CALIFICACIÓN DE IMDb
6.6/10
1.5 k
TU CALIFICACIÓN
Una adolescente filipina de una pequeña localidad de Texas lucha por hacer sus sueños realidad como artista de la música country mientras intenta decidir si quedarse con su familia o dejar e... Leer todoUna adolescente filipina de una pequeña localidad de Texas lucha por hacer sus sueños realidad como artista de la música country mientras intenta decidir si quedarse con su familia o dejar el único hogar que ha conocido.Una adolescente filipina de una pequeña localidad de Texas lucha por hacer sus sueños realidad como artista de la música country mientras intenta decidir si quedarse con su familia o dejar el único hogar que ha conocido.
- Dirección
- Guionistas
- Elenco
- Premios
- 19 premios ganados y 2 nominaciones en total
Opiniones destacadas
This is an important film about immigration, music, and the variety of ways we all try to become the people we want to be. While the acting can come off as a bit stiff with writing that is a little too superficial and full of tropes, the music of Eva Noblezada and Dale Watson, along with a critical story about the struggles of being undocumented and chasing your own dreams, make this very much worth a view!
This movie was a refreshing change from the last movie I watched, which was Save Yourselves. The biggest problem with that movie was the lack of likeable characters. At least with this movie, you felt a connection to the main character and her plight. Sure, there were some moments that make feel she's just being unreasonable, like when she storms off from Dale Watson. But otherwise, she's just acting like a teen would put in such a situation.
Another part I liked about this movie is that even though it feature a teen lead character, and the guy who she befriends from the music store (who actually isn't in it that much), the movie doesn't come across as a Disney channel teen movie. It's a mature film. It stays away from anything dark or disturbing, but it doesn't pull punches when it shows the ICE agents doing their raids to grab undocumented immigrants.
And we get to see Rose go through the writing process and finding inspiration from her surroundings and even with help from Dale Watson. Not to say, this movie is about 'how to write and record a song'. But it does show how she takes her real life situation and is inspired to turn it into lyrics.
Now, the ending is cliched, and typical of many of these kinds of films, hence dropping a point. And it's somewhat open-ended, because it's basically the new beginning of Rose's journey. Maybe if there's a sequel, it will play out like A Star Is Born? Haha, I don't think there will be a sequel.
So, I was glad to be able to see this on the big screen. I imagine a lot of people will only get to experience this on their TV sets. I think if you can see it on the screen, do it. It's shot very well, and the sound is terrific.
Great acting, casting, direction, locations. Everything but an actual story.
Finally, a film that legitimately makes you feel good without burying you in sugar. Rose (newcomer Eva Noblezada) in soulfully good Yellow Rose is a 17-year-old Filipina from rural Texas whose motel-maid mom Priscilla (Princess Punzalen) is about the be a guest of ICE, making Rose a figurative orphan without any backup.
Hidden in Rose's beautiful spirit is a hankering to sing country music although she first needs to sing for others, not just herself. After she avoids ICE herself, she meets some kind folk who will not only help her have a place to live but also give her a chance to sing.
The strength of this music/drama is that nothing is easy and nothing comes soon enough. When she meets real singer Dale Watson (a white-haired accomplished singer before the camera and in the vibrant world of honky-tonk Texas night life), her epiphany slowly begins.
However, in between meeting Dale, writing a song for him, and singing her first composition in front of a pleasant Dale-centered crowd, Rose has to struggle with mom's wish for her to come to Manila and her own sense of home already in Texas. The film is strong because it doesn't amplify the realities and the sentiment; it just lets Rose find her way on her own.
In a way, Jessie Buckley's Rose-Lynn in Wild Rose as a Grand 'Ol aspirant mirrors Rose in Yellow, only with more flamboyant songs and melodrama. Both films draw you in to the characters because of the actors' charm and talent. Yellow Rose has less music and conflict than Wild Rose but a sweeter take on the heroine's ambition: Although Rose barely registers on the emotion meter, her underlying passion is undeniable.
In Yellow Rose the music is sweet and low, especially when Dale sings (He steals the shot every time-now that's charisma). Like this gentle drama, Rose bubbles up to the top and stays with you like a simple country song.
Hidden in Rose's beautiful spirit is a hankering to sing country music although she first needs to sing for others, not just herself. After she avoids ICE herself, she meets some kind folk who will not only help her have a place to live but also give her a chance to sing.
The strength of this music/drama is that nothing is easy and nothing comes soon enough. When she meets real singer Dale Watson (a white-haired accomplished singer before the camera and in the vibrant world of honky-tonk Texas night life), her epiphany slowly begins.
However, in between meeting Dale, writing a song for him, and singing her first composition in front of a pleasant Dale-centered crowd, Rose has to struggle with mom's wish for her to come to Manila and her own sense of home already in Texas. The film is strong because it doesn't amplify the realities and the sentiment; it just lets Rose find her way on her own.
In a way, Jessie Buckley's Rose-Lynn in Wild Rose as a Grand 'Ol aspirant mirrors Rose in Yellow, only with more flamboyant songs and melodrama. Both films draw you in to the characters because of the actors' charm and talent. Yellow Rose has less music and conflict than Wild Rose but a sweeter take on the heroine's ambition: Although Rose barely registers on the emotion meter, her underlying passion is undeniable.
In Yellow Rose the music is sweet and low, especially when Dale sings (He steals the shot every time-now that's charisma). Like this gentle drama, Rose bubbles up to the top and stays with you like a simple country song.
"Yellow Rose" is such a touching and beautiful piece that narrates the story of identity, family, and following your dreams against all odds. Helmed by Diane Paragas, the film goes through the journey of Eva Noblezada as Rose, a talented, young Filipina immigrant living for the purpose of being able to shortly become a country music star. It's a movie that is both a testament to resilience and belonging's cumbersomeness; it's set against all of the vibrant music scenes in Texas. Noblezada is soulful, supported by powerful work from Lea Salonga as her protective aunt and by country musician Dale Watson. Threaded with sincere storytelling, "Yellow Rose" makes the musical score evocative, alive after the credits roll, casting a new light on the American dream and on the power of music to bridge cultures.
¿Sabías que…?
- TriviaBoth Lea Salonga and Eva Noblezada have played the lead role of Kim in Miss Saigon on Broadway and the West End.
- Bandas sonorasWindblown
Written by Kimmie Rhodes
Performed by Kimmie Rhodes
Selecciones populares
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- How long is Yellow Rose?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Sarı Gül
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 367,849
- Fin de semana de estreno en EE. UU. y Canadá
- USD 150,330
- 11 oct 2020
- Total a nivel mundial
- USD 367,849
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Relación de aspecto
- 2.39 : 1
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