Velvet Buzzsaw

Ever since the release of Nightcrawler back in 2014, Dan Gilroy is a director that I've wanted to keep a sharp eye on. I'll admit I wasn't a big fan of his film Roman J. Israel Esq., but I was still impressed by his talent, enough to continue watching his future projects. Velvet Buzzsaw is his latest work that he both wrote and directed and while I did enjoy some of it, this director only has one home run in my book, which still remains to be Nightcrawler. Some viewers may find this film to be pretentious and others may find it elegant, which will stir up a great conversation, but I personally found that it fell somewhere in the middle. If you're a fan of a unique premises, you may want to check this one out.

There isn't really a main character here, but it could be argued that the central focus of the film is on Jake Gyllenhaal's Morf. After the passing of an elderly man, his paintings are discovered and put on display for all to see. To their surprise, these paintings have minds of their own and they begin to seek revenge against those who study them in the wrong ways. Personally, the concept of this film intrigued me upon first glance, but after watching the film unfold, it felt like more of a way of finding viewers for the movie as a whole. The bizarre turn this film takes didn't feel earned by the time the film concludes. With a strong first act and a weird second act, this movie lost all potential throughout the third.

I must admit that this is one of the better assembled casts I've seen in a long time. From powerhouses like Jake Gyllenhaal and Toni Collette to the always outstanding performances given by both John Malkovich and Rene Russo, down to stellar newcomers like Natalia Dyer and Daveed Diggs, I found myself engaged no matter what was happening throughout an uninteresting scene, due to the fact that they're clearly all devoted. If for nothing else, this cast believed they were making something terrific and it really shows in each and every one of their performances.

Sadly, as I mentioned, this film as a very weak third act that went in many ways that felt easy for the movie to go. Aside from some very cool visuals and great cinematography throughout the entire film, the story, in retrospect, kind of went nowhere. I could see where director Dan Gilroy was trying to go and the final scene of the film definitely showcases an interesting future for the story, but I wasn't engaged in the story enough to care all that much. The characters invested me from the very beginning and the twist pulled me in even more, but the movie unravels in a way that frankly bored me.

In the end, Velvet Buzzsaw is an ambitious film in terms of the notions that it tries to explore and wow its audience with, but I was underwhelmed by it as a whole. I definitely commend the technical aspects of it and the set-up was very well done, so I can recommend it to film buffs, but I truly don't believe this film will find a home outside of that circle. I could be wrong, but I feel this movie is for a very niche audience. Velvet Buzzsaw is an impressively ambitious film that feels a little wasted by the end.

It's a bit ironic, this film that wants to explore the vapid shallowness of the fine art world in a stylish horror movie setting... ends up inviting the very same criticisms that the finely dressed tastemakers in the film fling about.

Ok. Buzzwords aside. I did enjoy this film more than I disliked it. But in all earnestnest, it was by a hair. Knowing this came from the same guy who made the excellent psochological thriller Nightcrawler. This is like asketchbook of ideas for a giallo-inspired slasher. Each individually awesome. But there's no real throughline to keep us going. People pop up until they die gruesome deaths. It feels kind of slapped together haphazardly.

I expected more from Gilroy

After Nightcrawler Dan Gilroy is a figure that I will permanently be interested in. Then came along Roman J Israel which was a frustrating experience. There was a lot of good in it but it seemed to relish being slow and unnecessarily wordy. Now we have Velvet Buzzsaw. A movie so plain, I had absolutely no response to. There is barely enough here to be upset about and nearly nothing to be wowed by. It's just so...bland. You'd think Jake gyllenhaal would be the main character but he isn't. In fact, no one is. It's Totally confused, strangely muddled, and tonally messy. It was almost as if the film was passing through my head as soon as it went in.

Dan Gilroys newest picture, and most importantly second collaboration with the fantastic Jake Gyllenhaal, "Velvet Buzzsaw" is every much as unsatisfying and confused as it appears to be shiny and unique.

The satirical pieces, which take extremely long to set up, never work with the upcoming horror events - and the scenes of terror never seem to fully work under the context of the satirical bits. We're left with a movie that pretends to be clever, intellectual and satirical on art, but displays nothing but a lack of every aspect mentioned above. There are quite some parallels between this and Inarritus "Birdman" (2014), in which the movie is neither convincing nor impressing to justify the flashy and dazzling tone and sense of narrative. It misses substance, thought and precision to back up its ambition.

For the most part though, Gyllenhaal is great, as one would easily expect. And I can not fully degrade the supporting cast who don't seem to be doing anything terribly wrong. It's just as if all the characters have no real purpose besides their bizarre looks and the way they speak. No character has a serious arc, which is sad in this type of movie where it could have easily be portrayed throughout a leitmotif and theme of art. Everything just flows and flows into nearly two hours of badly paced dialogue, horror scenes and stylish art.

I must admit that some of the paintings and visual art looked really nice. The cinematography, and the editing (which was also done by director Gilroy) is not bad too. There is actually one shot that I remembered liking quite a bit. We are thrown into a family watching TV, until the camera moves top to reveal they are actually mannequins in a studio. The problem ultimately is that it's half style, no substance. The style does not tell its own story, neither do the characters. The plot is never explained and essentially only exists by coincidence and chance. "Velvet Buzzsaw" never feels forced, because it simply hasn't got any constitution for the premise. That's in a certain way even worse than feeling forced.

Netflix hit out another pretentious, unconvincing, flashy and "empty" movie, whose only saving graces are Jake Gyllenhaal and the editing.

4/10

The styling of this film is interesting, offering a perspective on the shallow but at the same time ruthless and cut throat world of high end art. This is blended with what could be described as a horror morality tale, where greed is repaid with bloody interest.

Regrettably, this film is ultimately a buzz kill. Its story feels incomplete, like a half finished work of art. You can see the sketched outline of what its trying to achieve but its never completes the picture.

This is most notable in the story which seems to me at least to be truncated. Perhaps, the original idea would have taken too long? Its a shame the extra time was not taken, as this actually did look like it was going somewhere intriguing. As a result characters inexplicably go from one state of mind and action to another, without any real segue.

The result is a film I 'sort of" liked but at the same time felt dissatisfied with. It has its clever moments but another twenty or so minutes I feel would have made all the difference. 5/10 from me.