CALIFICACIÓN DE IMDb
8.1/10
4.3 k
TU CALIFICACIÓN
Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.
- Premios
- 2 nominaciones en total
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Opiniones destacadas
Shut up already! More non-funny jokes faster only fails faster. Tried to watch 'The Land That Time Forgot'. Horrible banter, found the original movie on YouTube and watched it there. Tell Hollywood that bad German accents are just as inappropriate as all the other things we're not allowed to do in our 'free' society anymore.
One of the problems with reviving a cultural monolith like MST3K, is that it needs to be done perfectly or it will be deemed a dismal failure.
This reboot does a pretty decent job in updating many aspects of the show to 2017. The DIY aesthetic is still there and exploited pretty well. The cast is very solid. The change to Gypsy was a long time coming and well-executed.
The films that have been chosen are not particularly stand-out awful, but definitely fodder for riffing.
The main issues I have with the rebooted series can be ascribed to growing-pains as the cast and crew (re)acquaint themselves and fall into a groove. Although fondly remembered, the first two seasons or so of MST3K are far from stellar for similar reasons: the chemistry needs time to brew, everyone needs to get the feel of the format, and they need to find their strengths and exploit them.
The Host Segments are somewhat weak. While they have always been hit or miss, in this series they are rather disposable. This might be remedied once the crew decides on the relationship between Jonah and the Bots. Joel was "the Father" and Mike was the "Brother." Jonah is kind of awkwardly tossed into there and they simply abide.
The Riffing is pretty good but way too fast-paced. While it is naturally scripted (for maximum effect) it is way too jam-packed and the Riffers stumble over themselves trying to get as many in per film. It really weakens the impact of jokes and kills off the all-so-sweet illusion that they're organic. Some of their strongest riffs were the prolonged gags that they gave more than a second's notice to. As a consequence of this rapid-fire pace, they really miss opportunities to focus on exploitable moments or they create awkward transitions that really do not sell what could have been apexes of the episode.
As I said, the quality is there: they just need to see it and grow into it. So time will tell if they do so. Their pacing of riffs is perhaps their key area that needs improvement.
That said, for a reboot: they have updated the series and format well and just need to fine-tune it and surpass the growing pains.
This reboot does a pretty decent job in updating many aspects of the show to 2017. The DIY aesthetic is still there and exploited pretty well. The cast is very solid. The change to Gypsy was a long time coming and well-executed.
The films that have been chosen are not particularly stand-out awful, but definitely fodder for riffing.
The main issues I have with the rebooted series can be ascribed to growing-pains as the cast and crew (re)acquaint themselves and fall into a groove. Although fondly remembered, the first two seasons or so of MST3K are far from stellar for similar reasons: the chemistry needs time to brew, everyone needs to get the feel of the format, and they need to find their strengths and exploit them.
The Host Segments are somewhat weak. While they have always been hit or miss, in this series they are rather disposable. This might be remedied once the crew decides on the relationship between Jonah and the Bots. Joel was "the Father" and Mike was the "Brother." Jonah is kind of awkwardly tossed into there and they simply abide.
The Riffing is pretty good but way too fast-paced. While it is naturally scripted (for maximum effect) it is way too jam-packed and the Riffers stumble over themselves trying to get as many in per film. It really weakens the impact of jokes and kills off the all-so-sweet illusion that they're organic. Some of their strongest riffs were the prolonged gags that they gave more than a second's notice to. As a consequence of this rapid-fire pace, they really miss opportunities to focus on exploitable moments or they create awkward transitions that really do not sell what could have been apexes of the episode.
As I said, the quality is there: they just need to see it and grow into it. So time will tell if they do so. Their pacing of riffs is perhaps their key area that needs improvement.
That said, for a reboot: they have updated the series and format well and just need to fine-tune it and surpass the growing pains.
Mst3k is one of my all time favorite shows. Joel has never been a favorite of mine, but I really do enjoy the episodes when he is a host. When Mike became host, however, I think they polished the show exactly where they wanted it. Almost every joke was on point and hilarious.
Throughout the entire run, there was almost a humble way of presenting it. They didn't need famous people or cameos at all and it seemed to do really well with the limited characters. It didn't need anything else. For a show with such a zany and not-so-serious premise, the story was great that you could follow it. If it had a cast change, they would make a comment or explain why a certain thing was a certain way. They would always acknowledge questions. The show also ended on a great note.
