Un joven afroamericano viaja a través de los Estados Unidos en la década de 1950 en busca de su padre desaparecido.Un joven afroamericano viaja a través de los Estados Unidos en la década de 1950 en busca de su padre desaparecido.Un joven afroamericano viaja a través de los Estados Unidos en la década de 1950 en busca de su padre desaparecido.
- Ganó 2 premios Primetime Emmy
- 27 premios ganados y 105 nominaciones en total
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Opiniones destacadas
The series tried tying together so many ideas in such a short period that it ended up being way too choppy. Every episode feels like its purpose is to highlight racial inequality during the time period, rather than delivering a coherent plot. It focused so much on race that it really hampered the enjoyability of the fantasy aspects.
Wanted to like it. First episode was really good and so was the second and third one but after that it pretty much went downhill.. too much going one and not finishing a story before it starts a new one. Too bad. The beginning it had so much potential
The series is neither an adaptation of a Lovecraft work, nor is it based on his mythos or his life. "Lovecraft Country" is a combination of fantasy, horror, mystery, and Indiana Jones adventure, but the emphasis is not only on these aspects, but it significantly concentrates on racism in America in the 1950s. I have the impression that the authors used the "father of horror" to attract the audience to a famous name. We have "racist horror", and Lovecraft is a racist horror writer ... let's name the series after him and attract fans. At first, it may work, but those same fans will very quickly realize what is happening and will be disappointed with the series that they could have liked under some other name, which does not offer false promises.
The other thing that bothered me was the soundtrack. With good production, cinematography, and acting, they skillfully evoked the atmosphere of the fifties, and then spoiled it with inadequate music. I watch the South Side of Chicago in the fifties, but I listen to Rihanna, Manson, and hip-hop ... it doesn't work. It breaks the atmosphere and spoils the experience.
Third and most important, after a promising start, the script turned into a total mess. Had they stick to the great premises from the first couple of episodes until the end, the series could have been awesome. For some reason, they decided to overwhelm it with new subplots from episode to episode, until it turned into an overcomplicated and incomplete mishmash of everything and anything.
However, the series is technically indisputably well done, the visual aspect, atmosphere, and characters are very likable, and the story is, if you don't mind the confusing and chaotic storytelling, basically quite interesting. If you don't expect too much, it's worth a look.
7/10
The other thing that bothered me was the soundtrack. With good production, cinematography, and acting, they skillfully evoked the atmosphere of the fifties, and then spoiled it with inadequate music. I watch the South Side of Chicago in the fifties, but I listen to Rihanna, Manson, and hip-hop ... it doesn't work. It breaks the atmosphere and spoils the experience.
Third and most important, after a promising start, the script turned into a total mess. Had they stick to the great premises from the first couple of episodes until the end, the series could have been awesome. For some reason, they decided to overwhelm it with new subplots from episode to episode, until it turned into an overcomplicated and incomplete mishmash of everything and anything.
However, the series is technically indisputably well done, the visual aspect, atmosphere, and characters are very likable, and the story is, if you don't mind the confusing and chaotic storytelling, basically quite interesting. If you don't expect too much, it's worth a look.
7/10
This series starts out very well hitting character development, backstory and monsters. A lot of action and likable characters. The series goes along just fine and is very enjoyable . . . Until it wasn't. It got stupid, preachy and disjointed toward the end. So promising, yet so disappointing.
The pacing from the first to the second episode was incredibly inconsistent. The first episode was enjoyable enough and showed great imagery of racism prior to the Civil Rights.
The second episode though - my god was that bad. Weird jumps between scenes, it didn't take time to develop the setting, characters, or do horror in any meaningful way. With this being commentary on Lovecraft, I would have thought there'd be horror, and not just vague illusions to tropes like cults or monsters. This was more of a middle grade dark fantasy story. Looking at the novel, this story was only a hundred pages long, and the HBO adaptation didn't add anything to it - so that is about the length of a middle grade novel. Adult horror is usually longer and better developed. With Jordan Peele involved as a producer, I'm really surprised by the low quality.
The second episode though - my god was that bad. Weird jumps between scenes, it didn't take time to develop the setting, characters, or do horror in any meaningful way. With this being commentary on Lovecraft, I would have thought there'd be horror, and not just vague illusions to tropes like cults or monsters. This was more of a middle grade dark fantasy story. Looking at the novel, this story was only a hundred pages long, and the HBO adaptation didn't add anything to it - so that is about the length of a middle grade novel. Adult horror is usually longer and better developed. With Jordan Peele involved as a producer, I'm really surprised by the low quality.
Jurnee Smollett: From "Full House" to "Lovecraft Country"
Jurnee Smollett: From "Full House" to "Lovecraft Country"
"No Small Parts" takes a look at Emmy nominee Jurnee Smollett's career, starting at the age of five in "Full House" and blossoming into a powerhouse actor in "Lovecraft Country."
¿Sabías que…?
- TriviaJamie Chung said in an interview that she had no problem being completely naked for her first ever nude scene in episode six of the first season because physicality is so important to her character. But she joked that she still doesn't want her parents to watch. She specifically told them, "I'm so proud of my work, but please, for the love of God, just don't."
- ConexionesFeatured in The 73rd Primetime Emmy Awards (2021)
- Bandas sonorasBoogie at Midnight
Performed by Wunmi Mosaku
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Detalles
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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