La madre

After I've seen the documentary Halftime (2022), Jennifer Lopez can film whatever generic movie she might imagine and I'll give her credit for that. In fact, after watching Halftime I've seen Gigli (2003) and found it not bad as everyone is trying to convince you-

Is The Mother a bad movie? No. Is it generic? Yes, so what. I've seen a lot of trash getting rave reviews and ratings on this website. In this sense, The Mother is not very different from any contemporary action movie.

At the same time there are some genuine emotional moments, in particular everything surrounding the character played by Jenifer Lopez and her daughter. This alone is more than most of contemporary action movies offer. If in doubt about my observations, please watch anything from John Wick franchise and tell me it isn't trash.

Yet another vanity project for Lopez, this time as an action hero with fur coats, and the same hair and makeup in pretty much every scene, even if the scenes are 12 years apart. This film needed a more versatile actress, one that would lose the long hair locks and have it messed up, one that could handle - and look convincing, with some dirt and scratches on her face, one who can show some facial expressions relevant to each scene, not the constant "ya I'm tough" expressionless look and tone.

Next we have a story that took three prolific writers who've written some great films and series in the past, to come up with a monotonous, repetitive, cliched and underwhelming screenplay with bits from many better films in this genre. The poorly paced nearly two-hour runtime felt much longer with many dragged out, unnecessary and predictable scenes. You know exactly what's going to happen, and you waste time watching it happen stretched out for so long, you can just fast-forward and not miss a thing. Top that all off with a director that decided to use a blurred fish-eye lens effect in some scenes, I thought I was having migraine episodes.

Had a more convincing actress been cast, it may have made the dull filmmaking a little more bearable, but combined all together, it's not the gift any mom would want for Mother's Day. It's a pass from me, and a very generous 6/10, all for the young Lucy Paez as Zoe, who was the only one that shined in this dull action thriller.

I Wouldn't have been surprised if Steven Segal just showed up and did a sit down flight scene with J-Lo.

It didnt take me long to realise the kind of film I was watching, and truthfully I only made it past the first act. Some scenes were straight up rip offs of other Hollywood films that did the same sequences much better. J-Lo got very annoying very quickly with her "Im a badass boss" attitude that didnt waiver long enough for me to get to know any other traits of her character. One straight face monotonous performance that got very cold very fast.

Netflix is smart, because they dont care about reviews, they know for a fact people are going to click on this film because its a click away, they know they will prolly make some money from this barely passable film.

The trailer is deceiving.

It led me to think I was gonna watch something to the tune of NOBODY. Instead we get this bad-ass lady (by way of narration by a law enforcement officer as to her past accolades) who does bad ass things early in the movie and suddenly, seemingly it all finished. Then soon audiences are reminded oh wait another bad guy still has his portion to get through.

Plotholes, cliches, mentorship in badassery to her kid that doesn't pay off and just poor writing makes for this incoherent action flick.

Sure Lopez has done some (better) action flicks in the past but this won't be the one she will be remembered by.

Jessica Chastain does a better job, Jennifer Garner, heck even Michelle Rodriguez too at being an onscreen bad-ass chick.

The only badass scene here really is when she rode that HD 48.

Such a dissapointment.

This film demonstrates proficiency, which makes it an acceptable entry into the action genre. However, the film ultimately suffers from the familiar and foreseeable nature of its plot, failing to bring any new or innovative elements to the table.

The film is evident in its predictability, where viewers may anticipate the next plot twist or outcome. The villains, unfortunately, lack depth and development, leaving them feeling underdeveloped and lacking in impact.

While this film may still find favour with fans of Jennifer Lopez, others seeking a truly memorable and groundbreaking action thriller may be left wanting more. Its reliance on established tropes and formulaic storytelling hinders its ability to stand out among the vast array of films within the genre. Ultimately, while it offers some positive elements, it falls short of leaving a lasting impression or pushing the boundaries of the genre.