CALIFICACIÓN DE IMDb
6.0/10
12 k
TU CALIFICACIÓN
Una adolescente fugitiva participa en un estudio del sueño que se convierte en un descenso de pesadilla a las profundidades de su mente y un aterrador examen del poder de los sueños.Una adolescente fugitiva participa en un estudio del sueño que se convierte en un descenso de pesadilla a las profundidades de su mente y un aterrador examen del poder de los sueños.Una adolescente fugitiva participa en un estudio del sueño que se convierte en un descenso de pesadilla a las profundidades de su mente y un aterrador examen del poder de los sueños.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 premios ganados y 11 nominaciones en total
Brandon Vanderwijn
- Michael
- (as Brandon DeWyn)
Opiniones destacadas
Come True is an interesting one. The title has multiple meanings, the ending message also seems to have them.
Yet I still wanted it to be so much better. All the visual substance I enjoyed quite a lot. The soundtrack was strangely recognizable but still good. The production design was very reminiscent of Posessor (2020), as well as some of the lighting choices were. Also, the CGI nightmare cut-ins were creative, they felt inspired by some dark art themes, some videogame inspirations even, like Dark Souls and especially Darkwood, or maybe something else I'm not aware of.
Story-wise it is somewhat messy, there is a justification for this, but sometimes it feels really disconnected. The twist felt surprising but in a weaker way. At some point, it becomes clear that they are building up to something they cannot deliver cause they literally have like 2-3 long segments of build-ups that lead to nothing. The problem is that the type of story that they are using requires vague hints or better understandable symbolism. I've seen a couple of similar films but I don't want to name them to avoid spoilers. The way they did it just doesn't connect. Also, the idea of merging the real world with the subconscious nightmare world was awesome, but they still messed it up with that awkward twist.
There isn't much in terms of characters or character development. Some of the dialogue is interesting, but as I've said the characters do not drive the story, they could've been doing anything else or not doing anything at all, the ending would still be the same. This concept is similar to the Evil Within game series, actually.
I really hope that I've just missed the bigger picture (and possible hints) and the film is better than I understood it, but when I re-think what I just saw, I just can't find more good stuff to endorse. Worth a watch.
Yet I still wanted it to be so much better. All the visual substance I enjoyed quite a lot. The soundtrack was strangely recognizable but still good. The production design was very reminiscent of Posessor (2020), as well as some of the lighting choices were. Also, the CGI nightmare cut-ins were creative, they felt inspired by some dark art themes, some videogame inspirations even, like Dark Souls and especially Darkwood, or maybe something else I'm not aware of.
Story-wise it is somewhat messy, there is a justification for this, but sometimes it feels really disconnected. The twist felt surprising but in a weaker way. At some point, it becomes clear that they are building up to something they cannot deliver cause they literally have like 2-3 long segments of build-ups that lead to nothing. The problem is that the type of story that they are using requires vague hints or better understandable symbolism. I've seen a couple of similar films but I don't want to name them to avoid spoilers. The way they did it just doesn't connect. Also, the idea of merging the real world with the subconscious nightmare world was awesome, but they still messed it up with that awkward twist.
There isn't much in terms of characters or character development. Some of the dialogue is interesting, but as I've said the characters do not drive the story, they could've been doing anything else or not doing anything at all, the ending would still be the same. This concept is similar to the Evil Within game series, actually.
I really hope that I've just missed the bigger picture (and possible hints) and the film is better than I understood it, but when I re-think what I just saw, I just can't find more good stuff to endorse. Worth a watch.
Best dream sequences I've ever seen in video. Some bits along the way hint at the ending, but very discretely.
Slow moving, but definitely worth the time.
Slow moving, but definitely worth the time.
An insomniac student signs up for a sleep study, only to find her dreams mean more than she knew ...
Good performances in a story that reaches to another dimension in the exploration of character. The dreamscapes are macabre and well shot, and while the pace is patchy there is a moment of deep fear as the threat is fully revealed. The score is also interesting, except for ten minutes around the middle point when it seems to tread water just as the tension should be piled on.
A couple of points where credulity is stretched, but by the end I found myself having to rethink them because of the change in the logic of the story telling. There is a key to this, but I haven't figured out how far back the crucial change occurred. The director points to a Jungian framework, with captions naming four aspects of the psyche - the persona, anima and animus, the shadow, and the self. At the start we encounter the shadow, which is clearly part of a dream, but looking back it's unclear whether we touch base with reality at all - and so the heroine's odd domestic circumstances are never explained. There are a few more clues, like the change of eye colour, the disappearance of the other female volunteer, the simultaneity of the dreams, and some deep point about having sex with one's own opposite, but I'd have to watch more closely to piece it together.