With the new season, it seems like it was painfully rushed and sloppy. The story is lackluster and doesn't answer a lot of questions you may have. For example, they have a lot of callbacks to previous episodes and seasons and seem to go into detail about certain things, but gloss over why the bots are back on the SOL in the first place. I know "it's just a show and I should relax", but with them including details to link the story to past seasons and then gloss over why the bots are back doesn't make too much sense.
I actually don't mind the new cast. Jonah makes a good host that reminds me of Joel and the actor for Crow plays it very well. Tom Servo's voice however is rough. It seems like he is just trying to imitate Kevin Murphy's Servo most of the time. It is obvious because he doesn't seem to have a personality so far. I don't think it was a good casting choice, but it is the very beginning of the new season. Speaking of voices, Gypsy's new voice is terrible. I don't think that because it is a woman's voice, but because it makes the character no longer that interesting. Gypsy, to me, was always great because it was obviously a man imitating a woman. With this new voice it just doesn't add anything new. Also, her dropping in the theater to make a joke is super distracting.
The new mads are decent. I like Oswalt's character, but Kinga is far too overacted. Even for this show she is over the top and doesn't strike me as genuine like the past mads. She is rarely funny and doesn't scream "evil" to me. I may just have to get used to her because I found Pearl Forrester to be perfect in every way. I absolutely loved Mary's character and her timing.
As I said before, the riffs are too quick and the jokes are lackluster at best. They almost talk over one another and don't let the jokes breathe. They cram too much. Also, all these cameos are awful. They don't add anything to the show and it is not needed. I am hoping it gets renewed for another season as I think there is a lot of potential. Hopefully Joel lets Jonah make it his show a little bit rather than a rehash of Joel jokes. Overall it is a decent watch, but I don't think it demands repeated viewings.
Throughout the entire run, there was almost a humble way of presenting it. They didn't need famous people or cameos at all and it seemed to do really well with the limited characters. It didn't need anything else. For a show with such a zany and not-so-serious premise, the story was great that you could follow it. If it had a cast change, they would make a comment or explain why a certain thing was a certain way. They would always acknowledge questions. The show also ended on a great note.
With the new season, it seems like it was painfully rushed and sloppy. The story is lackluster and doesn't answer a lot of questions you may have. For example, they have a lot of callbacks to previous episodes and seasons and seem to go into detail about certain things, but gloss over why the bots are back on the SOL in the first place. I know "it's just a show and I should relax", but with them including details to link the story to past seasons and then gloss over why the bots are back doesn't make too much sense.
I actually don't mind the new cast. Jonah makes a good host that reminds me of Joel and the actor for Crow plays it very well. Tom Servo's voice however is rough. It seems like he is just trying to imitate Kevin Murphy's Servo most of the time. It is obvious because he doesn't seem to have a personality so far. I don't think it was a good casting choice, but it is the very beginning of the new season. Speaking of voices, Gypsy's new voice is terrible. I don't think that because it is a woman's voice, but because it makes the character no longer that interesting. Gypsy, to me, was always great because it was obviously a man imitating a woman. With this new voice it just doesn't add anything new. Also, her dropping in the theater to make a joke is super distracting.
The new mads are decent. I like Oswalt's character, but Kinga is far too overacted. Even for this show she is over the top and doesn't strike me as genuine like the past mads. She is rarely funny and doesn't scream "evil" to me. I may just have to get used to her because I found Pearl Forrester to be perfect in every way. I absolutely loved Mary's character and her timing.
As I said before, the riffs are too quick and the jokes are lackluster at best. They almost talk over one another and don't let the jokes breathe. They cram too much. Also, all these cameos are awful. They don't add anything to the show and it is not needed. I am hoping it gets renewed for another season as I think there is a lot of potential. Hopefully Joel lets Jonah make it his show a little bit rather than a rehash of Joel jokes. Overall it is a decent watch, but I don't think it demands repeated viewings.
As much as I want to like MST in all its forms, this attempts to keeping the show alive are pale shades of the even the worst of the original.
