La villana

There's a lot of similarities that can be drawn with this movie and others. There is "Hardcore Henry" which was an experimental 1st Person action movie, and definitely "Le Femme Nikita". The version I saw had terrible amateur subtitles and seemed to run 5 min short of the official release running time. Still, the movie kept my attention through out, which is more than I can say for a lot of the movies I have seen lately. There is some excellent cinematography in regards to the action sequences and they come across fluid and realistic. There is a lot of fairly graphic violence to go along with it, which I kind of liked as anything with a budget from the USA these days seems to be tame on the gore front. Its a shame it seems to be getting such a limited release given the just over 500 + ratings its had on IMDb 3 full months on from its release. Hopefully this movie will find its audience in the future.

Ak-Nyeo/The Villainess (2017):

Action Lovers definitely never misses the chance of watching any action film from South Korea.Korean Action films have huge fan following for its ultra-stylish violent sequences like The Man from Nowhere,The Chaser,Old Boy and lot others.The Villainess is one such film of 2017 where action lovers will have a treat.

Plot:

Sook-hee (Ok-bin Kim) is a trained assassin who was born to kill. She was just a little girl when the training started in Yanbian, China. After the death of her mentor, when the chance of starting a new life was given to her, she came to South Korea as a government agent. They promised her that she will be free after ten years of service. So she begins her new life as a theatre actress. But soon two men Joong-sang (Ha-kyun Shin) and Hyun-soo (Jun Sung) appear in her new life. And she started to find deep dark secrets about her past. Eventually she take matters into her own hands.

My Review:

The Villainess makes no delay and right from scene 1,it shows abundant violence which shot in POV format.the sequence tracks a lone fighter through a building full of thugs, all of whom get dispatched with bloody efficiency. Finally, the unseen figure enters a martial-arts studio with a dozen or so adversaries and a mirrored wall. Only when the camera catches the intruder's reflection does the point-of-view switch from hers to ours. For starters,this scene may make them confused with its camera angles but it really deserves applause.

After that hell of a scene,The Villainess goes in a non-linear way to reveal the past and present of Sook-hee's life and it may confuse to an extent but later it gets Ok.The major reason for the confusion is that Sook-hee's look is changed from past and present.But once the screenplay gets to the point,we can clearly see that The Villainess is same ages-old cliched revenge plot with predictable twist.

The Villainess have inventively staged action sequences, including a sword fight between speeding motorcyclists, a knife battle inside a geisha house, and another protracted single take that tracks Sook-hee as she climbs onto the hood of a moving car, leaps onto a speeding bus and crashes through one of its windows, and slaughters some henchmen with an ax before the vehicle careens into oncoming traffic.

Cinematography is so tricky but amazing at its best.Background score is an asset.Performances are amazing and especially Ok-Bin is show-stealer with her terrific performance.

SO,The Villainess is a decent action film with an engaging screenplay and amazing action scenes.A Must Watch for Action film lovers.

My rating 7/10

There's no denying The Villainess has some amazingly inventive and filmed action scenes liberally sprinkling its lengthy running time. Whether they are enough to justify the film's reputed 4 minute standing ovation when presented at the Cannes Film Festival, I'm not sure. The Point Break remake had some exciting action scenes and stunts too and yet they're aren't too many disputing the contention, that it was very much a dud of a film.

Speaking of remakes I'm kind of amazed there doesn't seem to be any formal acknowledgement or credit that The Villainess, like John Badham's 1993 The Assassin (also known as Point of No Return), is a remake of Luc Besson's 1990 film La Femme Nikita. There's simply no repudiating it. Badham's movie gave credit to Besson's and said it was a remake. But strangely writer/director of The Villainess, Jung Byung-gil said he was inspired by La Femme Nikita, whilst giving no onscreen credit (that I could see). In my little corner of the world that's what we generally call "ripping people off".

Any way if you know the plots to the previous films, you'll know the basic storyline of The Villainess. Namely, that a young woman is taken and trained by a shadowy facility associated with South Korea's intelligence agency, into being a sanctioned assassin. The differentiating feature with The Villainess, is the almost infuriatingly complicated back story we are given about Sook-hee, the woman concerned. It is made unnecessarily complex in the long first act, by excessive flash-backing, where we are even given flashbacks, within flashbacks. At times things become nearly incoherent. I actually breathed a sigh of relief during the second act, when Sook-hee goes outside the training school on her first mission and the narrative becomes for a time, more traditionally linear in style, with far less flash backs. Complicating matters further is that the 20 year old Sook-hee we see onscreen almost appears more dangerous than the older trained up Sook-hee we see later. In the somewhat absurd, but dazzlingly choreographed opening , she eliminates a whole rival gang on different storeys of a building, a la The Raid. Yet later, both her and an associate female assassin have trouble with a couple of dudes they're supposed to terminate. There are head-scratching inconsistencies like this right through The Villainess.

Kim Ok-vin in the lead role as Sook-hee is very good, as is her onscreen daughter, Eun-hye, played by Kim Yeon-woo, who is very appealing, as a cute 3-year old. Kim Seo-hyung as Kwon-sook, the head of the training school, also succeeds in a finely tuned ambiguous role, whereby we are never sure of where her loyalties ultimately lie.

The conclusion which follows another hideously kinetic, wholesale gang slaughter and freeway bike and bus chase, very reminiscent of that seen in The Matrix Reloaded, is both thrilling, yet still somewhat confusing, whilst leaving the door ajar for a possible sequel no doubt. To be honest I don't think I'd be interested in it, unless I could be guaranteed that Jung Byung-gil had improved upon his story-telling abilities.

It shows that this film was written and directed by novice Byung-gil Jung, and although most of the directing was decent (some was bad), he really failed in the writing department. There were too many convoluted flashbacks that were mainly out of place. The editing was also terrible, as this film needed to be mended much better. The fight scenes where choreographed really well, and the acting was on point, especially from the lead Ok-bin Kim. Had this film been screen-written properly and most of the flashbacks organized and edited correctly, and the 129 min length trimmed down to about 90 or 100 mins, this film would have been great. Still, an impressive production that deserves my 7/10

I'm feeling very underwhelmed by this film despite being a great fan of the best of Korean cinema. It's been well advertised of late, but don't fall for any possible hype on the movie posters. I don't even think the title makes sense for this movie.

The biggest problem is that this film is simply too close a homage to the classic French film Nikita, and it's not unfair to say a blatant steal. If you've never seen Nikita then you'll likely enjoy this, otherwise you'll be slumped in your chair for the duration. As there has already been a US remake and TV series based on Nikita, most will already know the premise, further denting its value.

Basically think of 4-5 core characters and themes in Nikita, and you'll find their mirror in this film. Run the two side by side and they are probably the same. Some of the scenes should had a copyright watermark from Luc Besson in the corner they were that alike.

The greatest selling point is the action, with a handful of exceptionally well choreographed and filmed scenes that will leave you applauding, especially the opening run in. Hollywood should take a look in. I haven't been excited and amazed watching action scenes for a long while.

Beyond that, there's little to write home about. Story is a copy, the acting is rarely challenging (although our lead is very good) and the dialogue is so so. Shame really.

The twists and turns are unexciting, and are quite frankly poor and unchallenging. There's little good to say there.

Saying all that, our lead has a young child who steals the scenes whenever she's there, so that's a small saving grace and release valve from all the rest.

Disappointing, but still very watchable for the action scenes if little else. If you do want to watch a great alternative Korean film this year, then I would very much recommend The Handmaiden, watch that instead of this.