Una mirada a la vida del pintor Vincent van Gogh durante el tiempo que vivió en Francia.Una mirada a la vida del pintor Vincent van Gogh durante el tiempo que vivió en Francia.Una mirada a la vida del pintor Vincent van Gogh durante el tiempo que vivió en Francia.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 3 premios ganados y 16 nominaciones en total
Clément Paul Lhuaire
- Emile Bernard
- (as Clément Lhuaire)
Alan Aubert
- Albert Aurier
- (as Alan Aubert-Carlin)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Rather think of it as a painted film, with one artist (Schnabel) trying to convey what it is to be another (Van Gogh). At Eternity's Gate is an immersion into the world of Van Gogh. Art conveys something about the world and the human condition words can never express. After watching the movie I came to realize other ways of trying to understand Van Gogh and his art fall short of this immersion. If you were to take an audio tour of a Van Gogh exhibit you would not finish the tour with the same feeling or understanding as you might get from watching the movie. Everything about the movie is spare, whittled down to an essential nub. The dialogue doesn't matter. What does matter are the long, silent scenes of Van Gogh in Nature and at home, and the times where he speaks directly to the audience, informing it of what it is to be Van Gogh. The occasionally jumpy camera shots and the overlapping dialogue may not have been completely necessary (and obviously a major turn-off for various other viewers), but they do help to establish what it may have been like to be Van Gogh. Madness? Sure, if that label works for you. Clearly, Van Gogh was different. Mad or not, he had his difficulties fitting in to society, any society. The last 20 minutes or so are the most painterly. After absorbing an hour of background material, all the film and Van Gogh have told you allows you to understand his world. When he talks about light, the screen is flooded with light, but even when the screen turns to gloom, you see the world as Van Gogh did. The walls are painted as they were in the background of a Van Gogh painting. And you the viewer? You sit back and drink it all in.
This film tackles the story of an artist creating masterpieces for later generations but not for his own. All the techniques that bothered other reviewers--the handheld camera, loud piano soundtrack, looped dialog--all emphasized a life of loneliness and ridicule that made the audience experience those emotions.
Clearly the story lacked a typical plot, not so much because it wasn't there as much as that Van Gogh's story is so well known and portrayed. I sensed that my companions may have been wishing they had chosen a different movie but for me this film further added to the tapestry of Van Gogh's unique story. Plus the film addresses the two biggest points of contention about him ... his ear and his death ... and suggests that Van Gogh's character traits have turned those into unsolvable mysteries.
Clearly the story lacked a typical plot, not so much because it wasn't there as much as that Van Gogh's story is so well known and portrayed. I sensed that my companions may have been wishing they had chosen a different movie but for me this film further added to the tapestry of Van Gogh's unique story. Plus the film addresses the two biggest points of contention about him ... his ear and his death ... and suggests that Van Gogh's character traits have turned those into unsolvable mysteries.
Loved the raw hand held camera work . The director shows the scene in such a that u can really enter into vincent's mind and can see his vision . Obviously the acting of Willem Dafoe was tremendous and he took the character to another level .
The last years of Vincent van Gogh with his extreme sensitivity and mental instability. It's perfectly filmed with a colorful and adequate staging. And Willem Dafoe plays brilliantly!
At Eternity's Gate is an amazing piece of art. I will admit that in order to fully appreciate its artistic offerings one would most definitely need very minor prior knowledge to who Vincent Van Gogh was. What his ideologies were, and the major events of his life, as well as his relationship with his brother. The way lines are repeated multiple times in a way that sounds like an echo chamber to show the audience the way Vincent is perceiving conversation on a delay, rationally speaking. One critique I see a lot is of the very long scenes of Vincent running around in wilderness looking for something to paint, and the overbearing music that surrounds those scenes. I disagree with these critiques but I do understand them. I feel it was necessary to have this music in order for the audience to understand the pure child-like joy Vincent felt while looking for something to paint, and while experiencing nature. I highly recommend this film for any Vincent Van Gogh fans. It is just shy of a perfect movie in my opinion, but I can see why someone would very much disagree with that.
¿Sabías que…?
- TriviaWillem Dafoe was 62 when the film was released, 25 years older than Vincent van Gogh, who died at age 37.
- ErroresTheo tells Vincent at the hospital that he is now married. In reality Vincent received a letter from his brother on Dec 23rd 1888, in which he announced his engagement. Vincent feared that his brother would not be able to support him, once married. Additional to this he had the argument with Gaugin that night over Paul leaving. Mentally disturbed by all this he cut his ear off.
- Citas
Vincent Van Gogh: Maybe God made me a painter for people who aren't born yet.
Priest: Possibly.
Vincent Van Gogh: It is said, Life is for sowing. The harvest is not here.
- Créditos curiososThere's a mid-credits scene, where a Paul Gauguin quote is narrated.
- ConexionesFeatured in Sven Uslings Bio: 2019 Års sämsta biofilmer (2020)
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- How long is At Eternity's Gate?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- At Eternity's Gate
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,294,915
- Fin de semana de estreno en EE. UU. y Canadá
- USD 92,856
- 18 nov 2018
- Total a nivel mundial
- USD 11,519,666
- Tiempo de ejecución1 hora 51 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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