The danger with hanging a story from a framework is that you lose touch with the character and drama. This does a good job, but I'd really have to trust the director's skill to commit to rewatching.
Overall: Ambitious, but I wasn't sure what it was offering me.
Good performances in a story that reaches to another dimension in the exploration of character. The dreamscapes are macabre and well shot, and while the pace is patchy there is a moment of deep fear as the threat is fully revealed. The score is also interesting, except for ten minutes around the middle point when it seems to tread water just as the tension should be piled on.
A couple of points where credulity is stretched, but by the end I found myself having to rethink them because of the change in the logic of the story telling. There is a key to this, but I haven't figured out how far back the crucial change occurred. The director points to a Jungian framework, with captions naming four aspects of the psyche - the persona, anima and animus, the shadow, and the self. At the start we encounter the shadow, which is clearly part of a dream, but looking back it's unclear whether we touch base with reality at all - and so the heroine's odd domestic circumstances are never explained. There are a few more clues, like the change of eye colour, the disappearance of the other female volunteer, the simultaneity of the dreams, and some deep point about having sex with one's own opposite, but I'd have to watch more closely to piece it together.
The danger with hanging a story from a framework is that you lose touch with the character and drama. This does a good job, but I'd really have to trust the director's skill to commit to rewatching.
Overall: Ambitious, but I wasn't sure what it was offering me.
This movie has several things going for it, but ultimately disappoints. The central idea is a good one, and the lead actor gives a strong performance. She's likely to become more well known soon. The cinematography is strong, and the score is good, as is the direction, which owes quite a bit to Kubrick. Where the movie fails is in the writing, and to a lesser extent in the performances of the supporting cast. The dialogue is sometimes trite, and the plot is thin with holes. The end is both predictable and yet somehow even more disappointing than one expects. I don't mean to be harsh; the movie is worth a look. Just be prepared to be let down a bit by it all, in the end.
I really enjoyed the atmosphere and visuals of this movie. The dream scene's designs are so cool, I would watch them all in a row, really dark art there.
This is the strongest aspect of the movie.
The sound is really good too, adds up a lot to the atmosphere, creating a creepy, mysterious vibe.
Good performances throughout, most of the characters are quite solid in their parts.
Story wise, there's a good tension and mystery feeling through the first two acts, but the third one feels stretched and even a bit incoherent by times. This is fixed my the very ending's twist, but I'm not too sure I liked the it. It's a valid one, but it might feel cheap or overdone for some people. I don't think it's a brilliant ending, but it serves well to a decent movie.
As I say on the title, there's a massive spoiler on the images of this movie on IMDB, so don't look at them if you haven't watch the movie yet.
I recommend this movie to visual lovers and if you're in the mood of a very slow paced movie.
This is the strongest aspect of the movie.
The sound is really good too, adds up a lot to the atmosphere, creating a creepy, mysterious vibe.
Good performances throughout, most of the characters are quite solid in their parts.
Story wise, there's a good tension and mystery feeling through the first two acts, but the third one feels stretched and even a bit incoherent by times. This is fixed my the very ending's twist, but I'm not too sure I liked the it. It's a valid one, but it might feel cheap or overdone for some people. I don't think it's a brilliant ending, but it serves well to a decent movie.
As I say on the title, there's a massive spoiler on the images of this movie on IMDB, so don't look at them if you haven't watch the movie yet.
I recommend this movie to visual lovers and if you're in the mood of a very slow paced movie.
¿Sabías que…?
- TriviaPart of the music for the film was created by Pilotpriest. Pilotpriest is the director Anthony Scott Burns's DJ's name.
- Bandas sonorasCoelocanth
Written by David Allen, Barry Andrews, Martyn Barker and Carl Marsh
Performed by Shriekback
Courtesy of Shriekprods Uk
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- How long is Come True?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 62,080
- Fin de semana de estreno en EE. UU. y Canadá
- USD 31,090
- 14 mar 2021
- Total a nivel mundial
- USD 70,459
- Tiempo de ejecución1 hora 45 minutos
- Color
- Relación de aspecto
- 2.39:1
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