The new crew come across as a group of fans who THINK they can riff like the cast of MST. (There are a ton of folks doing the same level of riffs on YouTube.) Jonas and the bots all sound to similar and each provide the same style of "jokes". They lack the personality that Joel/Mike, Trace/Bill and Kevin brought to their characters.
There are many seasons, most of them pretty damn funny, of the original show that can be endlessly watched.
Turn down the lights (where applicable) and keep circulating the tapes.
The new crew come across as a group of fans who THINK they can riff like the cast of MST. (There are a ton of folks doing the same level of riffs on YouTube.) Jonas and the bots all sound to similar and each provide the same style of "jokes". They lack the personality that Joel/Mike, Trace/Bill and Kevin brought to their characters.
There are many seasons, most of them pretty damn funny, of the original show that can be endlessly watched.
Turn down the lights (where applicable) and keep circulating the tapes.
Despite the review title and some of the things I'm going to get into about the new season, I am still giving it an 8 out of 10 because more than just being happy it's back, I'm happy it's on people's minds again. For close to twenty years MST3K was a niche show, a cult classic. I mention it to somebody and more often than not I just got a blank stare back at me. Now with the successful Kickstarter (of which I am a backer) you can find MST3K everywhere. It's streaming on several platforms, the DVDs got put out faster, there's real merch now, people know what I'm talking about and they want more and that can only be a good thing. That being said however, here's what I thought about the new season. Overall I liked it. Not as much as the original series but that's to be expected. It's certainly different, which doesn't mean it's bad, just different. It's like that Twilight Zone episode where the guy wakes up and everything is both the same and different at the same time.
The Good:
-The writing is top notch with the movies themselves and with most of the host segments.
-The rapport between Jonah, Hampton and Baron. The jokes flow really well between the three.
-Also really enjoyed Felicia Day and Patton Oswalt as the new Mads.
-Hampton Yount as Crow in general, he's like right smack dab in the middle between Trace and Bill as Crow as far as voice and personality are concerned.
-Being new while also calling back to the original series. For instance they brought back Pearl, Bobo and Brain Guy a few times (although what was with Bobo's mask? Did they lose the original or get that on sale?)
-The movies riffed were a great selection. Definite favorites were Wizards of the Lost Kingdom II, Yongary, Starcrash and Cry Wilderness.
The Not Exactly Good, Not Exactly Bad But I Got Used To It:
-Moving the opening to before the credits instead of after. I guess with no commercials it makes that change necessary.
-The new opening credits in general. Why does Jonah apparently have to recreate it every time? Just roll the opening, it doesn't need an explanation too.
-The new door sequence.
-Baron Vaughn needs to distinguish himself more, at least in the theater because he sounds like Jonah a lot of the time.
-Speaking of Tom, the fact that his arms are stiff now instead of loose springs.
-The increased mobility of the bots in the theater, which seemed to be done just because they could rather than have it be organic.
-The increased amount of riffs with more pop culture based jokes. You can tell how young the writers room is, which isn't good or bad, just an observation.
-The lack of Minnesota based jokes.
-Gypsy's new voice, though she didn't actually show up a whole lot outside the "payload" bits.
What I Did Not Like:
-Speaking of Gypsy, the stupid nonsensical "payload" which served no other purpose then to get Gypsy in the theater. Why when that never had to be a thing before?
-The new SOL bridge. It's just so flat with no dimension to it and I miss the hexfield viewscreen. If the movie could make the bridge bigger while still maintaining it's distinctive look, there's no reason this shouldn't.
-The extra people in Moon 13. They never needed anything more than the main Mad and one or two sidekicks, everything else just seems like superfluous nonsense that again they added just because they could instead of stopping to think if they should (which is pretty much the main criticism I have of the season as a whole).
-No shorts. Given it's on a streaming platform instead of TV I can see why there aren't any but still, I think one could have been done.
-Like others have mentioned, the shear amount of riffs they have with this basic thought of filling every non-dialog second with a joke, some of it even being blurted out before whatever it is they're riffing actually appears on screen. It just makes it painfully obvious these guys are reading a script instead of supposedly watching the movie for the first time. The show (outside of KTMA) has always been written so why is it Joel, Mike, Trace, J, Kevin and Bill were able to make the riffing sound natural and these guys can't? The answer is there's too many jokes! Not everything on screen needs a joke. The pacing got better as the season went on, but they can afford to tone it down a bit. Hopefully with season 12 on the way they'll take this criticism to heart and find their groove so that it sounds more relaxed and natural. Also it's ok to speak over dialog occasionally.
