Sarah Silverman: A Speck of Dust

Sarah Silverman delivers a compelling, funny routine which closes with her personal medical emergency. First, she starts off the show with metal detectors and death threat. While the audience laughed heartily, I felt a little discombobulated. It's the times we live in and that particular issue is hard to laugh at. Although if I was in the audience, the laughing could be quite cathartic. Anyways, she quickly moves on. With complaining Jew and laser hair removal, the routine builds up well. There is good flow and consistent laughs. Of course, there is plenty of abortion jokes amid the present political climate. At one point, she asks for any religious audience members and only one Lutheran volunteered. The medical emergency is quite funny and there is a fun video proof of its reality to close out the special. In the end, this is standard Silverman comedy with her deadpan delivery and outrageous material. It is a solid one hour show.

I get it: it's hard to be controversial. A century ago that might mean tar and feathers or burned at the stake, depending to the place you are living. Decades ago, even with the constitutional protections unique to the United States that meant days or even weeks in jails. Today the penalty is simply money: low popularity on social media and the biggest networks not signing contracts with you.

Well, Sarah is trying really hard to have them both: the controversy and the big contracts. And in the end all she gets is the money. Good for her, yet a flat show.

Watching this reminds me of tracking young artists in the Dallas-Ft. Worth area (DFW) years ago. Yes, I'm aware that the real action was happening elsewhere (like Austin); don't lord it over me. But it'll suffice to make my point.

Checking in with talented folks (wherever you may be) should be like this: It should be possible to see the performers mutate, morph, and transform--every show should be different.

A Speck of Dust felt like this. Sarah's still Sarah... but she's changing. And that's so welcome and refreshing to see. She's taking her time... it's like she's becoming more "folksy"... like a (only slightly) edgier Garrison Keillor--side note: People who actually tuned in Keillor know how truly edgy he could be!

Anyway: In this show, Sarah's a standing, gesticulating, slow-turning comic kaleidoscope! Loved her stories; touched by her occasional insights; in awe of her moxie.

Check it out.

This isn't a review, just a comment on Silverman preparing a joke by mentioning the landing on Mars in 2012. Someone laughs in the audience and she makes a little remark on that. My nerdy theory: the guy who laughed at the wrong moment knew that we landed on Mars back in 1976, but Silverman made it sound like 2012 was the first time.

This was pretty much word for word the same as the show I saw. It was great the second time too! I don't get the negative reviews from Silverman's fans. There is still vulgarity. Maybe not enough for them? Maybe there is too much social commentary in the jokes. I think she is going in the right direction.