[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

El candidato

Título original: The Front Runner
  • 2018
  • B
  • 1h 53min
CALIFICACIÓN DE IMDb
6.1/10
15 k
TU CALIFICACIÓN
El candidato (2018)
Follows the rise and fall of Senator Gary Hart (Hugh Jackman), who captured the imagination of young voters and was considered the front runner for the 1988 Democratic presidential nomination when his campaign was sidelined by the story of an extramarital relationship.
Reproducir trailer2:19
15 videos
68 fotos
DocudramaDrama políticoBiografíaDramaHistoriaMisterio

La campaña presidencial del senador americano Gary Hart en 1988 descarrila cuando se ve envuelto en un escándalo amoroso.La campaña presidencial del senador americano Gary Hart en 1988 descarrila cuando se ve envuelto en un escándalo amoroso.La campaña presidencial del senador americano Gary Hart en 1988 descarrila cuando se ve envuelto en un escándalo amoroso.

  • Dirección
    • Jason Reitman
  • Guionistas
    • Matt Bai
    • Jay Carson
    • Jason Reitman
  • Elenco
    • Hugh Jackman
    • Vera Farmiga
    • J.K. Simmons
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    15 k
    TU CALIFICACIÓN
    • Dirección
      • Jason Reitman
    • Guionistas
      • Matt Bai
      • Jay Carson
      • Jason Reitman
    • Elenco
      • Hugh Jackman
      • Vera Farmiga
      • J.K. Simmons
    • 128Opiniones de los usuarios
    • 179Opiniones de los críticos
    • 61Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 5 nominaciones en total

    Videos15

    International Trailer
    Trailer 2:19
    International Trailer
    Official Trailer
    Trailer 2:06
    Official Trailer
    Official Trailer
    Trailer 2:06
    Official Trailer
    Sacrifice
    Clip 1:01
    Sacrifice
    Ambushed
    Clip 1:01
    Ambushed
    The Front Runner: Sacrificed
    Clip 1:01
    The Front Runner: Sacrificed
    The Front Runner: Ambushed
    Clip 1:01
    The Front Runner: Ambushed

    Fotos68

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 60
    Ver el cartel

    Elenco principal99+

    Editar
    Hugh Jackman
    Hugh Jackman
    • Gary Hart
    Vera Farmiga
    Vera Farmiga
    • Lee Hart
    J.K. Simmons
    J.K. Simmons
    • Bill Dixon
    Mark O'Brien
    Mark O'Brien
    • Billy Shore
    Molly Ephraim
    Molly Ephraim
    • Irene Kelly
    Chris Coy
    Chris Coy
    • Kevin Sweeney
    Alex Karpovsky
    Alex Karpovsky
    • Mike Stratton
    Josh Brener
    Josh Brener
    • Doug Wilson
    Tommy Dewey
    Tommy Dewey
    • John Emerson
    Kaitlyn Dever
    Kaitlyn Dever
    • Andrea Hart
    Oliver Cooper
    Oliver Cooper
    • Joe Trippi
    Jenna Kanell
    Jenna Kanell
    • Ginny Terzano
    RJ Brown
    RJ Brown
    • Bill Martin
    • (as Roosevelt H. Brown Jr)
    Alfred Molina
    Alfred Molina
    • Ben Bradlee
    Mamoudou Athie
    Mamoudou Athie
    • AJ Parker
    Ari Graynor
    Ari Graynor
    • Ann Devroy
    John Bedford Lloyd
    John Bedford Lloyd
    • David Broder
    Steve Coulter
    Steve Coulter
    • Bob Kaiser
    • Dirección
      • Jason Reitman
    • Guionistas
      • Matt Bai
      • Jay Carson
      • Jason Reitman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios128

    6.114.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    6wmwheeler8

    he wanted to changed the world, well, he did

    Real story about Colorado senator Gary Hart and his presidential run in 1988. He was the perfect candidate with great ideas, only one problem, he got caught. He was in a scandal with a mistress. Even though times were different then and private life was as transparent as it is today for politicians, it proved to be too much and he withdrew from the race. Overall great cast and a good movie.
    7roblesar99

