Gloria Bell

If you are under 25 you may not "get" this movie but once you have experienced more of life this movie will certainly have more meaning. And in the future when you talk about this, and you will, do be kind!

Story is stretched too thin and familiar. Plight of characters not particularly engaging or interesting. Main lead brings an extra layer to the film. Pacing issues.

Sebastian Lelió returns to remake one of his own films in this breezy and free-spirited comedy. While not perfect, it's an enjoyable movie that first and foremost functions as a character study. Moore plays the titular role, a divorcee in her 50's living in California and attempting to break out of her shell. The film is properly paced and never feels too long or too short. Its script is simple yet subversive, eventually creating an impact on the viewer that will have them thinking long after the credits roll. The film's acting is consistently strong, especially Julianne Moore. She's terrific, and manages to convey both a genuine sense of intuition and a vivacious sense of loving life at the same time. Also noteworthy is John Tuturro in the film's most prominent supporting part. He manages to play his role with a simple gravitas that helps viewers inspect the subtleties behind his character's development. Speaking of character development, the lack of development of Moore's character by standards of a character study is a slight flaw in this movie. While we spend so much time with Moore over the film's duration and see much of her day-to-day life, this does not necessarily equate to character development. Quality character development, after all, is about connecting the past of a character to his or her present and future.

The film also has some moments that feel mildly redundant from time to time. It feels in these moments that Lelió wanted to connect some of the fibers of the plot together to increase significance of the juxtaposition of several scenes, but unfortunately he ends up missing the mark attempting that. However, this is overall an entertaining dramedy for those of us who like the cast. It's not too complex at face value, but is definitely entertaining for the most part. And the soundtrack (an eclectic mix of classic disco tunes) can't be beat either. Recommended. 7/10

Five years after the Chilean original, Sebastián Lelio decided to remake his own movie and direct an American version starring Julianne Moore as the main character. I have to admit to having liked this more than the version with Paulina García - both performances are equally formidable, but perhaps it's my personal admiration for the legendary Julianne Moore which caused me to feel more attached to Gloria's character in this film.

This is a film for a very special audience, and many viewers outside of that audience will probably find it difficult to relate to the everyday life troubles of a middle-aged woman struggling with sexuality, motherhood, health issues and work life (just look at the audience rating on Rotten Tomatoes or the negative comments on IMDb). I mainly watched this because of Julianne Moore and since I have really liked Sebastián Lelio's work so far, and I didn't regret it for a single second. Moore is perfect and gives one of the best performances of her career, which says a lot since she was so fantastic already in films such as "Still Alice", "Far from Heaven", "The Hours", "Magnolia" or "Boogie Nights".

"Gloria Bell" feels like it's about celebration of life. It's full of positivity; it is uplifting even in its sadder moments thanks to its poignant use of music, and a refreshing breath of vibrancy drifts through every single scene. An intimate and all around glorious character study from one of the best rising directors of the last decade, with one hell of a courageous and captivating final act.

Gloria is a fifty-something long-term divorcée, with two grown-up children and with a subdued professional life. She's even a young granny since a short time. In short, all lights are red. It's only missing menopause... And then arrives Arnold, a charming guy who turns out to be stuck within a castrating environment. This film is desperately pessimistic, despite the manifold disco hits, and reminds the universal difficulty of 'rebuilding' its life, following a divorce with child(ren). The duo Julianne Moore + John Turturro is stunning, knowing that Julianne Moore is gorgeous, as usual.