They'll Love Me When I'm Dead

The title obviously makes the point that some artists only get recognized after they die. And it is true that many artists had issues. Welles on the other hand was highly regarded. Actually this documentary makes the point that he and his masterpiece Citizen Kane were loved - so much that he could never live up to it. Or rather none of the movies he did after that.

Now that are issues that some people would love to have. On the other hand, someone like Hitchcock made many good movies and he never fell into that trap. But back to this: Many of his peers talk about him and there is a big amount of the time dedicated to the last movie Welles never actually finished. He shot it for so many years, but never seemed satisfied. From what I have seen so far, it might have been ahead of its time back then - obviously the cut of The other side of the wind that is now available to watch via stream is not the one Welles would have released. Still it is the footage he shot, so more on that on the other page. This documentary is quite revealing when it comes to Welles character - with enough footage of him, but also a lot of people who were close to him, talking about their experience ... Essential in a way

Clearly another reviewer and I disagree in our assessment of this film. I did find "The Other Side of the Wind" worthwhile, but I have mixed feelings about this skewed portrayal of this masterful filmmaker. Having said that, some of the old film clips were well-chosen.

On a logistical level, this film is not what one would expect... most all of the friends and colleagues become talking heads who are not individually identified, until the rolling credits, where a slew of names are lined up. That said, Peter B is easily recognized, and a few others' identities are inferred by their comments. When Oja speaks, you are left to imagine what she looks like nowadays... I presume that she insisted that her sound bites would not include visuals.

What disappointed me the most were the cynical snipes made about the approach and demeanor of Welles, from several people closely associated with him. Some of their barbed comments served to discount the great complexity of this man. I wonder if these folks had enough nerve to frankly state their views in front of his face while he was alive? One celebrity commented on his demanding preference for a particular snack food. On the surface, the remark said more about her.

It strikes me as ironic that one clip shows Welles speaking on the essential value of editing, yet this film has chosen to slice things up into brief sound bites. As a result, the tone of the interviewees resemble a bitter pill, as if to say: while we might recognize the genius of this man, the viewer would do well to witness his significant deficiencies.

There are cherry-picked clips which try to convince the viewer about Welles impulse to control the details. Newsflash: many great artists fall prey to obsessiveness. We see Welles give a specific note to Norman Foster on his delivery. Foster transformed the line in-a-flash, and it was vastly improved. If this film intended to cast a shadow on the esteemed artful nuances which Welles strove for, then it failed.

Each viewer will have a different take on this film. As for me, the approach and tone of this film left me feeling defensive, and a bit sad.

This documentary details the up & downs Orson Welles went through getting financing for many of his projects particularly his last, The Other Side of the Wind. Welles, who became a wunderkind after his major breakthrough Citizen Kane, never got the same treatment or respect for the remainder of his life, always securing backing for his films in fits & starts (he'd occasionally had shooting projects languishing for years at a time as he'd take acting jobs or towards the end of his life becoming a pitch person for wine & board games solely to secure necessary completion funds) which ultimately would add to his stature as being a problematic visionary (a sad episode occurs when he tries to get money to finish his film during his own AFI awards ceremony). More of a story of what could've been, this depressing account leaves one fuming at the film community for abandoning this gargantuan talent & not giving him his due.

An American documentary; A story about the making of Orson Welles's film 'The Other Side of the Wind'. The film provides a good insight into an artist's mindset and a window into the creative process of a film auteur. It fascinates because it mirrors Welles's own life and how he struggled to make good on his swan song. The interviews bring to the fore the genius of Welles and what was described about his mind as "a hall of mirrors."

Stunning and required viewing that illustrates the trials of Wind so well, shows the humanity and heartbreak so powerfully that it's good enough to have existed even without the now "finished" version of Wind. Loved it!