-The "meta" ness of the whole thing. For example they make blatant references to Kickstarter, that this show is streaming, that it IS a show and that they're back from a previous show, the Mads have the MST3K logo on their sleeves, etc. I haven't seen every episode of the original series, but I don't remember them being so blatant about "this is a TV show" or even mentioning the title despite half the series had them reading fan mail. It was really off-putting.
-On that note, I miss the "homemade" aspect of the original show. The biggest concern I had when the Kickstarter to revive the show was first announced and Joel said it would be filmed in Hollywood with a new cast was that it would lose it's homemade charm. One of the things I liked most about the original series was how everything was done in house. Like all the songs were written and sung by the cast, the sets and props were done by Best Brains and if any other characters showed up they were always played by somebody from the crew. Unfortunately those fears were realized between the overabundance of Paul and Storm songs and guest stars, most of which had nothing to do with whatever else was happening in the episode, the more mobile bots, which aren't even controlled by their voice actors anymore, the aforementioned new sleek bridge set, and the overly produced miniature scenes, particularly the opening in episode 1. You can plainly tell those scenes were done by a professional stop motion studio instead of a bunch of guys with spray-painted crap found around the house. Again, it felt like they only did it because they had an abundance of new resources instead of asking if it should have been done at all. Less is more in this regard, especially with this show.
-This may be just me nitpicking, but I had this sense that they were deliberately not acknowledging Mike's time on the show. Not so much Mike's time as a whole since like mentioned earlier Pearl, Bobo and Brain Guy showed up several times, but Mike himself. Like bringing back Gizmonics and the invention exchange, which was Joel's thing and having Jonah be more Joel-like in general. Like before MST3K Joel was a prop comic, that was his thing so the whole invention exchange was an extension of that. When Mike took over he started to do it but it was clear he wasn't a tinkerer like Joel so they dropped it. Why would Jonah be doing it? I don't know anything about Jonah's history before he joined the show but I know he's not a prop comic. I know there isn't the best history between Joel and Mike behind the scenes but still, with Jonah clearly doing Joel's stuff, it just felt like they wanted you to forget about whatever Mike did on the show. I'm hoping as time goes on Jonah becomes his own host with his own characteristics instead of just being a rehash of Joel.
Overall though, I did like the new season and I don't feel I wasted the money I kicked in, I mean I got a whole bunch of neat swag to go with the new episodes so it's all good on that front even without the new season itself. It had some good things, some bad things but ultimately I'm happy with it and I'm happy it's getting another season. Hopefully Joel et al read these reviews and take the criticisms to heart.
The Good:
-The writing is top notch with the movies themselves and with most of the host segments.
-The rapport between Jonah, Hampton and Baron. The jokes flow really well between the three.
-Also really enjoyed Felicia Day and Patton Oswalt as the new Mads.
-Hampton Yount as Crow in general, he's like right smack dab in the middle between Trace and Bill as Crow as far as voice and personality are concerned.
-Being new while also calling back to the original series. For instance they brought back Pearl, Bobo and Brain Guy a few times (although what was with Bobo's mask? Did they lose the original or get that on sale?)
-The movies riffed were a great selection. Definite favorites were Wizards of the Lost Kingdom II, Yongary, Starcrash and Cry Wilderness.
The Not Exactly Good, Not Exactly Bad But I Got Used To It:
-Moving the opening to before the credits instead of after. I guess with no commercials it makes that change necessary.
-The new opening credits in general. Why does Jonah apparently have to recreate it every time? Just roll the opening, it doesn't need an explanation too.
-The new door sequence.
-Baron Vaughn needs to distinguish himself more, at least in the theater because he sounds like Jonah a lot of the time.
-Speaking of Tom, the fact that his arms are stiff now instead of loose springs.
-The increased mobility of the bots in the theater, which seemed to be done just because they could rather than have it be organic.
-The increased amount of riffs with more pop culture based jokes. You can tell how young the writers room is, which isn't good or bad, just an observation.
-The lack of Minnesota based jokes.
