Der Hauptmann

This title is not like any other typical WWII film. There are no epic battles to witness and no glory for the viewer to hope for. Instead, the film takes a dark humanistic approach to explore the dynamics of power and authority. The quote "Power attracts the worst and worst, it corrupts the best" comes to mind when watching events unfold through many dialogue intensive scenes of the film. Others may see the movie dragging because of all the dialogue but for me, it's a chance to explore in depth the characters and their realistic reaction/behavior in the story. Although certain points of the plot can seem over dramatize which reminds me that the notion of this being based on a true story should be taken with a grain of salt. But overall, it feels authentic for the most part and it's refreshing.

This is a surprising movie. Th is poorly advertised/promoted movie delivers good script, acting and the camera work is A1. The movie is based on a true story of a low ranking German soldier who assumes the rank of a Captain and goes on a murderous rampage enlisting similar rogues to help him achieve it. While the actual historic criminal acts of murder are depicted in the movie, the graphic nature of it is not really thrown in your face. You can fill in the blanks. In authenticity, this movie is way up there. Uniforms, weapons and vehicles are all in line with the era.

When you see artillery and aerial bomb explosions in this movie, what is depicted is the same as actual artillery and aerial bombing of that time. They did a fine job replicating it..

The movie draws you in and it is gripping to say the least. I give it a solid 8 stars.

I'd like to make it very clear that I seldom rate any film a 10. IMDB is awash with 10's that have little originality and are complete nonsense ratings. 10 should ALWAYS be reserved for films which are unique and outstanding. Now I know that is rather a vague definition but for me, at the end of the day a '10' has got to be reserved in order to maintain some modicum of rating integrity.

This film took me on a quite unexpected journey; From an apparantly innocent private just trying to etch out some degree of respite and dignity from the chaos of war, to a shakespearean like or perhaps more fittingly Conrad-like descent into the depths of desperation, depravity and moral absence. The film has so many layers and aspects of what human beings are capable of under extreme conditions; The man who chooses to take his own life, immediately juxtaposed by his friend who proceeds to take the lives of others in the hope of extending his own until the next appalling moral dilemma is presented. (too many to go into here). There is so much I could say about this film but will just end on one particularly high impact scene that at least for me, represented both the darkness of nature, and that of human nature: Towards the end of the film, the protagonist comes across skeletal remains in a forest. One particular artistic cinematic shot renders the remains in such a way that they appear to have oozed out, or been thrown out, by the dark mouth of the forest, the forest clearly being a metaphor for the dark power of nature that has no moral measure; it just, is.

To me, it reminds Medieval stories about an accident changing everything. The man, the world as the best self definition. A film about fear. Its roots, its fruits, the absolute power covering all and the fragility of illegim position as source of cruel gestures and long chain of improvisations. The best point of film - the superb performance of Milan Peschel as Freytag. The simplicity of profound good man front to the high cruelty, knowing the truth, preserving respect, in the shell of a deep shock behind the gestures of young Herold. All is reflected by the great art of Peschel. The war becomes only pretext for the instincts of a falling world. The beautiful cinematography, the memories about similarities with films by Fellini or B>ergman, the veil of ash around each scene, the last words on screen about a private and his illusion of power , the predictable end of a story who is more real than reality .

The film revolves around authority, the trust we tend to have towards a person we endow with authority, official ranks, hierarchy, "Kameradschaft", the sense of belonging to a group, and (for me at least), egoism in general. It is also quite brutal and sadistic. The story itself, with the most improbable twists, is taken from a real life story at the end of the war. It is rare in war films to have the perspective of the criminal. We do not sympathise with him, but rather he impersonates the beast in every one of us. Another merit of the film is quite natural: German actors can of course impersonate German soldiers better than for example US ones, it also gives a realistic touch to the film as opposed to US war movies featuring evil nazis. The message of the film was for me clear and delivered with a great impression - I will not write it here as it would be flat in my words.