    Jason Reitman's Second Film Of The Year Makes For Thought-Provoking Entertainment

    When I checked out the reviews for THE FRONT RUNNER after walking out of the theater, I was surprised to find that it was being met with a generally mixed critical reception. That's not to say that THE FRONT RUNNER is some sort of masterpiece, but I definitely thought it was an interesting film, and one that feels rather timely in this day and age (for reasons that are quite obvious). Perhaps the best thing I can say about the film is that it manages to avoid the on-the-nose writing that plagued BLACKKKLANSMAN in more than a few scenes. Reitman smartly lets the film speak for itself, letting the audience draw their own connection between the events that torpedoed Senator Gary Hart's campaign over thirty years ago and similar events that have plagued other politicians over the last few years. If there's one consequence to such an approach, it's that Reitman presents a lot of ideas without ever taking a firm stand on them, failing to elaborate on ideas that almost demand further analysis - an approach that will certainly rub some the wrong way. That being said, there's a lot to enjoy here, from Hugh Jackman's great performance to Jason Reitman's directing (I quite liked the way he utilized the camera here) to Rob Simonsen's low-key electronic score to the rest of the supporting cast (with an affecting Vera Farmiga being the obvious standout). It even reminded me of a bit of I, TONYA in its analysis of the press (how would American history have been affected if not for their obsession over Hart's love life?).

    One more thing, though: it might have just been the theater I watched this in, but the sound mixing in this was atrocious. I want to watch this film again with subtitles just so that I can understand the other half of what the characters were saying.
    6bob-the-movie-man

    "Scandal" that no longer seems so scandalous.

    The Front Runner is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background (and have not seen the trailer) then you might want to skip the rest of this review - and all other reviews - so you can see the film first and let the history come as a surprise to you.

    Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).

    Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: "Just don't embarrass me" is Lee's one requirement. His "nothing to hide" line to an intelligent Washington Post reporter - AJ Parker (a well cast Mamoudou Athie) - leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?

    Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a "slapper" by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post's Ben Bradlee - surely one of the most oft portrayed real-life journalists in film history.

    One of my biggest dissatisfactions with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film's dialogue - particularly in the first 30 minutes of the film - is drowned out by background noise. Sometimes I just longed for subtitles!

    The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the story, but the big problem is that the story is just a little bit dull, particularly by today's levels of scandal. This suffers the same fate as "House of Cards" (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.

    A core tenet of the film is Hart's view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it's clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that's the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70's as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)

    Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I'm still not sure. It's worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.

    The film's perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought "OK, that's that then".... nothing more. If you're a fan of this style of historical political film then you probably won't be disappointed by it; if not, probably best to wait and catch this on the TV.

    (For the full graphical review please check out One Mann's Movies on the web or Facebook. Thanks).
    5ferguson-6

    a blip in history

    Greetings again from the darkness. Jason Reitman has proven himself to be an outstanding filmmaker who delivers entertaining stories with insightful commentary often accompanied by biting humor. His excellent films include: THANK YOU FOR SMOKING, JUNO, UP IN THE AIR, and one of this year's most underappreciated films, TULLY. His latest is based on the book "All the Truth is Out" by Matt Bai (who also co-wrote the screenplay with Reitman and "House of Cards" Producer Jay Carson), and it tells the story of Colorado Senator Gary Hart and his derailed 1988 campaign for President.

    The film begins in 1984 when an idealistic Hart loses the Democrat party nomination to Walter Mondale, who of course, went on to lose the national election to Ronald Reagan. It then picks up as the 1988 campaign is underway and Hart is the party frontrunner, and some say the candidate most likely to win the Presidency. Hugh Jackson plays Hart and is unfortunately burdened with an ill-fitting and distracting wig meant to emulate the lush locks sported by the youthful looking Senator. Vera Famiga plays his wife Lee, and Kaitlyn Dever plays their daughter Andrea. Casting two such fine actresses matters because of what happened during the campaign.

