Con la marea

One of Cinema's greatest virtues is working with themes that discuss morals, belief, power and human nature. This proposal is never easy to execute, nor to be fully understood in the final production result. What is seen on the screen can often result in controversy, subversion and controversies even if the narrative there brings a portrait close to our reality.

The Canadian film The King Tide (2023) by Christian Sparkes aims to work with these issues. Here, the director intends to explore the changes in a peaceful, isolated and idyllic fishing village that changes its behavior after the unexpected arrival of a girl with extraordinary powers.

Of course, Sparkes uses Fiction, as well as metaphors and symbolism, to dialogue with much of what we see in society. Once again, Cinema reflects on the impacts of a community that will now need to deal with the powers at its disposal. Far from being another typical superhero film, the gift of the girl Isla (Alix West Lefler) will serve as the trigger for a series of changes in the village.

Another important resource for creating a dark atmosphere in the film is the desolate situation of the village itself. Furthermore, residents are determined not to have contact with other places, and they don't even look for doctors and clinics outside the island. This adds a tone of conservatism that ends up weighing on the girl's situation of extreme idolatry, in addition to impacting the antagonism of ideas among some inhabitants.

The final half hour also guarantees extra tension, all leading up to an explosive ending that will leave the viewer with varied interpretations and some questions. If this is what Cinema must be like, Sparkes is on a good path.

This was a really interesting premise and the setting was great and the director obviously has an affection for the area he shot it in.

The story set up was good and they started to look into interesting perspectives of how people would handle a 'miracle' performing child, but then mostly went off the rails to darkness and illogical evil.

The actors all did a great job with the characters they were given but this went from being a potentially insightful and deep film into a same old same old but well staged, shot and acted slight disappointment.

Great to see the 2 core actors from Rectify on screen again too.

It's a mystery/supernatural drama where a girl with "healing" abilities gets locked up on a remote island by her foster parents. The premise is interesting and the movie holds your attention well until the very end. The finale has a nice twist that you likely won't expect. One of the ideas it delivers pretty well is that people's generic morals usually get trashed when it's about their survival or survival of their closest relatives. Also that most people are inherently egoistic and try not to share something that benefits them, even if the potential benefits to others would vastly outweigh.

Just think of the movie's premise: a girl can heal people almost instantly by just letting them come close to her. How would a scientist or an engineer react to such a phenomenon? Obviously, research WHAT makes her have these powers. Why? Because the implications can be revolutionary. Imagine the huge positive impact to medicine worldwide. Millions, even billions of people could be saved. Yet, none of the dimwits populating this island cares. For 10 years, they keep the girl to themselves and create a semi-religious cult around her. And when troubles start, what do they do? They gather in a anonymous alcoholics-like meeting. To do what? No, not to strategize. But to "share their feelings" while holding a plush bear. The girl's step-father is the guy who found her as a baby. It was a random find so it could as well be anyone else. In his eternal wisdom, he doesn't want the girl to get abused by the "mainlanders" (the world outside the island). I guess, because scientists will stick needles into her and crack open her skull just out of curiosity, right? It's certainly better if she grows on a remote island and thinks that Paris is an imaginary place from fairy tales and treats an old TV set is a miracle.

A big plot hole that kinda kept nagging me throughout the movie: how could these island's inhabitants survive on an island for 10 years without ever contacting the mainland? After all, they aren't living in Medieval times so that they could create clothes, tools and everything else from wood, stone and leaves. In 10 years, batteries would run out, tools would break, and cars would burn through all of the gas. So, magically, the island lives as if it has all the modern resources like oil, metals, and basically the whole modern economy run in the background by something like 20-30 hillbillies + 1 drunk doctor. This doctor could prescribe only sleeping pills by the way, and those are still okay to take after 10 years. Or the pills just magically manifested themselves because well, it's a supernatural drama. And to light up the town, you don't need a power plant. It's just enough to find an electric cable lying on the road with sparks in it.

I was happy when the girl finally left the island - and that's where the movie had to end. Turn off your brain and enjoy the ride!

A king tide is not only the exceptionally high waves that typically occur during a new or full moon but is also the name of the movie I'm reviewing today. THE KING TIDE is a tiny Canadian-made mystery thriller about a tiny island of people. So small that everybody knows everybody. They happen upon a baby, who seems to have some kind of power, who they call Isla. Much like the movie itself, I'm going to leave you to fill in the blanks. The best description I can think of for this movie is that it's a grim fairy tale. Canadian award-winning director Christian Sparkes takes an idyllic island village, makes one small change, and we the audience get to see how it affects everyone. I'm very hesitant in telling you more because I want you to go in mostly blind. Everybody does a great job, especially young Alix West Lefler, who I have no doubt will have a bright future in the business. This movie has a slow burn that completely pays off, accompanied by a creepy atmosphere and intriguing world-building that slowly draws you in. It's such a shame that almost nobody has even heard of THE KING TIDE. Luckily, I have so now you have too. Go see it before it goes away! Many thanks for reading this, and of course, "Many thanks to Isla."

The concept for this film is interesting, but it is slow. The story is good, as is the acting.

The cinematography is excellent, though because of the lack of momentum, I didn't feel much urgency or tension in the film, until the very end. That's where this film finally comes together. It is worth the wait.

Its not really a horror film or thriller, but more of a drama with fantasy elements. I chose to watch it over two nights, due to the pace.

I think this film would have been better at about 90 minutes. The dialogue, shots, and music are just too slow. Perhaps better editing would have been in order.