The Rule of Jenny Pen

Greetings again from the darkness. John Lithgow frequently plays likable characters that take advantage of his innate ability to connect with viewers as an 'every-man' type - often reminding us of people we know. However, over his career that spans approximately fifty years, I've always been more interested and more intrigued when nice guy Lithgow plays the villain (see "Dexter"). It takes a talented actor to be believable as characters we love and characters we loathe. Writer-director James Ashcroft and co-writer Eli Kent have adapted Owen Marshall's oddball short story into an equally oddball feature film.

As the film opens, (Oscar winner) Geoffrey Rush is Judge Mortensen, presiding over a contentious court case. As he is providing his findings, the honorable judge begins sweating and having difficulty conveying his thoughts ... even clumsily handling a glass of water. It's obvious he's showing signs of a stroke, and ultimately collapses on the bench. As painful as this sequence is, it pales in comparison to what awaits Mortensen.

The judge is checked in to a rehab facility and rest home for the elderly. What he discovers is that one of the patients, Dave Crealy (Lithgow), thrives on physical and psychological abuse of the other patients. His reign of terror involves a plastic doll named Jenny Pen, and the two of them make nightly rounds torturing that evening's unlucky victim(s). The bit of fun here exists in the head-to-head battles between the psychotic Crealy and the physically limited Judge. There is also a nice touch with a local cat that compares to the appearance of oranges in THE GODFATHER. If you know, you know.

Lithgow sports an Aussie accent and hillbilly teeth, while Rush spouts crisp and intelligent dialogue with a dose of arrogance that turns into bewilderment. Of course, most of this makes little sense as the facility would likely have security cameras capturing Lithgow's late night wanderings, or at the least enough of an overnight staff that might glimpse his movements. And at some point, enough patients would team up to narc on the resident psycho bully. It's these details that prevent this from being a top notch psychological thriller, although watching two masters like Lithgow and Rush go at each other provides plenty of entertainment.

Opens in theaters on March 7, 2025.

6/10 STARS - John Lithgow has the most pinchable face when he's playing a baddie and this movie was no exception. The Rule of Jenny Pen is a new movie based on a short story written by Owen Marshall, and it tells the story of a judge who suffers a stroke and ends up in an elder-care facility. While there, he becomes aware of another resident in the home who routinely bullies and abuses the other patients. This sets up the conflict between the judge and the bully, which is the framework of the story. This movie didn't hold back from depicting the sad reality many elderly people face when they near the end of their life and are no longer able to live safely on their own. In this case, it is made even worse because of the vicious bully in their midst. It was interesting to see these two magnificent actors "facing off" against each other through their characters. Both men are masters in their profession, and it shows in this film. I do have a couple of issues with it though. One is the runtime. While it's not terribly long (the film clocks in at an hour and 43 minutes), the repetitive nature of some situations feels like it drags the movie down a touch. Second issue is that with all of the problems this bully causes, I find it hard to suspend my disbelief that his actions could go completely unnoticed by the staff, especially given how long he has been in the facility and how routinely he terrorizes the occupants. Those are rather minor complaints and not enough to detract significantly from my appreciation for this film. Video review on my YouTube channel.

The Rule Of Jenny Pen actually creeps me out more than the usual horror movies about possession, zombies, and/or other creeps. This story is about old people in a retiring home or care facility that are getting bullied/terrorised by one of its habitants without anybody doing something about it. I find these kind of stories creepier because it could happen to any of us, unlike other horror movies where the stories are just fantasy or far fetched and thus so far from our bed or just unreal. Nobody wants to end up in a retiring home and certainly not in this one. Geoffrey Rush did a great job playing the resistant. John Litgow showed again he can play anything, from comedy to drama, to horror. I just love that actor. In my opinion this movie from New Zealand deserves a higher rating on here.

This was a truly interesting film but also a fairly unsatisfying one. The premise of having psychological torment in a nursing home is a pretty original idea that was surprisingly well executed given how ridiculous the trailer made the movie look. Lithgow gives a nasty performance as one of the most hatable villains I've seen in a while, while Rush plays his part as protagonist with carefully calculated defiance and cynicism against Lithgow's sadism. The camera angles and editing choices were unique, disquieting, and overall effective in their mission of creating unease. I was a little frustrated with a few key plot points that seemed like they'd be discussed later on but instead were left on the back burner. As far as the psychological horror/abuse went in the film, it was effective. A little too much. The vile representations of sexual torment paired with the overall sadism got on my nerves a bit, even if it may have worked to psych me out. That being said, not a bad movie.

Just not my cup of tea.

There's something inherently terrifying about losing control, and The Rule of Jenny Pen plays into that fear beautifully. Geoffrey Rush is compelling as Stefan Mortensen, a once-powerful judge who suffers a stroke and finds himself in a care home. The isolation and vulnerability he experiences are horrifying, even before the supernatural elements creep in. The fear of being forgotten or dismissed feels almost tangible. However, the film faltered in its execution. While it starts strong, introducing a tense and eerie atmosphere, the plot gets tangled in its own complexity. Some character choices felt exaggerated, and a few plot holes made me question the narrative. Despite that, the sense of dread stayed with me. It's a flawed film, but one that still offers a lot to think about.