    Senator Hart was the favored candidate of the young and the idealistic forces, though the details of his platform were never communicated clearly. Mostly, he was presented as the energetic candidate of hope versus the stodgy Republican Party that had delivered Ronald Regan for 8 years and was now looking to George Herbert Walker Bush. Everything changed for Hart when rumors of marital infidelity, and possibly even an open marriage, began to circulate. When the media asked him, he was defiant ... at times snapping in anger that his personal life was no one's business.

    We are taken inside the campaign via many familiar faces, including campaign manager Bill Dixon played by JK Simmons, and a terrific turn by Molly Ephraim as staffer Irene Kelly. We are invited on board the aptly named party yacht "Monkey Business" when Hart first meets Donna Rice (Sara Paxton), setting off what could considered be the birth of political gossip-columns. The Herald and Washington Post are key players here, as are editor Ben Bradlee (Alfred Molina) and iconic journalist Bob Woodward. Apparently this is supposed to show us how politics and the media coverage of politics changed with Gary Hart.

    Where the movie lets us down is in not providing any explanation to why Hart was the front runner, whether the U.S. or even the democratic party missed out on a great (or even competent) President, and how in the world Hart was so clueless as to why citizens might have an interest in his personal life activities that included sleeping with a woman (or women) that weren't his wife. By the way, the reason for the last one is character ... and we've since learned it's not as important as what we might have once thought. These are all key issues as to why this is even a story, and whether or not it's interesting enough to re-tell.

    Instead of details, we are bombarded with overlapping dialogue and frenetic editing designed to generate some buzz and energy. The reality is that Gary Hart was really not that interesting, and in fact, by denying the importance of character, he thumbed his nose at his supporters. This blip on American history is simply not enough to justify a 2 hour a movie, and Mr. Jackman never seems able to capture the essence of Hart (whatever that essence might have been). There is obvious relevance to how today's press treats personal stories, but a bland candidate makes for a bland movie.
    5Bertaut

    Reasonably well-made but barely scratches the thematic surface

    Based on the non-fiction book All the Truth Is Out: The Week Politics Went Tabloid (2014) by Matt Bai, written for the screen by Bai, Jason Reitman, and Jay Carson (Hillary Clinton's former press secretary), and directed by Reitman, The Front Runner tells the story of Colorado senator Gary Hart's (Hugh Jackman) doomed 1988 presidential campaign. The most likely candidate to win the Democratic nomination, Hart's reputation was shattered when a Miami Herald story accused him of an extramarital affair, and only three weeks into his campaign, he withdrew from the race. The film presents the events of those weeks as a seismic turning-point; when political journalism and tabloid sensationalism irrevocably fused, when private scandal became just as important to the American public as political acumen, perhaps even moreso. Aspiring to the kind of multi-character canvas of Robert Altman or early Paul Thomas Anderson, The Front Runner spreads itself far too thin, trying to take on the perspective of a plethora of characters, yet telling us very little about any of them, least of all Hart himself. And in the end, it fails to work as either a darkly satirical examination of the Hart scandal, or as a socio-political critique of the current constitutional environment in the US.

    Presenting the minutiae of why he withdrew from the race, the film examines how the implosion of his campaign is dealt with by a number of people, including his wife, Oletha "Lee" Hart (Vera Farmiga), who had asked only that he never embarrass her in public; his campaign manager, Bill Dixon (J.K. Simmons), who tried to warn Hart that the private and the public had become one; Washington Post editor Ben Bradlee (Alfred Molina), who was reluctant to wade into what he saw as tabloid territory; Hart's alleged mistress, Donna Rice (Sara Paxton), who was portrayed in the media as a bimbo homewrecker; fictional Washington Post reporter A.J. Parker (Mamoudou Athie), who covers the story with no small amount of distaste; fictional campaign scheduler Irene Kelly (Molly Ephraim), who promises Rice that she will keep her name out of the media; Miami Herald reporter Tom Fiedler (Steve Zissis), who initially broke the story of Hart's possible infidelity; Washington Post reporter Ann Devroy (Ari Graynor), who believes strength of character is just as important in a presidential candidate as policy; fictional Miami Herald publisher Bob Martindale (Kevin Pollak), who stands by the journalistic integrity of his paper; and Hart's daughter, Andrea (Kaitlyn Dever), who came out as a lesbian just prior to the scandal.

