Manto

My Rating : 8/10

'Manto' as a film transports you to a different world completely. It gives you a sense of the zeitgest of a 1940's recently-partitioned India and Pakistan and the strong religious sentiments of the people at the time. Saadat Hasan Manto was a Pakistani writer, playwright and author and someone who through his writings wanted to give a different perspective.

Nandita Das' direction reminds me of the likes of Guru Dutt and Satyajit Ray. 'Manto' is exquisite, poetic and an intimate character study.

Upar di gur gur di annexe di bedhiyana di moong di daal of di Pakistan and Hindustan of di...Manto.

Brilliant.

A film based on the celebrated writer Saadat Hasan Manto is as riveting and overwhelmingly haunting as his work. Like Manto's stories, this film never fails to give goosebumps. Blending seamlessly between the depiction of some of Manto's stories like Ten Rupees, Khol Do, Thanda Gosht and Toba Tek Singh and his life, the film adds extreme depth and an insight to Manto's thinking. Set in the pre-partition era, that is, mid 1940s and 1950s Manto transports you to that era, the life in Mumbai(then Bombay), and Lahore, Bombay film sets and coffee shops, rickety magazine offices, courts, gardens, hooded convertibles and tongas in the sepia coloured tones. The film also grasps the intellectual conversations between Manto and Ismat Chughtai (Rajshri Deshpande) well. Nawazuddin Siddiqui has embodied the character of Manto. With that I mean, he IS Manto in the film. He is backed by an equally talented cast, with his wife Safiya(Rasika Dugal), who portrays a controlled and strong demeanour, his dear friend and actor Shyam(Tahir Bhasin), and a host of talented actors in special appearances. Divided like the fonts used in the film, Siddiqui brings out the inner divide, conflict, the hidden rage, the disgust, the hurt, the inner turmoil, the helplessness and fear, the urge to write the truth along with managing his household, the continuous court appearances to perfection. The hurt and regret speaks volumes with his incessant cigarette puffs and chugging of alcohol. With memorable dialogues and truthful portrayal of the characters, this is one of the films which will talked about for years. Worth watching a 100 times. The only fault? - The film got over too soon.

Class movie which would take us to the pre and post Independence Day's of India. Well scripted and directed by Nandita man and as usual Nawazuddin Siddiqui as Manto stole the show. Other stars done justice to their respective roles especially Rasika as Safia (Manto's Wife). And the last scene of Toba Tek Singh was touching. The movies revolves around Manto's life at pre independence India at bombay and post independence Pakistan at Lahore. And at Lahore his artistic choices and words were challenged by censors and he had to face court and system ruling the state. We could clearly see a liberal writer fighting for his rights and also his life transformation from Bombay to Lahore.

After reading Thanda Gohsht I was mesmerised by the literary style and excellence of Sadat Hasan Manto. This movie has been a good portrayal of Manto's life. Manto was a literary genius who transformed literature forever. Impressed by movie and obviously flawless acting of Nawaz. They could have made it a little more better (but there's always room for improvement and critics will always find something to blame). But overall it was a great journey watching this movie and experiencing a view in Manto's life and his thinking(although it feels like grotesque and abominable). Do watch it.

Armed with strong acting skills of Nawaz and other talented actors like Rasika Duggal and Divya Dutta, Manto is a masterpiece that tells the present generation about the social conditions of 1940s and 50s, and so many things have still not changed. Every person living today in today's times can relate to Manto and his struggles. A MUST watch for every Indian and Pakistani.