Bancroft

I read that this show was switched from ITV Encore to mainstream ITV, and on paper it has all the makings of a quality drama. It certainly has its good points, it's a strong script, it has some really strong production values, and most of all Sarah Parish is commanding from start to finish, dare I say she stands head and shoulders above everyone, and gives a truly strong performance.

I'm not shocked to read through some of the negative reviews, I can see how it could have not appealed to some, the ending was a little bit of a non event, but I'm sure the door is open for a second series. The character of Bancroft is intriguing, arguably the most manipulative woman on screen in 2017, was there anyone she didn't use to cover her tracks?

Strong performances from Faye Marsay and Amara Karan also, it was somehow missing a little something, not sure I can see Lee Boardman as a Police Man, he has to be a bad guy, but all in all I think Bancroft was quite gripping. 7/10

Hell hath no fury as a psycho cop! Enjoy the ride and try to ignore plot holes galore and a shallow script. Parish holds the screen with her Bisexual demeanor, helped by the paucity of male characters to rein her in. We know she's going to get her comeuppance in the end and sorta wish she didn't.

I decided to watch this after reading a very negative review from someone who seems to have a hangup about women playing lead parts in crime series. Personally I found the first episode excellent - good story line, strong characters, highly competent acting, what's not to like?

A previous reviewer found it boring and pc. Written by a man obviously who objects to 50% of the population being represented for once.

Not your typical cop-show for sure. I came to this series expecting another hard-boiled, name-above-the-title Jane Tennyson-type senior female cop on the trail of another serial-killer perhaps with another even more unusual M.O. than usual, but didn't expect the twist that she herself might blur the lines between right and wrong. In that sense I was reminded of another top cop who sometimes seemed to cross that line at will, namely John Luthor, but Bancroft here seems to take things even further in that while you sensed that Luthor would occasionally not flinch from taking the law into his own hands it was always to pursue justice even if it was his own sometimes skewered version of it, Bancroft here however, while she undoubtedly gets results in her official capacity, is in fact only concerned with the welfare of herself and maybe her son, before any other legal consideration and heaven help anyone who gets in her way.

The highly contrived plot only got more incredible as it went on, the starting point being a 27 year old cold-case unsolved murder of a young wife and mother who just happened to be Bancroft's love rival for the man she's beaten her to and who is now pregnant into the bargain. Bancroft was first on the scene of the crime as a young WPC and she was the protege of the then senior investigating cop who's still alive today, but only just and who now really wants to crack the case before he expires. Not that he gets the chance as he dies in mysterious circumstances soon after Bancroft pays him a visit, just as a case is being built by the young female officer appointed by Bancroft's rival male DSI for the soon-to-become-available Chief Commissioner position, and her forensic female colleague. Both these young investigators suspect the almost unbelievable regarding the seemingly untouchable Bancroft who in between throwing her pursuers off the track, is trying to ensnare Public Enemy Number One, a ruthless Asian gun-runner not above torturing and indeed murdering members of his own family to keep everyone in line. These two plot strands then converge in a dramatic showdown as we finally learn the truth about Bancroft and the extent to which she'll go to protect herself.

I found the plotting to be ludicrously over-the-top, incredible coincidence succeeding incredible coincidence as it went, boosted in all of this by Sarah Parish's equally O.T.T performance as the title character who cold-bloodedly rampages around like she's just escaped from the set of "Westworld". All that said, it only stretched to four episodes keeping the action, ridiculous as it was, tight and fast-moving. "Line Of Duty" or "Happy Valley" it doesn't try to be but for a piece of escapist nonsense which doesn't try to keep even one toe, never mind a whole foot, in reality, it was certainly entertaining enough.