    Although the film doesn't absolve Hart of being a terrible husband, it does present him as an inherently decent man trying to protect his privacy, and that of his family, against a predatory and newly mercenary media. Depicting it as more concerned with prurience than rhetoric, the film takes a dim view of the Fourth Estate (its antecedents are films such as Cadenas de roca (1951), Ausencia de malicia (1981), and El cuarto poder (1997) rather than, say, El informante (1999) or En primera plana (2015)). Following the line of the book, Reitman posits that the Miami Herald and Fiedler (who is, along with Martindale, the de facto villain) did Hart himself, the American people, and political discourse in general a grave disservice insofar as tabloid reporting of this nature has gone on to undercut serious political debate, and has thus subverted the importance of the political process, cheapening it by way of cynicism, sensationalism, and sleaze.

    Although ostensibly about the events of 1987, much like El infiltrado del KKKlan (2018), The Front Runner has one eye on the here and now, musing as to why a man who was merely accused of having an affair (an accusation that was never proved) had his political career destroyed, and yet a man accused of sexual misconduct on multiple occasions, a man who is on tape bragging about how he can sexually assault women with impunity, could be elected to the highest office in the land. The answer suggested by the film is that, since Hart, scandal has become just another aspect of politics, and that which destroyed Hart in 1987 barely made a dent on Bill Clinton in 1998 or Donald Trump in 2016. In this sense, lines such as Devroy's "anyone running for president must be held to a higher standard" are as much about Trump as they are Hart.

    Essentially, the film argues that the country now has a president like Trump precisely because of what happened to Hart, and in this sense, perhaps its most salient theme is that the Hart scandal represents the point at which politics became a form of entertainment, opening the floodgates to the tabloids, whilst Hart himself became a martyr to this new style of political coverage. The film drives this message home by having Bradlee tell a story about Lyndon B. Johnson, who, upon becoming president in 1963 told the media, "you're going to see a lot of women coming and going, and I expect you to show me the same discretion you showed Jack." The media ignored the infidelities of Johnson and John F. Kennedy (and Franklin D. Roosevelt), reporting only on their political activities, and Hart sees no reason why things should be any different for him. In this sense, his blindness is his hamartia, ignoring Dixon when he tells him, "it's not '72 anymore Gary. It's not even '82". The landscape had changed, and Hart's inability to change with it cost him everything.

    However, despite the fact that all of that should make for fascinating drama, The Front Runner doesn't really work. The most egregious problem is the depiction of Hart himself. For starters, it's questionable, at best, to portray him as the victim of an increasingly combative media, glossing over the fact that he himself was the architect of his ruination, sabotaging his own political career and humiliating his wife all because of his libido. In this post-#MeToo era, suggesting that a powerful man was wronged when his infidelity was exposed is more than a little naïve. Indeed, the film seems to yearn for simpler times, when potentially great men could walk the path to positions of power, unimpeded by intelligent women speaking out against them, or diligent reporters uncovering their less wholesome activities, when infidelity remained hidden from the public. The Front Runner is not a story about a man who learns that private ethical lapses have become intertwined with public policymaking. Instead, it's about a man who was unfairly destroyed by a pernicious press for doing exactly the same thing that his predecessors had gotten away with for decades. And that's a much less interesting film.

    Additionally, due to a poor script which offers Jackman little in the way of an arc, Hart barely registers as a real person, with little sense of interiority or psychological verisimilitude. Instead, he comes across as a blank slate, a cypher onto which the audience can project its own interpretation. Related to this, Reitman tells us that Hart was an outstanding candidate, offering things that others did not, and had it not been for the insidious media, he would have gone on to become a sensational president. However, the film never gets into the specifics of how exactly he was so different, what he offered that was so unique, or why he would have been such a good POTUS. Reitman asks the audience to take Hart's potential for transformative greatness on trust, never attempting to illustrate any aspect of that potential, a failing which significantly undermines his condemnation of the media.

