Hammer

Fantastic little film. A tight, compact thriller that works on (mostly) every level. Will Patton does what he's been doing for so long now - he delivers a great performance in a complex role and does it in the most "everyday guy" way. The script is efficient and effective, it is exactly the right amount of action and family drama with dialogue that is actually believable. As Brian Tallerico of RogerEbert.com said, I believed every minute of it. The only negative, and it is really just me being selfish, is that it is too short. I would have enjoyed a little more backstory. That aside, it is absolutely worth a watch and Will Patton's performance from beginning to end is riveting.

This movie really exposes some hard truths that many families face in a world where everyone is struggling to connect while trying to stay true to themselves. The beauty lies in those well placed calm moments, were we actually see parallels In our own lives and get to reflect on how the choices we make affect the ones we love.

Very surprised by this film. Wasn't expecting much, but really have respect for Will Patton and his ability to morph into any role. The story was very believable and the acting was involved and pretty driven. The standout role was by Mark O'Brian as Chris. Will Patton plays his father that gets dragged in to a dangerous situation that his estranged son has brought home. Good thriller that really has you rooting for the "good guys."

Many of the sequences and plot gyrations are unbelievable with a slurry of loose ends which leave you guessing.

One of the best character-driven films of 2019/2020 with subtly layered irony, haunting performances and great music. Emotional realism is at its best when easy transactions go sour and emotions erupt arriving at the point of no return. Graphic realism, which the Brits and Americans are allowed to capture so appallingly well, never makes it to our Canadian final cuts. Canadian censorship simply won't allow artists to work their magic, so their talent is tethered to a prescribed hemline mentality. Do we need hyper-graphic detail? Some viewers need it to satisfy their armchair blood lust. But in watching "Hammer" I was too busy sinking in the characters' terror, desperation, hopelessness and revenge to miss gory details. Incomparable performances.