Secuela de la película de 2016 "El contable".Secuela de la película de 2016 "El contable".Secuela de la película de 2016 "El contable".
- Premios
- 1 premio ganado y 3 nominaciones en total
Fernando Chien
- Sorkis
- (as Fernando Funan Chien)
Opiniones destacadas
The Accountant, like pizza, is decent even when mediocre. Unfortunately, like most sequels, this doesn't measure up to the original. The story and characters are more bland and vague where they shouldn't be, and more detailed and defined where it doesn't really help. Frankly, it turned out more like a generic TV action movie. More of the same, but not as good. Bad guys get killed, but the reasons are far more generic and vague. The story and plausibility took a big hit. Not all the action sequences works as well as the last one. They tried to me more jokey here, but only about half land. But, given the sad state of movies these days, I don't mind supporting a "noble" effort.
Ben Affleck's portrayal of Christian Wolff in The Accountant 2 feels noticeably different this time around. His character's autism traits seem more exaggerated, which comes off as a disservice to the subtle brilliance of the original performance. The addition of more overt comic relief also feels jarring and out of place-it shifts the tone from the gritty, tightly wound thriller of the first film into something less focused. That said, there are a handful of scenes that are exceptionally well shot, with crisp choreography and dark, gritty visuals. Ultimately, the film struggles to balance its identity, wavering between serious character study and action-comedy hybrid. It's watchable, but not nearly as satisfying as the first.
The Accountant 2 doubles down on the action and humor over the first film. It does however try to juggle too many subplots that are poorly connected, leading to a less coherent film and a lack of a singular, hateable villain.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
The Accountant 2 had the potential to build on the strong foundation laid by its predecessor - a serious, well-crafted action thriller with genuine emotional stakes. Instead, it sadly veers into self-parody. What was once a grounded character study wrapped in a taut narrative is now reduced to a series of exaggerated callbacks and hollow action beats.
Rather than deepening the complexity of its central character, the sequel leans into caricature, treating its own mythology with a wink rather than with the conviction that made the original resonate. It's disappointing to see a film that once took itself - and its audience - seriously lose its focus in favor of easy spectacle. I was hopeful for a thoughtful continuation; what we got instead feels like a reflection of its former self, more imitation than evolution.
Rather than deepening the complexity of its central character, the sequel leans into caricature, treating its own mythology with a wink rather than with the conviction that made the original resonate. It's disappointing to see a film that once took itself - and its audience - seriously lose its focus in favor of easy spectacle. I was hopeful for a thoughtful continuation; what we got instead feels like a reflection of its former self, more imitation than evolution.
It's been years since I watched "THE ACCOUNTANT" and I didn't watch it before going to see this one. I liked this movie and enjoyed it, but I felt like it was missing something. What that is, I don't know, I can't put my finger on it. Maybe I missed something. And whatever that something might have been, I think the movie could have been better.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
¿Sabías que…?
- TriviaAllison Robertson replaced Alison Wright from El contador (2016) as Justine, but Wright still provides the computer-generated voice of the non-verbal character.
- ErroresAt around 1:02, the hackers access Pamela's laptop looking for a particular photo. They display her photos on the laptop screen, risking being caught, and use the email software to send it, all unnecessarily. The photos can be found and downloaded by merely accessing the stored data, without alerting the user.
- Citas
Christian Wolff: The fall didn't kill him. It was the abrupt stop.
- ConexionesFollows El contador (2016)
- Bandas sonorasSee-Line Woman
Written by George Bass and Nina Simone
Performed by Danielle Ponder and Bryce Dessner
Produced by Bryce Dessner
Courtesy of Saddest Factory Records
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- How long is The Accountant 2?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Accountant 2
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 80,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 65,523,366
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,533,959
- 27 abr 2025
- Total a nivel mundial
- USD 103,223,366
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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