    Elsewhere, the film tries to touch on virtually every aspect of the scandal - reporter-editor meetings discussing the moral responsibility of the press; campaign staff trying to fight back against tabloidization; gumshoe reporters hiding in bushes and stalking back alleys; the strain on Hart's marriage; the effects on Donna Rice. Ultimately, it casts its net far too wide, briefly covering topics that are crying out for a more thorough engagement. For example, at one point, Rice says to Kelly, "he's a man with power and opportunity, and that takes responsibility." That's a massive statement with a lot of thematic leg-work already built in, and serious potential for probing drama, but the film fails to do anything with it, moving on to cover something else. Indeed, Sara Paxton, despite given only two scenes of note, gives a superb performance, finding in Rice a decency and intelligence, playing her as someone who wants to keep her name out of the press because she doesn't want to embarrass her family. She's an infinitely more interesting figure than Hart himself, and the film would have benefitted immeasurably from more of her.

    The Front Runner is aesthetically fairly solid; well-directed, well-shot, well-edited. However, given how thematically relevant the Hart story is to the contemporary political climate in the US, especially the increasingly antagonistic relationship between the White House and the media, the script feels bland and overly simplistic. The core of the story is the question of whether or not the press was right to report on Hart's infidelity. Did the public need to know? Did it have any bearing on his ability to lead? The film answers all three questions with a resounding "no". However, the cumulative effect is of a scandal skimmed rather than explored, of characters glanced at rather than developed, of controversies summated rather than depicted. There are some positives - Farmiga and Paxton are both excellent, for example - but all in all, this is a missed opportunity, lacking both socio-political insight and satirical flair.

    Más como esto

    Mother
    7.0
    Mother
    The Front Runner
    The Front Runner
    Frontrunner
    7.9
    Frontrunner
    Bad Education
    7.1
    Bad Education
    Recuento
    7.3
    Recuento
    Bugsy
    6.8
    Bugsy
    Conspiración y poder
    6.8
    Conspiración y poder
    Olympic Dreams
    5.8
    Olympic Dreams
    Hijo de... Bush
    6.3
    Hijo de... Bush
    Gulp
    6.2
    Gulp
    I Would Only Rob Banks for My Family
    Boundaries
    5.8
    Boundaries

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The film was made with only technology that was available in the 80's.
    • Errores
      The film begins in 1984 then the screen displays "4 years later" but it actually picks up in early 1987.
    • Citas

      Bill Dixon: We're talking about how you get through today without pissing away everything we've all worked for on this campaign! If you lose this, we can kiss the White House goodbye.

    • Créditos curiosos
      The film opens with the 1984 Columbia Pictures logo.
    • Conexiones
      Featured in CTV News at 11:30 Toronto: Episode dated 8 September 2018 (2018)
    • Bandas sonoras
      Salute to the President
      (aka "Decision '84")

      Written by Henry Mancini

      Performed by Henry Mancini

      Courtesy of Henry Mancini Enterprises, Inc.

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes21

    • How long is The Front Runner?Con tecnología de Alexa
    • Does anyone know the name of the song/music that sounds like a marching band? it is in the beginning of the movie

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de noviembre de 2018 (Estados Unidos)
    • Países de origen
      • Canadá
      • Estados Unidos
    • Sitios oficiales
      • Official Facebook
      • Official site
    • Idioma
      • Inglés
    • También se conoce como
      • The Front Runner
    • Locaciones de filmación
      • Atlanta, Georgia, Estados Unidos
    • Productoras
      • Columbia Pictures
      • Stage 6 Films
      • BRON Studios
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 2,000,105
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 51,543
      • 11 nov 2018
    • Total a nivel mundial
      • USD 3,242,235
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 53min(113 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.