A Drowning Man

Even though the story focuses in Athenas - Greece, this short reflects the sadly situation of refugees in general. It captivates you from the beginning and it makes empathize with the protagonist, in his situation and desperate way to survive. The way the cinematographic language is used, makes you feel the intensity of this conflict, but also it allows you to know him on a deeper level without having to say anything, or learning about him through any specific dialogues. It is completely visual, and we don't need anymore information further than these pure images. That's the way that truly cinema is really done, with a little spice of reality shown to makes us feel, and think about this problems that matters and are still present all over the world. So, without saying any further, we are thrill to having this short soon in Latin's America most important short festival: SHORTS MÉXICO. 10/10

In "A drowning man", Mahdi Fleifel shows a day in the life of a Palestinian immigrant living in Greece. The action starts with the basic human needs, the character just wants to get some money to eat and buy cigarettes. Until he gets it, the director builds a tale of desperation but without falling on a miserabilist nor melodramatic perspective. It's a great short to watch another way of portraying immigration, different from the one shown by big media.

A Drowning Man makes visible the terrible situation refugees falls into before our blind eyes and restores sight!

We are the team of the Internacional Film Festival of Bilbao "Cine Invisible" and we are very glad to have this short film within our film election for the festival. The story about the refugee in Athens make you feel the problem and the situation very intensly. There are great pictures among the film and the quality is high. These type of creations could make people change their mind and realise how the world in going on like.

An unfeigned portrayal of a day in the life of a refugee trying to survive in Athens. With the European refugee crisis capturing headlines all over the world in the past couple of years, it is rewarding to comprehend the subject with a human drama told in a non-sensationalised way like this one. It feels even more real (or maybe more relatable is the word) than news or documentary footages. Mahdi Fleifel is another aspiring director to watch out for from the new crop of talented filmmakers from the Middle East.