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Agrega una trama en tu idiomaDocumentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
William Stevenson
- Self
- (as Mickey Stevenson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10EdgarST
Of all the Motown documentaries I have seen, this is probably the best, maybe because Berry Gordy Jr., the man who created that legendary record company, was also behind the production. I admit that I was a bit skeptic, considering that a man as controversial as Gordy were the center of the film, but he is definitely the heart of the story, the motor of the enterprise and the visionary business man who followed his principles, convictions, dreams and his whims too. A true "influencer".
Many persons can still deny the importance of Motown, as many rock and roll fans, critics and historians who prefer to see that story from the point of view of white boys playing a guitar... but at this point who cares what they believe? The facts are there and those who have been open enough to listen and appreciate, know what role Motown played in music, sociology, politics and civil rights in the United States.
I guess that what makes it all more interesting is the fact that Berry Gordy is quite a host, a funny story teller who receives great help from his best friend, colleague and artistic accomplice William "Smokey" Robinson.
The film also leaves out all the feuds, gossips and sarcasm (for example, Mary Wilson has more screen time than Diana Ross, who only appears in archive stock). In this way the Motown story becomes a celebration of love, effort, friendship and collaboration, with revealing sides to the story: Gordy's inspiration to develop his business model, his own tender perception of the love he had for Ross always tied to business, his initial refusal to accept the genius of Norman Whitfield and Marvin Gaye, his failed attempt to conquer Hollywood with Ross, which in the long run meant the musical downfall of the company.
However, the legacy is intact, and "Hitsville" is a magnificent homage to all the men and women that rode along with Gordy in this journey of American success.
Many persons can still deny the importance of Motown, as many rock and roll fans, critics and historians who prefer to see that story from the point of view of white boys playing a guitar... but at this point who cares what they believe? The facts are there and those who have been open enough to listen and appreciate, know what role Motown played in music, sociology, politics and civil rights in the United States.
I guess that what makes it all more interesting is the fact that Berry Gordy is quite a host, a funny story teller who receives great help from his best friend, colleague and artistic accomplice William "Smokey" Robinson.
The film also leaves out all the feuds, gossips and sarcasm (for example, Mary Wilson has more screen time than Diana Ross, who only appears in archive stock). In this way the Motown story becomes a celebration of love, effort, friendship and collaboration, with revealing sides to the story: Gordy's inspiration to develop his business model, his own tender perception of the love he had for Ross always tied to business, his initial refusal to accept the genius of Norman Whitfield and Marvin Gaye, his failed attempt to conquer Hollywood with Ross, which in the long run meant the musical downfall of the company.
However, the legacy is intact, and "Hitsville" is a magnificent homage to all the men and women that rode along with Gordy in this journey of American success.
As a native Detroiter, I thought I knew everything about this iconic, trail- blazing, star-making machine. I couldn't have been more wrong! This documentary was brilliantly produced and directed. It provides access to the genius behind the machine - Berry Gordy and many, many of the artists who were there from the beginning -through personal interviews and a rare archive of actual recordings of staff meetings and jam sessions. We get the opportunity to see Berry Gordy's vision come to life as he models his company after a Ford assembly line, starting with identifying, and developing a multitude of talent, then bringing all the key components together, such as writers, musicians, sales people, choreographers, etiquette trainers, under one roof, called Hitsville, that goes unrivaled even today. Mr. Gordy candidly shares his risk taking ventures, successes, and failures, as well as times he was dead wrong about identifying what later became legendary hits. He shares his vulnerabilities when some stars left Motown and other times he had to relinquish the reins or risk losing major stars, such as Marvin Gaye and Stevie Wonder. Smokey Robinson, his life-long best friend, is there to support as well as tease his mentor and old friend. Berry Gordy and company have always made me proud to be a Detroiter, and I was never more proud than after viewing this documentary. Motown's legacy will never die.
10t-73531
Motown was the greatest assembly of musicians that the world has ever heard. Their music transcended time, cultures, generations and ethnicities. To this day it remains as some of the most popular and captivating music ever recorded. I loved watching the making of the music and especially the clips of the live performances. Little Stevie Wonder, Little Michael Jackson & The Jackson 5, Diana Ross & The Supremes, Marvin Gaye, Smokey Robinson, The Four Tops, The Temptations. The list goes on and on. Detroit will forever be known as Motown.
Very rarely is there a film or documentary that begs for more background and material to be presented, most are in need of serious editing to eliminate needless repetition or boring monologues by so-called subject experts or narrators. (Virtually any Ken Burns doc) However, Motown Records is such an incredible story with has so much material and so many fascinating stories about the talented performers, musicians, writers, arrangers and execs who made Motown Records well deserving of it's "Hitsville USA" slogan. Loved the footage that was shown but 1:52 isn't nearly enough time to the subject give proper credit it deserves.
Co-writers/directors Benjamin Turner and Gabe Turner have delivered the definitive documentary about the musical phenomenon of Motown from its quiet birth by Berry Gordy in 1958 Detroit through its growth in global importance to its relocation to Los Angeles in the 1970s.
But the film is so much more than an overview of some of the most important singers and performers whose careers blossomed under the aegis of Berry Gordy (who narrates the film with Smokey Robinson!): it is a tribute to the impact that 'record company' had on the rise of black performers on the global stage. The script is witty, insightful, sensitive, and eloquent. The film shares films clips of performances by such stars as Diana Ross and the Supremes, Smokey Robinson, Stevie Wonder, Mary Wilson, Martha Reeves, Little Richard, Michael Jackson and the Jackson 5, the Temptations, Gladys Knight and the Pips, Marvin Gaye - and on and on.
The manner in which Berry Gordy and Smokey Robinson open the survey of the history of civil rights is distinguished and is one of the most accessible demonstrations of that deeply needed transition in cultural equality that has been created. Very highly recommended on many levels.
But the film is so much more than an overview of some of the most important singers and performers whose careers blossomed under the aegis of Berry Gordy (who narrates the film with Smokey Robinson!): it is a tribute to the impact that 'record company' had on the rise of black performers on the global stage. The script is witty, insightful, sensitive, and eloquent. The film shares films clips of performances by such stars as Diana Ross and the Supremes, Smokey Robinson, Stevie Wonder, Mary Wilson, Martha Reeves, Little Richard, Michael Jackson and the Jackson 5, the Temptations, Gladys Knight and the Pips, Marvin Gaye - and on and on.
The manner in which Berry Gordy and Smokey Robinson open the survey of the history of civil rights is distinguished and is one of the most accessible demonstrations of that deeply needed transition in cultural equality that has been created. Very highly recommended on many levels.
¿Sabías que…?
- TriviaDiana Ross and Gladys Knight are notable omissions of living Motown artists who only appear in archival footage and not new interviews for this documentary.
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- How long is Hitsville: The Making of Motown?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 364,013
- Tiempo de ejecución1 hora 52 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Hitsville: The Making of Motown (2019) officially released in India in English?
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