that only could be the way it is: slowly, meditative, almost poetic, against the hurries and rushes from today cultural mainstream. A very beautiful and meaningful film that deserves a better qualification on IMDB, but I guess many of the reviewers doesn't understand the nuances and little twists here and there, and less about classical music, so at least they loss a half of the meaning of the movie when the doesn't get that message. I'm pretty sure that many reviewers doesn't know anything about classical music, so probably they only identifies the first piece of music when are transcurred 24 minutes, and many other pieces were played and telling things they don't understand.

So, this is not a film for people immerse on today's pop culture.

They don't make movies about classical musicians much nowadays and when they do they have been horror movies. It's refreshing to see something like this. Patrick Stewart looks like a pianist. And Katie Holmes as the journalist interviewing him looks sweet. Nice to see her looking happy in a role instead of the usual morose roles. There is some lovely scenery in Switzerland and an interesting if not overly dramatic story. The score has lots of piano pieces that are played in recitals but not often used in movies including Schumann Schubert Rachmaninov and Scriabin. Some of the time frames are confusing.

Worth a watch.