Ying

Right off the bat, I'll mention the main negative of the movie (as this will probably be the first thing you will encounter).

The beginning is so slow and uninteresting, that you'll be tempted to switch off after the first 30 minutes. And you'll be forgiven for doing so, due to the very limited nature of the characters and setting. And as bizarre this may sound, one of the film's main strengths -- the dull colours / visuals -- may contribute to your boredom. And that's because of the movie's chosen colour scheme (dark grey vs light grey).

But if you can get over this hurdle (and its not easy, I admit) and appreciate how beautiful they movie actually looks, you'll soon be rewarded with a middle and end that eventually picks up in excitement, plot and action.

If you're a fan of Chinese cinema and its ancient themes, you'll like this. The way its shot, the editing, the action and the visuals....are stunning at times. And you may appreciate it if you can get over the very boring beginning.

During the Three Kingdoms 1,650 years ago, deception was often employed to survive in the high courts of kings. The war commander of one nation is nothing more than a shadow. His twin brother, the real talent, bides his time in the underworld until he can stage a coup and take revenge upon the king. Yet decoys assume a life of their own, and the shadow twin may take the power and possessions of the one he serves, but only if he is willing to strike and at the right moment. A love interest could provide all the motivation he needs, or perhaps all the distraction to cause him to fail and to be recognized for who he is.

There are many layers to this complex and resplendent film. Every frame is beautiful. Backgrounds are in bold black and white, with human figures providing the color. There is pulse quickening action, seductive romance, the eerily enchanting chords of the Chinese harp and ambient sound of rain and running water, wonderful dialogue, humor, history, yin and yang, intriguing stories, attractive people, fantastic acting and sword play, constant surprises, and more. Deng Shao plays both the shadow and the commander, and he does so brilliantly. North American premiere and the best film I saw at the 2018 Toronto International Film Festival.

Beautiful. The photography , the craft of tension, the acting, , at the level of fight scenes- real spectacular, admirable made. And the impression of ink painting is one of its high gifts. Another virtues - the resurrection of memories about Kurasawa universe, few drops of Shakespeare tragedies and the image of "shadow". A beautiful film, a decent- in large measure - tale and the feel to discover the cold water of a familiar lake.

This film will be well remembered, not for its ink paint style of cinematography, but for its characters, dialogue and ensemble performance. Deng Chao, who plays both the Shadow and the Commander at a time and can be often seen in the same frame with the help of marvellous visual effects, deserves all the attention and compliments for his commitment to acting. Didn't expect the adapted-from-historical-events drama turns out to be an action thriller ending with heavy blood stains, and the film almost reminded me of Feng Xiao-Gang's "The Banquet" when the ending credits rolled. But then, when I thought of the body moves of the Shadow, the Commander and his wife among Yin and Yang in the fight-practicing scene, and those tender moments between Shadow and his love, and their passion covered or burned through eye contact and physical distance in the light and the dark, I realised this is a Zhang Yimou film. The craftsmanship is simply for storytelling!

I just ended up seeing this movie without any expectations, The movie was great, The cinematography was well done , visually stunning and properly executed, The movie was a bit lengthy but slowly picked up the pace, definitely recommended...