El candidato

'The Front Runner' is a film that, despite its heavy political background, is more focused on the personal story of its titular character, Gary Hart. Reitman's film both benefits and suffers for this, depending on the type of audience member you are. Should you be expecting a dense political drama, evolving from a campaign and policy focused narrative into more of a personal crisis, you may be disappointed. The political background is present, but irrelevant in the overarching narrative, instead revealing itself to purely be a character-driven drama. 'The Front Runner' is not about the difficulties of running for president, but more about how the media can tarnish one's livelihood, and their treatment to Hart, whilst arguably justified, appears alarmingly savage when compared to Trump's America and the conspiracies plaguing his presidency. As a result, the film is surprisingly relevant today, but more down to coincidence than planned. Despite this, Jackman's performance may be a standout in his career, serving as the lifeblood of this story - his peak dramatic moments are unmatched throughout the film. This performance may well create a contender come awards season, as he skillfully fluctuates from a good-natured family man, to a paranoid mess, and everything in-between. Furthermore, the film's reluctance to take a side regarding the prevalent issues it discusses is bolstered by Jackman creating a character that is not good or bad, neither morally grey, forming someone who is undoubtable real. As a result, when Jackman is at his best, 'The Front Runner' achieves dizzying heights, serving as a relentlessly compelling character piece, however, upon his absence, which serves as a large portion of the film, it can become overly slow and laborious, leaving the audience striving for his return. Furthermore, the conclusion appears anti-climactic which, unavoidable as it may be considering this is a true story, nonetheless ends with a squeak rather than a shout. The narrative aside, the film is technically well-constructed, opening with a gorgeous long-take that establishes the time and setting with efficiency, an illusion that holds up throughout. Even the use of title-cards establishing locations are reminiscent of films made in the late-80's and early 90's, this attention to detail reminiscent of a director who cares for the source material. Reitman is, by this point, an experienced director, and his confidence is visible here, however, it feels as though the stellar direction and performances deserve more than this generic, somewhat unfulfilling narrative can provide.

Real story about Colorado senator Gary Hart and his presidential run in 1988. He was the perfect candidate with great ideas, only one problem, he got caught. He was in a scandal with a mistress. Even though times were different then and private life was as transparent as it is today for politicians, it proved to be too much and he withdrew from the race. Overall great cast and a good movie.

Jason Reitman's film (shot on 35mm by Eric Steelberg) starts off as a Fly On The Wall treatment of Gary Hart's 1988 campaign for President, before dissolving into a typical docu-drama crawl. Too bad, as the early scenes have a certain rush of excitement and even verisimilltude. The momentum gets strangely derailed just when it should be peaking - when the Donna Rice / 'Monkey Business' sex scandal hits. Hugh Jackman is good as the candidate, even if he never quite nails Hart's voice (and, while Hart was a handsome well built guy, he didn't quite have the physique of Wolverine! - especially amusing in the lumberjack scene). Vera Farmiga and JK Simmons provide solid support as Hart's wife and campaign manager respectively. Sara Paxton gives Donna Rice a sympathy beyond the typical 'victim' stereotype, even she doesn't really look the part. It's been well chronicled that Hart's sexual escapades helped clear the path for Bill Clinton to clear that hurdle when his scandals hit (not to mention the current Prez). What THE FRONT RUNNER also shows is that Hart lacked the empathy and human dimension that Clinton had that lead to his winning the Presidency. Both Hart and Clinton were policy wonks, but, 'Slick Willie' was a fully rounded personality - love him or hate him. Hart came off like a stolid Senator from flyover country. THE FRONT RUNNER doesn't break any new ground (and offers little that will appeal to anybody under 50 who isn't a political junkie), despite it's fine start. Still, as an addition to the library of political films, it's an asset.

The Front Runner is a political drama based on the non-fiction book "All the Truth Is Out: The Week Politics Went Tabloid" by Matt Bai. Starring Hugh Jackman in the lead role and directed by Jason Reitman (Thank You for Smoking, Juno, Up In The Air), it is a reasonable examination of a ruined political career that doesn't quite achieve what it meant to.

In 1987, Colorado senator and clean-cut family man Gary Hart (Hugh Jackman) is the favourite to become the Democratic nominee to run for President in the US election the following year. However, after challenging the press and general public to "follow him around", Hart is eventually exposed as having an affair with a young journalist. With the presidential nomination swiftly approaching, Hart tries desperately to clear his reputation before it is too late.

Despite an engaging premise, The Front Runner's lightweight approach to telling the story of such a damning political scandal makes it feel less impactful and that causes its entertainment value to suffer as a result. We, the audience, are only really shown how Hart's actions affected him personally but we seldom see how his political affiliations and, most importantly, his family suffered from his poor decision making. The film's supporting cast, which includes the likes of J.K. Simmons and Vera Farmiga, felt underutilised and brought practically nothing interesting to the overall story. In spite of this, Hugh Jackman's performance in the main role was easily the best thing about this film, as he does a fine job holding the viewer's attention. Additionally, Jason Reitman's brisk direction helps move the film along at a nice enough pace to prevent boredom. It's such a shame that this story was not done the justice it deserved as a major motion picture.

I rate it 6/10

The acting in this movie is fine. The problem lies in the script. Near the end it gives Lee Hart, and even Donna Rice, scenes that allow us to get to know them somewhat, see what's inside them. We never get that for Gary Hart, who is far and away the most important character in this movie. We never see what made Hart so popular, especially with younger voters. We never get to see him explain important issues to the masses, though we are told that he does that very effectively. We never get scenes with him in which he gives us a hint of why he risks his career with his extra-marital affairs. He comes off as very cold, very distant, and that's problematic for a central character. As a result, we have no reason to feel anything when his career is finally destroyed.

To an extent, this is about the media's intrusion into the privacy of public officials, but that isn't examined. Nor is there any attempt to suggest a change over time to today, when a sitting president can boast about extra-marital affairs and not suffer any loss of popularity.

In the end, I was left wondering why this story was being told in 2018. It doesn't make us understand Hart, or feel sorry for him. It doesn't tell us anything either about 1988 or our own era. It doesn't make Hart a character we can feel for when he falls, because it never shows him to us as a great if flawed man. (Several characters tell us he is great, but that's not the same thing.) What was the point of filming it?