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6.9/10
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Agrega una trama en tu idiomaIn her first comedy special post-health scare, Sarah Silverman shares a mix of fun facts, sad truths and yeah-she-just-went-there moments.In her first comedy special post-health scare, Sarah Silverman shares a mix of fun facts, sad truths and yeah-she-just-went-there moments.In her first comedy special post-health scare, Sarah Silverman shares a mix of fun facts, sad truths and yeah-she-just-went-there moments.
- Dirección
- Guionista
- Elenco
- Nominado a 2 premios Primetime Emmy
- 2 nominaciones en total
Troy
- Self - Audience Member
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Although very popular, Silverman is an acquired taste in terms of her style, her comedy, and her politics. I think too often she relies on the shock factor juxtaposed with her fresh-faced attractive appearance, but mostly she has a fine wit behind so much of what she does. With this show there was a decent mix of personal reflection combined with that same shock factor material. Although she has some digs at Trump, the show wisely stays away from political humor but mostly takes from her personal situation and memories of her family. In this way the show is quite interesting, although it perhaps reduces laughs at times.
Silverman seems a little different than I've seen her before. She felt very static and limited in her movements while on stage. In terms of her interaction with the audience, these also felt a little unnatural, and I wasn't always sure that it worked when she stopped her own show to look back at a line etc. In this way it was not a wholly successful show, and although I enjoyed it, I concede it was not as funny as I hoped, nor was Silverman as engaging.
Silverman seems a little different than I've seen her before. She felt very static and limited in her movements while on stage. In terms of her interaction with the audience, these also felt a little unnatural, and I wasn't always sure that it worked when she stopped her own show to look back at a line etc. In this way it was not a wholly successful show, and although I enjoyed it, I concede it was not as funny as I hoped, nor was Silverman as engaging.
I get it: it's hard to be controversial. A century ago that might mean tar and feathers or burned at the stake, depending to the place you are living. Decades ago, even with the constitutional protections unique to the United States that meant days or even weeks in jails. Today the penalty is simply money: low popularity on social media and the biggest networks not signing contracts with you.
Well, Sarah is trying really hard to have them both: the controversy and the big contracts. And in the end all she gets is the money. Good for her, yet a flat show.
Well, Sarah is trying really hard to have them both: the controversy and the big contracts. And in the end all she gets is the money. Good for her, yet a flat show.
This isn't a review, just a comment on Silverman preparing a joke by mentioning the landing on Mars in 2012. Someone laughs in the audience and she makes a little remark on that. My nerdy theory: the guy who laughed at the wrong moment knew that we landed on Mars back in 1976, but Silverman made it sound like 2012 was the first time.
I'm a fan of Sarah Silverman. She's funny, knows how to make jokes about herself or/and her backgrounds, and she's not afraid of making fun of delicate subjects. I wouldn't say this was her best show but to me it was funny enough to be entertained and that's the only thing I want when watching a stand-up comedian. I'm not a big fan of the pausing she does alot. It looks too much like she's thinking about her lines and so it doesn't seem very natural to me. A little pause everynow and then is fine, to make a point, but with her it sometimes looks too forced and she doesn't need that. For the rest I think she has a good stage presence. Maybe she's not in my top of stand-up comedians but I still enjoy watching her.
Watching this reminds me of tracking young artists in the Dallas-Ft. Worth area (DFW) years ago. Yes, I'm aware that the real action was happening elsewhere (like Austin); don't lord it over me. But it'll suffice to make my point.
Checking in with talented folks (wherever you may be) should be like this: It should be possible to see the performers mutate, morph, and transform--every show should be different.
A Speck of Dust felt like this. Sarah's still Sarah... but she's changing. And that's so welcome and refreshing to see. She's taking her time... it's like she's becoming more "folksy"... like a (only slightly) edgier Garrison Keillor--side note: People who actually tuned in Keillor know how truly edgy he could be!
Anyway: In this show, Sarah's a standing, gesticulating, slow-turning comic kaleidoscope! Loved her stories; touched by her occasional insights; in awe of her moxie.
Check it out.
Checking in with talented folks (wherever you may be) should be like this: It should be possible to see the performers mutate, morph, and transform--every show should be different.
A Speck of Dust felt like this. Sarah's still Sarah... but she's changing. And that's so welcome and refreshing to see. She's taking her time... it's like she's becoming more "folksy"... like a (only slightly) edgier Garrison Keillor--side note: People who actually tuned in Keillor know how truly edgy he could be!
Anyway: In this show, Sarah's a standing, gesticulating, slow-turning comic kaleidoscope! Loved her stories; touched by her occasional insights; in awe of her moxie.
Check it out.
¿Sabías que…?
- ConexionesFeatured in Conan: Sarah Silverman/Shawn Hatosy/Alt-J (2017)
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- 莎拉.席爾蔓:一顆塵埃
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