Super Deluxe

Thiagarajan Kumararaja has conveyed and compiled so many messages as much as possible in a movie. I am sure the might have forced to have omitted few messages due to the length of the movie.

How do you feel when you have something to say to the world and it displayed in the form of a movie, it was such a kind of a movie.

It is not easy to direct such movies without the influence of a higher intellectual.

It is high time people change their perception and start accepting realities in life.

Life is very simple, we spoil it because of our very own thoughts and deeds.

This movie is to all those who have the ability to perceive and be receptive to adapt a new life. You realise life, because you are alive !!!

The movie sets the ball rolling big time even as the credits come on. Then the background music makes it's entry and then the first scene comes on, and you know, you are in the right theater.

The deep saturated colors in the frames feel so perfect. The frames are simply perfect - framing characters in different portions of the screen, amazing.

There are so many scenes that are so hilarious. The screenplay has a welcome randomness to it. You typically never know what is coming.

Vijay Sethupathi is on a push-the-envelope mode. While the old man in Aadhi was challenging, the transgender in Super-Deluxe is a level up in challenge and well met.

Fahad Fazil, on the other hand, did not have a better role here than say "Kumbalangi Nights". Some of his scenes almost did not work, while many others did.

Bagavathi Perumal, who plays the subinspector has given a truly outstanding performance, potentially surpassed only by Vijay Sethupathi, who had the advantage of much more challenging scenes.

Yuvan Shankar Raja has done amazing background music work, that stands out with it's subduedness. Music is used to enhance comedy at multiple points, and the result has been fantastic. Also, unique sound choices to communicate scene tension, background sounds to give a feel of a lot of background action.

Multiple unpredictable random threads of stories sometimes come together in such a sudden tight knot that you can almost touch. Randomness is just awesome.

The thread on god did not connect with me and hence, scenes on that thread, felt like a drag, as also did some scenes of Fahadh.

Deeply philosophical as well, the movie presents various valid stands. I did not quite like the ending as much, as it was a bit preachy. On the other hand, leaving it abstract might not communicate enough.

A must watch and more. Worthy of multiple watches for sure.

Yet again thiagarajan kumaraja proved he is king in story telling. Starting from story, props, visual, BGM and every actor role were apt and movie is definitely worth watch for more than once !

If you are expecting tamil cinema to reach its highest limits, watch this movie and you will definitely find the tamil industry already reached beyond its limits. It is a pure and raw form of tamil film. I don't think anyone can cross this limits in future except Thiyagraja. perfect screenplay and script work. he deserves more than a national award for making such an exotdinary film. He shifted the whole industry to the next level with his unique and raw style. Completely satisfied.

Second Time: Watching it for the second time did feel a bit bored as the movie was very very slow paced, but there were few tidbits that I got to notice and few unnoticed background noises, music & dialogues. But still, it is definitely one of the differently best-made movies every in Tamil cinema.

First Time: Yet another pulp fiction kinda movie with 3 plots going in parallel with a wee bit of interesting link in the end along with a universal message that relates to life, relationships, sex, sexism, love and with a whole lot of other societal concerns. Yuvan's BGM is the SOUL of the movie. Camera angles/frames portrayed the environments realistically. Each and every characterization just feels so lively, shuttle performance by everyone. Most importantly, it starts and ends with sex. oooohhh... 😜