-Gypsy's new voice, though she didn't actually show up a whole lot outside the "payload" bits.
What I Did Not Like:
-Speaking of Gypsy, the stupid nonsensical "payload" which served no other purpose then to get Gypsy in the theater. Why when that never had to be a thing before?
-The new SOL bridge. It's just so flat with no dimension to it and I miss the hexfield viewscreen. If the movie could make the bridge bigger while still maintaining it's distinctive look, there's no reason this shouldn't.
-The extra people in Moon 13. They never needed anything more than the main Mad and one or two sidekicks, everything else just seems like superfluous nonsense that again they added just because they could instead of stopping to think if they should (which is pretty much the main criticism I have of the season as a whole).
-No shorts. Given it's on a streaming platform instead of TV I can see why there aren't any but still, I think one could have been done.
-Like others have mentioned, the shear amount of riffs they have with this basic thought of filling every non-dialog second with a joke, some of it even being blurted out before whatever it is they're riffing actually appears on screen. It just makes it painfully obvious these guys are reading a script instead of supposedly watching the movie for the first time. The show (outside of KTMA) has always been written so why is it Joel, Mike, Trace, J, Kevin and Bill were able to make the riffing sound natural and these guys can't? The answer is there's too many jokes! Not everything on screen needs a joke. The pacing got better as the season went on, but they can afford to tone it down a bit. Hopefully with season 12 on the way they'll take this criticism to heart and find their groove so that it sounds more relaxed and natural. Also it's ok to speak over dialog occasionally.
-The "meta" ness of the whole thing. For example they make blatant references to Kickstarter, that this show is streaming, that it IS a show and that they're back from a previous show, the Mads have the MST3K logo on their sleeves, etc. I haven't seen every episode of the original series, but I don't remember them being so blatant about "this is a TV show" or even mentioning the title despite half the series had them reading fan mail. It was really off-putting.
-On that note, I miss the "homemade" aspect of the original show. The biggest concern I had when the Kickstarter to revive the show was first announced and Joel said it would be filmed in Hollywood with a new cast was that it would lose it's homemade charm. One of the things I liked most about the original series was how everything was done in house. Like all the songs were written and sung by the cast, the sets and props were done by Best Brains and if any other characters showed up they were always played by somebody from the crew. Unfortunately those fears were realized between the overabundance of Paul and Storm songs and guest stars, most of which had nothing to do with whatever else was happening in the episode, the more mobile bots, which aren't even controlled by their voice actors anymore, the aforementioned new sleek bridge set, and the overly produced miniature scenes, particularly the opening in episode 1. You can plainly tell those scenes were done by a professional stop motion studio instead of a bunch of guys with spray-painted crap found around the house. Again, it felt like they only did it because they had an abundance of new resources instead of asking if it should have been done at all. Less is more in this regard, especially with this show.
-This may be just me nitpicking, but I had this sense that they were deliberately not acknowledging Mike's time on the show. Not so much Mike's time as a whole since like mentioned earlier Pearl, Bobo and Brain Guy showed up several times, but Mike himself. Like bringing back Gizmonics and the invention exchange, which was Joel's thing and having Jonah be more Joel-like in general. Like before MST3K Joel was a prop comic, that was his thing so the whole invention exchange was an extension of that. When Mike took over he started to do it but it was clear he wasn't a tinkerer like Joel so they dropped it. Why would Jonah be doing it? I don't know anything about Jonah's history before he joined the show but I know he's not a prop comic. I know there isn't the best history between Joel and Mike behind the scenes but still, with Jonah clearly doing Joel's stuff, it just felt like they wanted you to forget about whatever Mike did on the show. I'm hoping as time goes on Jonah becomes his own host with his own characteristics instead of just being a rehash of Joel.
Overall though, I did like the new season and I don't feel I wasted the money I kicked in, I mean I got a whole bunch of neat swag to go with the new episodes so it's all good on that front even without the new season itself. It had some good things, some bad things but ultimately I'm happy with it and I'm happy it's getting another season. Hopefully Joel et al read these reviews and take the criticisms to heart.
¿Sabías que…?
- TriviaSeason 11 (season 1 on IMDb) was initially funded by a Kickstarter campaign.
- ConexionesFeatured in WatchMojo: Top 10 Anticipated Releases of April 2017 (2017)
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